Best of Bond… James Bond: Deluxe Edition

~ Release by Various Artists (see all versions of this release, 27 available)

Annotation

Clear double CD jewel case.

Matrix (CD1): [4x Universal Logo] arvato 56211027/00602547623928 21
Mastering SID (CD1): IFPI LP 73
Mould SID (CD1): IFPI 0767
DiscID (CD1): 7be7XvNPbpA83m3LLAUaIVKd3OA-
Matrix (CD2): [4x Universal Logo] arvato 56211030/00602547623935 21
Mastering SID (CD2): IFPI LP 73
Mould SID (CD2): IFPI 0764
DiscID (CD2): wmcGa4strsDQ7i90TmwjSyBq5yg-

Annotation last modified on 2023-04-22 11:00 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Dr. No’s Fantasy
recording of:
Dr. No’s Fantasy
composer:
Monty Norman
The Monty Norman Orchestra1:43
2Under the Mango Tree
recording of:
Under the Mango Tree
lyricist and composer:
Monty Norman
publisher:
EMI Unart Catalog Inc.
Diana Coupland2:23
3007
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
007
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
The John Barry Orchestra52:46
4Opening Titles (medley): James Bond Is Back / From Russia With Love / James Bond Theme
solo guitar:
Vic Flick
vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Opening Titles: James Bond Is Back / From Russia With Love / James Bond Theme
composer:
John Barry (English score composer), Lionel Bart and Monty Norman
medley of:
From Russia With Love
medley of:
James Bond Is Back
medley of:
James Bond Theme
The John Barry Orchestra2:28
5Into Miami
engineer:
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Into Miami (in 1964-07)
composer:
John Barry (English score composer)
part of:
Goldfinger
part of:
Goldfinger
The John Barry Orchestra30:57
6The Laser Beam
engineer:
John Richards (engineer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1964-07)
recording of:
The Laser Beam
composer:
John Barry (English score composer)
part of:
Goldfinger
The John Barry Orchestra2:54
7Mr. Kiss Kiss Bang Bang
producer:
John Barry (English score composer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Mr. Kiss Kiss Bang Bang
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
part of:
Thunderball (film score)
Shirley Bassey2:16
8Switching the Body
conductor:
John Barry (English score composer)
recording of:
Switching the Body
composer:
John Barry (English score composer)
part of:
Thunderball (film score)
The John Barry Orchestra2.52:48
9Capsule in Space
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Capsule in Space (from the film "You Only Live Twice") (in 1967)
composer:
John Barry (English score composer)
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
part of:
You Only Live Twice (from the James Bond Film)
The John Barry Orchestra3.92:41
10Do You Know How Christmas Trees Are Grown
vocals:
Nina (Danish singer/actress Nina van Pallandt)
conductor:
John Barry (English score composer)
recording of:
Do You Know How Christmas Trees Are Grown
lyricist:
Hal David
composer:
John Barry (English score composer)
part of:
On Her Majesty's Secret Service (from the James Bond film)
Nina3:22
11Bond Smells a Rat
recording of:
Bond Smells a Rat
composer:
John Barry (English score composer)
part of:
Moonraker (soundtrack of the 1979 James Bond film)
The John Barry Orchestra31:53
12Fillet of Soul-New Orleans / Live and Let Die / Fillet of Soul-Harlem (medley)
vocals:
Brenda “B.J.” Arnau (60s-80s UK/US singer)
orchestra:
George Martin Orchestra
recording of:
Fillet of Soul (New Orleans / Live and Let Die / Fillet of Soul-Harlem)
writer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician), Linda McCartney and Paul McCartney (The Beatles)
The George Martin Orchestra featuring B.J. Arnau2.53:21
13Underground Lair
recording of:
Underground Lair
composer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
The John Barry Orchestra4:17
14Hip’s Trip
conductor:
John Barry (English score composer)
recording of:
Hip's Trip (The Man With the Golden Gun)
composer:
John Barry (English score composer)
part of:
The Man With the Golden Gun (from the James Bond Film)
The John Barry Orchestra33:20
15The Pyramids
producer:
Marvin Hamlisch
acoustic guitar [acoustic]:
Mike Egan (guitar)
bass guitar:
Brian Odges and Bruce Lynch
drums (drum set) [drums]:
Barry De Souza
electric guitar [second electric guitar]:
Chris Rae (British guitarist, composer, producer and engineer)
solo guitar:
Laurence Juber
conductor:
Marvin Hamlisch
recording of:
The Pyramids
composer:
Marvin Hamlisch
publisher:
Sony/ATV Harmony
