Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

▶ CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
▶ CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
▶ CD 3: Cantatas 182, 12, 54, 172 (1714)
▶ CD 4: Cantatas 21, 199 (1714)
▶ CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
▶ CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
▶ CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
▶ CD 8: Cantatas 75, 76, 24 (1723)
▶ CD 9: Cantatas 167, 147, 186, 136 (1723)
▶ CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
▶ CD 11: Cantatas 77, 25, 119, 138 (1723)
▶ CD 12: Cantatas 95, 148, 48, 109 (1723)
▶ CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
▶ CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
▶ CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
▶ CD 16: Cantatas 18, 66, 134, 67 (1724)
▶ CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
▶ CD 18: Cantatas 173, 184, 194 (1724)
▶ CD 19: Cantatas 20, 2, 7, 135 (1724)
▶ CD 20: Cantatas 10, 93, 107, 178 (1724)
▶ CD 21: Cantatas 94, 101, 113 (1724)
▶ CD 22: Cantatas 33, 78, 99, 8 (1724)
▶ CD 23: Cantatas 130, 114, 96, 5 (1724)
▶ CD 24: Cantatas 180, 38, 115, 139 (1724)
▶ CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
▶ CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
▶ CD 27: Cantatas 124, 3, 111, 92 (1725)
▶ CD 28: Cantatas 125, 126, 127 (1725)
▶ CD 29: Cantatas 1, 6, 42 (1725)
▶ CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
▶ CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
▶ CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
▶ CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
▶ CD 34: Cantatas 32, 13, 72, 43 (1726)
▶ CD 35: Cantatas 146, 129, 39 (1726)
▶ CD 36: Cantatas 88, 170, 187, 45 (1726)
▶ CD 37: Cantatas 102, 35, 17, 19 (1726)
▶ CD 38: Cantatas 27, 47, 169, 56 (1726)
▶ CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
▶ CD 40: Cantatas 82, 157, 84 (1727)
▶ CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
▶ CD 42: Cantatas 171, 156, 159, 120a (1729)
▶ CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
▶ CD 44: Cantatas 29, 140, 36 (1731)
▶ CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
▶ CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
▶ CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
▶ CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
▶ CD 49: 4-Part Chorales, BWV 250-318 AC-GO
▶ CD 50: 4-Part Chorales, BWV 319-381 GO-ME
▶ CD 51: 4-Part Chorales, BWV 382-438 MI-WO
▶ CD 52: Magnificat BWV 243, 243a
▶ CD 53: Motets
▶ CD 54: Mass in B minor (1 Mortensen)
▶ CD 55: Mass in B minor (2 Mortensen)
▶ CD 56: Mass in B minor (1 Brüggen)
▶ CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
▶ CD 58: Missas BWV 234-236
▶ CD 59: St. John Passion (1724) (1 Gardiner)
▶ CD 60: St. John Passion (1724) (2 Gardiner)
▶ CD 61: St. John Passion (1749) (1 Suzuki)
▶ CD 62: St. John Passion (1749) (2 Suzuki)
▶ CD 63: St. Matthew Passion (1 Gardiner)
▶ CD 64: St. Matthew Passion (2 Gardiner)
▶ CD 65: St. Matthew Passion (1 McCreesh)
▶ CD 66: St. Matthew Passion (2 McCreesh)
▶ CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▶ CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
▶ CD 69: Christmas Oratorio (1 Gardiner)
▶ CD 70: Christmas Oratorio (2 Gardiner)
▶ CD 71: Christmas Oratorio (1 Chailly)
▶ CD 72: Christmas Oratorio (2 Chailly)
▶ CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶ CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
▶ CD 75: Cantatas 36c, 205, 34a (1725-1726)
▶ CD 76: Cantatas 207, 204, 216a (1726-1728)
▶ CD 77: Cantatas 198, 201 (1727-1729)
▶ CD 78: Cantatas 213, 214 (1733)
▶ CD 79: Cantatas 211, 215 (1734)
▶ CD 80: Cantatas 206, 30a (1736-1737)
▶ CD 81: Cantatas 209, 210, 212 (1730s-1740s)
▶ CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
▶ CD 83: Cantatas 56, 82, 4
▶ CD 84: Cantatas 31, 104, 57
▶ CD 85: Cantatas 199, 173, 74, 151
▶ CD 86: Easter Oratorio / Cantata 140
▶ CD 87: Cantatas 170, 159, 102
▶ CD 88: Cantatas 80, 52, 84, 209
▶ CD 89: Cantatas 82, 158, 56
▶ CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
▶ CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
▶ CD 92: Cantatas 92, 126, 182 (Easter)
▶ CD 93: Cantatas 1, 4, 67, 104 (Easter)
▶ CD 94: Cantatas 34, 68, 39 (Whitsun)
▶ CD 95: Cantatas 30, 147 (Whitsun)
▶ CD 96: Cantatas 76, 21 (Trinity)
▶ CD 97: Cantatas 135, 10, 45, 105 (Trinity)
▶ CD 98: Cantatas 51, 78, 8, 130 (Trinity)
▶ CD 99: Cantatas 27, 5, 60, 26 (Trinity)
▶ CD 100: St. Matthew Passion (1 Richter)
▶ CD 101: St. Matthew Passion (2 Richter)
▶ CD 102: St. Matthew Passion (3 Richter)
▶ CD 103: Great Singers (1952-1965)
▼ CD 104: Great Singers (1967-2011)
#TitleRatingLength
1St. John Passion, BWV 245: 9. Aria: "Ich folge dir gleichfalls"
producer:
Jaap van Ginneken
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Koninklijk Concertgebouworkest
conductor:
Eugen Jochum (conductor)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1967-06)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
