Mass in B minor

~ Release by Johann Sebastian Bach; Lucia Popp, Carolyn Watkinson, Theo Adam, Rundfunkchor Leipzig, Neues Bachisches Collegium Musicum Leipzig, Peter Schreier (see all versions of this release, 1 available)

Tracklist

▶ CD 1

▼ CD 2
#	Title	Artist	Rating	Length
10	Mass in B minor. Credo: Credo in unum Deum orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:09
11	Mass in B minor. Credo: Patrem omnipotentem orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:08
12	Mass in B minor. Credo: Et in unum Dominum orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:58
13	Mass in B minor. Credo: Et incarnatus est orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:16
14	Mass in B minor. Credo: Crucifixus orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:31
15	Mass in B minor. Credo: Et resurrexit orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:26
16	Mass in B minor. Credo: Et in spiritum, sanctum Dominum, confiteor orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:51
17	Mass in B minor. Credo: Et expecto orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		6:46
18	Mass in B minor. Sanctus: Sanctus orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: III. Sanctus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:34
19	Mass in B minor. Agnus Dei: Osanna in excelsis orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:01
20	Mass in B minor. Bedidictus: Benidictus orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:53
21	Mass in B minor. Agnus Dei: Osanna in excelsis orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:01
22	Mass in B minor. Agnus Dei: Agnus Dei orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:43
23	Mass in B minor. Dona nobis pacem orchestra: Neues Bachisches Collegium Musicum conductor: Peter Schreier (German tenor and conductor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:47

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Release information

Format:: 2×CD
Length:: 1:49:36

Additional details

Type:: Album
Packaging:: Fatbox
Status:: Official
Language:: English
Script:: Latin
Data Quality:: Normal

Labels

Eurodisc
610089-232

Release events

[Worldwide]
1984

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Last updated on 2023-11-25 03:00 UTC