part of:
The Spy Who Loved Me
Marvin Hamlisch1:31
16Cable Car and Snake Fight
conductor:
John Barry (English score composer) (in 1979-04)
arranger:
John Barry (English score composer)
recording of:
Cable Car and Snake Fight (in 1979-04)
composer:
John Barry (English score composer)
part of:
Moonraker (soundtrack of the 1979 James Bond film)
The John Barry Orchestra3:07
17Make It Last All Night
producer:
Christopher Neil
conductor:
Bill Conti
performer:
Rage (from the song "Make It Last All Night")
recording of:
Make It Last All Night
writer:
Bill Conti and Silvia Conti
Bill Conti featuring Rage3:31
18The Chase Bomb Theme
producer:
John Barry (English score composer)
conductor:
John Barry (English score composer)
recording of:
The Chase Bomb Theme
composer:
John Barry (English score composer)
part of:
Octopussy (soundtrack from the James Bond film)
The John Barry Orchestra1:58
19Snow Job
producer:
John Barry (English score composer)
recording of:
Snow Job
composer:
John Barry (English score composer)
part of:
A View to a Kill (from the James Bond film)
The John Barry Orchestra2:30
20Where Has Everybody Gone
producer:
John Barry (English score composer) and Paul Staveley O’Duffy
performer:
Pretenders (English–American rock band)
arranger:
John Barry (English score composer)
recording of:
Where Has Everybody Gone (The Living Daylights)
lyricist:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
composer:
John Barry (English score composer)
part of:
The Living Daylights (1987 James Bond film)
The Pretenders3:37
21If There Was a Man
producer:
John Barry (English score composer) and Paul Staveley O’Duffy
performer:
Pretenders (English–American rock band)
arranger:
John Barry (English score composer)
recording of:
If There Was a Man
lyricist:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
The Pretenders2:51
22The Experience of Love
background vocals:
Rupert Hine and Noa (Israeli singer)
recording of:
The Experience of Love
lyricist:
Rupert Hine
Eric Serra5:55
23James Bond Theme (Moby’s Re-version)
recording engineer and producer:
Moby (electronic musician Richard Melville Hall)
mixer:
Daniel Miller (British music producer and founder of Mute Records) and Alan Moulder (producer and engineer)
saxophone [sax]:
Rob Hardt (American saxophonist and clarinetist) and Alexander McCabe
trombone:
Greg Robinson
trumpet:
Osho Endo
remixer:
Moby (electronic musician Richard Melville Hall)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
recording of:
James Bond Theme (Moby version) (Moby arrangement)
composer:
Monty Norman
arranger:
Richard Melville Hall
arrangement of:
James Bond Theme
Moby2.43:24
24Surrender
recording engineer and mixer:
David Arnold (English score composer) and Steve Orchard (producer and engineer)
producer:
David Arnold (English score composer)
performer:
k.d. lang
k.d. lang43:56
25Only Myself to Blame
recording of:
Only Myself to Blame
lyricist:
Don Black (English lyricist)
composer:
David Arnold (English score composer)
publisher:
United Lion Music, Inc.
part of:
The World Is Not Enough (film soundtrack)
Scott Walker3:37
26Vesper
recording engineer and mixer:
Geoff Foster (sound engineer)
programming:
Rob Playford
assistant engineer:
Chris Barret (engineer) and Sam Jones (London engineer (Air Studios))
producer:
David Arnold (English score composer)
assistant editor:
Robin Whittaker
editor:
Dina Eaton and Dominic Gibbs (music editor)
bass:
Simon Edwards (bassist)
percussion [African Percussions Designed and Performed by]:
Pete Lockett
trumpet:
Derek Watkins (trumpeter)
conductor:
Nicholas Dodd (conductor)
orchestrator:
Nicholas Dodd (conductor)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Vesper
composer:
David Arnold (English score composer)
publisher:
Colpix Music, Inc., Sony/ATV Songs LLC and United Lion Music Inc.
David Arnold1:45
27Time to Get Out
recording engineer and mixer:
Geoff Foster (sound engineer)
programming:
Rob Playford and Steve Hilton
assistant engineer:
Chris Barrett (engineer) and Laurence Love Greed
producer:
David Arnold (English score composer), Geoff Foster (sound engineer) and Rob Playford
editor:
Dina Eaton and Robin Whittaker
conductor:
Nicholas Dodd (conductor)
orchestrator:
Nicholas Dodd (conductor)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Time to Get Out
writer and composer:
David Arnold (English score composer)
publisher:
Colpix Music, Inc. and United Lion Music Inc.
David Arnold3:31