3:40
2"Meinem Jesum lass ich nicht", BWV 124: 3. Aria: "Und wenn der harte Todesschlag"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
3:14
3"Herr, gehe nicht ins Gericht", BWV 105: 5. Aria: "Kann ich nur Jesum mir zum Freunde machen"
producer:
John Mordler (producer)
tenor vocals:
Ian Partridge (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
balance engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1966-05)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
6:42
4"Ich habe genug", BWV 82: 3. Aria: Schlummert ein, ihr matten Augen"
sound engineer and balance engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1968-07) and Karl Kolbinger (bassoonist) (in 1968-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1968-07) and Fritz Kiskalt (cellist) (in 1968-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1968-07)
oboe:
Manfred Clement (oboist) (in 1968-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1970) and Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1968-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
9:48
5Magnificat in D major, BWV 243: 6. "Et misericordia"
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:23
6"Sie werden euch in den Bann tun", BWV 44: 3. Aria: "Christen müssen auf der Erden"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
orchestra:
Münchener Bach‐Orchester (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": III. Aria (Alto) "Christen müssen auf der Erden" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
5:23
7Mass in B minor, BWV 232: 7. "Christe eleison"
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
solo soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
5:24
8Mass in B minor, BWV 232: 8. "Domine Deus"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
6:00
9Mass in B minor, BWV 232: 9. "Qui sedes"
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma, Roma, Lazio, Italy (in 1998-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1998-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
5:12
10St. John Passion, BWV 245: 19. Arioso: "Betrachte, meine Seel"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sebastian Weigle (hornist and conductor)
recorded at:
Palais im Großen Garten (Dresden) in Dresden, Sachsen, Germany
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 2006-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
2:26
11"Gott is unsre Zuversicht", BWV 197: 8. Aria: "Vergnügen und Lust"
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (in 1990-08)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
3:21
12"Ich habe genug", BWV 82: 1. Aria: "Ich habe genug"
mezzo-soprano vocals:
Lorraine Hunt Lieberson (American soprano / mezzo)
orchestra:
The Orchestra and Chorus of Emmanuel Music
conductor:
Craig Smith (Conductor, Founder of Emmanuel Music)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (from 2002-05-13 until 2002-05-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
7:42
13St. Matthew Passion, BWV 244: 13. Aria: "Ich will dir mein Herze schenken"
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-03)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1987-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:48
14St. Matthew Passion, BWV 244: 42. Aria: "Gebt mir meinen Jesum wieder"
bass vocals:
Michael Volle (baritone)
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Osawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:02
15St. Matthew Passion, BWV 244: 52. Aria: Können Tränen meiner Wangen"
alto vocals:
Marie‐Claude Chappuis (mezzo-soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Riccardo Chailly (conductor)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 2009-04-02 until 2009-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:17
16St. Matthew Passion, BWV 244: 68. Chorus: "Wir Setzen uns mit Tränen nieder"
choir vocals:
Thomanerchor Leipzig and Tölzer Knabenchor
orchestra:
Gewandhausorchester Leipzig
conductor:
Riccardo Chailly (conductor)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 2009-04-02 until 2009-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:05
▶ CD 105: Great Singers (Period Instruments)
▶ CD 106: Organ Works (Introduction 1)
▶ CD 107: Organ Works (Introduction 2)
▶ CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
▶ CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
▶ CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
▶ CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
▶ CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
▶ CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
▶ CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
▶ CD 115: Early Chorale Preludes / Chorale Partitas
▶ CD 116: Chorale Preludes (Mühlhausen & Weimar)
▶ CD 117: Breitkopf Collection, BWV 690-713
▶ CD 118: Orgelbüchlein (Preston)
▶ CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
▶ CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
▶ CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
▶ CD 122: Clavier-Übung III (1) (Preston)
▶ CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
▶ CD 124: Free Works of Unproven Authenticity
▶ CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
▶ CD 126: Keyboard Works (Introduction 1: Harpsichord)
▶ CD 127: Keyboard Works (Introduction 2: Piano)
▶ CD 128: Early Fugues & Capriccios
▶ CD 129: Early Suites & Sonatas
▶ CD 130: Toccatas, BWV 910-916
▶ CD 131: Virtuoso Fantasias & Fugues
▶ CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
▶ CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
▶ CD 134: English Suites 1-3 (Dreyfus)
▶ CD 135: English Suites 4-6 (Dreyfus)
▶ CD 136: French Suites 1-4 (Hogwood)
▶ CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
▶ CD 138: Partitas 1, 2, 6 (Rousset)
▶ CD 139: Partitas 3-5 (Rousset)
▶ CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
▶ CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
▶ CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
▶ CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
▶ CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
▶ CD 145: Goldberg Variations (Rousset)
▶ CD 146: Goldberg Variations (Esfahani)
▶ CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
▶ CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
▶ CD 149: French Suites 1-3 (Perahia)
▶ CD 150: French Suites 4-6 (Perahia)
▶ CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
▶ CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
▶ CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
▶ CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
▶ CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
▶ CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
▶ CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
▶ CD 158: Goldberg Variations (Schiff)
▶ CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
▶ CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
▶ CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
▶ CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
▶ CD 163: Orgelbüchlein (Walcha)
▶ CD 164: Brandenburg Concertos 1-6 (Goebel)
▶ CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶ CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶ CD 167: Orchestral Suites 1-3 (Goebel)
▶ CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
▶ CD 169: Orchestral Suites 1-4 (Pinnock)
▶ CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶ CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶ CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶ CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶ CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶ CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
▶ CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
▶ CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶ CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶ CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶ CD 180: Concertos (Alternative Instrumentations)
▶ CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶ CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶ CD 183: Suites for "Lute"
▶ CD 184: Cello Suites 1, 3, 5 (Watkin)
▶ CD 185: Cello Suites 2, 4, 6 (Watkin)
▶ CD 186: Violin Sonatas BWV 1014-1018
▶ CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶ CD 188: 5 Flute Sonatas / Partita for Solo Flute
▶ CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶ CD 190: Musical Offering / Canons (Goebel)
▶ CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
▶ CD 192: The Art of Fugue (Aimard)
▶ CD 193: The Art of Fugue (1742) (Gilbert)
▶ CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
▶ CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
▶ CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
▶ CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
▶ CD 198: Cello Suites 1-3 (Fournier)
▶ CD 199: Cello Suites 4-6 (Fournier)
▶ CD 200: Solo & Chamber Works (Alternative Instrumentations)
▶ CD 201: Clavier-Büchlein W. F. Bach (1)
▶ CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
▶ CD 203: Notenbüchlein A. M. Bach (1725) (1)
▶ CD 204: Notenbüchlein A. M. Bach (1725) (2)
▶ CD 205: Schemelli Gesangbuch BWV 439-474
▶ CD 206: Schemelli Gesangbuch BWV 475-507
▶ CD 207: Bach: Early Influences
▶ CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
▶ CD 209: Concertos at Weimar (Vivaldi)
▶ CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
▶ CD 211: The Bach Family
▶ CD 212: Bach & Other Composers (c. 1715-1730)
▶ CD 213: Bach & Other Composers (c. 1730-1742)
▶ CD 214: Bach & Other Composers (1742-1750)
▶ CD 215: Bach Renewed (From Bach's Sons to Mahler)
▶ CD 216: Bach Reimagined (Chaconne & Passacaglia)
▶ CD 217: Bach Orchestrated (Reger to Stokowski)
▶ CD 218: Inspired by Bach (Gounod to Pärt)
▶ CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
▶ CD 220: Bach & The Virtuoso Piano (The 20th Century)
▶ CD 221: Bach à la Jazz
▶ CD 222: New Colours of Bach
▶ DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]