Camille Saint-Saëns Edition 2

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Tracklist

▶ CD 22: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII
▶ CD 23: Opera: Samson et Dalila (beginning)
▶ CD 24: Opera: Samson et Dalila (end)
▶ CD 25: Transcriptions & Arrangements 1
▶ CD 26: Transcriptions & Arrangements 2
▶ CD 27: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919
▶ CD 28: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3
▶ CD 29: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise
▶ CD 30: Historical Recordings: Piano Concertos nos. 1-3
▶ CD 31: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet
▶ CD 32: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton
▼ CD 33: Historical Recordings: 6 Arias / Samson et Dalila (beginning)
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1Samson et Dalila: Act 3. « Vois ma misère, hélas ! vois ma détresse ! »
choir vocals:
Metropolitan Opera Chorus (from 1916 until 1917)
tenor vocals:
Enrico Caruso (tenor) (from 1916 until 1917)
orchestra:
Metropolitan Opera Orchestra (from 1916 until 1917)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (from 1916 until 1917)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
4:41
2Samson et Dalila: Act 3. « Vois ma misère, hélas ! vois ma détresse ! »
tenor vocals:
Georges Thill (French tenor) (on 1936-04-24)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1936-04-24)
conductor:
Philippe Gaubert (composer, conductor, flautist) (on 1936-04-24)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1936-04-24)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (on 1936-04-24)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
8:40
3Samson et Dalila: Act 1. « L'es-tu donc oublié, celui dont la puissance »
tenor vocals:
Georges Thill (French tenor) (on 1928-04-10)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1928-04-10)
conductor:
Eugène Bigot (conductor) (on 1928-04-10)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1928-04-10)
recording of:
Samson et Dalila: Act 1. « L'es-tu donc oublié, celui dont la puissance » (on 1928-04-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:49
4Marquise, vois-en souvenez-vous?, for voice and piano
piano:
Joseph Benvenuti (in 1942)
tenor vocals:
Georges Thill (French tenor) (in 1942)
recording of:
Marquise, vous souvenez-vous ? (in 1942)
lyricist:
François Coppée
composer:
Camille Saint‐Saëns (composer)
2:34
5Le Timbre d'argent, for soprano, violin and piano, R 289: La bonheur est chose légère
piano:
Madeleine d'Aleman (from 1917 until 1918)
violin:
Raoul Barthalay (from 1917 until 1918)
soprano vocals:
Ninon Vallin (from 1917 until 1918)
recording of:
Le Timbre d'argent, for soprano, violin and piano, R 289: La bonheur est chose légère (from 1917 until 1918)
composer:
Camille Saint‐Saëns (composer)
part of:
Le timbre d'argent
3:12
6Parysatis, for voice and orchestra: Le Rossignol et la rose
soprano vocals:
Lily Pons (soprano)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Gustave Cloëz (from 1992-02-26 to present)
recording of:
Parysatis: Le Rossignol et la Rose
composer:
Camille Saint‐Saëns (composer)
part of:
Parysatis
2:54
7Samson et Dalila, opera in 3 acts, op. 47: Act I. Introduction - « Dieu ! Dieu d'Israël ! écoute la prière de tes enfants » (Les Hébreux)
choir vocals [Les Hébreux]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 1. « Dieu ! Dieu d'Israël ! » (Chorus of Hebrews) (from 1946-09-17 until 1946-09-27)
writer and composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
5:15
8Samson et Dalila, opera in 3 acts, op. 47: Act I. « Un jour, de nous, tu détournas la face » (Les Hébreux)
choir vocals [Les Hébreux]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila, opera in 3 acts, op. 47: Act I. « Un jour, de nous, tu détournas la face » (Les Hébreux) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
4:18
9Samson et Dalila, opera in 3 acts, op. 47: Act I. « Arrêtez, ô mes frères ! » (Samson, les Hébreux)
choir vocals [Les Hébreux]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 1. « Arrêtez, ô mes frères » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:16
10Samson et Dalila, opera in 3 acts, op. 47: Act I. « L'as-tu donc oublié, celui dont la puissance » (Samson, les Hébreux)
choir vocals [Les Hébreux]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila: Act 1. « L'es-tu donc oublié, celui dont la puissance » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:33
11Samson et Dalila, opera in 3 acts, op. 47: Act I. « Qui donc élève ici la voix ? » (Abimélech)
bass vocals [Abimélech]:
Charles Cambon (operatic bass-baritone) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 2. « Qui donc ici élève la voix ? » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:13
12Samson et Dalila, opera in 3 acts, op. 47: Act I. « C'est toi que sa bouche invective » (Samson, les Hébreux, Abimélech)
bass vocals [Abimélech]:
Charles Cambon (operatic bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals [Les Hébreux]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila, opera in 3 acts, op. 47: Act I. « C'est toi que sa bouche invective » (Samson, les Hébreux, Abimélech) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:44
13Samson et Dalila, opera in 3 acts, op. 47: Act I. « Que vois-je ! Abimélech ! frappé par des esclaves ! » (Le Grand Prêtre, Premier Philistin, Deuxième Philistin)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 3. « Que vois-je ? Abimélech » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:09
14Samson et Dalila, opera in 3 acts, op. 47: Act I. « Seigneur ! la troupe furieuse … Maudite à jamais soit la race » (Un messager, les deux Philistins, le Grand Prêtre)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1962-09-25 until 1962-09-28)
choir vocals [Les Philistins]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28)
conductor:
Louis Fourestier (from 1962-09-25 until 1962-09-28)
chorus master:
Jacques Duclos (from 1962-09-25 until 1962-09-28)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28)
recording of:
Samson et Dalila : Acte I, scène 4. « Seigneur, maudite à jamais soit ta race » (from 1962-09-25 until 1962-09-28)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:51
15Samson et Dalila, opera in 3 acts, op. 47: Act I. « Hymne de joie, hymne de délivrance » (Les vieillards hébreux, un vieillard hébreu)
bass vocals [Un vieillard hébreu]:
Henri Médus (operatic bass) (from 1946-09-17 until 1946-09-27)
choir vocals [Les vieillards hébreux]:
Chœurs du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre de l’Opéra national de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 5. « Hymne de joie, hymne de délivrance » (Chorus of Hebrew Elders) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
6:03
16Samson et Dalila, opera in 3 acts, op. 47: Act I. « Voici le printemps nous portant des fleurs » (Les Philistins)
choir vocals:
Chœur de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre de l’Opéra national de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 6. « Voici le printemps » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:18
17Samson et Dalila, opera in 3 acts, op. 47: Act I. « Je viens célébrer la victoire … Ô mon bien-aimé, suis mes pas vers Sorek » (Dalila, Samson, un vieillard hébreu)
bass vocals [Un vieillard hébreu]:
Henri Médus (operatic bass) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre de l’Opéra national de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 6. « Je viens célébrer la victoire » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:21
18Samson et Dalila, opera in 3 acts, op. 47: Act I. Danse des prêtresses de Dagon
orchestra:
Orchestre de l’Opéra national de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 6. Danse des prêtresses de Dagon (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:19
19Samson et Dalila, opera in 3 acts, op. 47: Act I. « Printemps qui commence, portant l'espérance » (Dalila, un vieillard hébreu)
bass vocals [Un vieillard hébreu]:
Henri Médus (operatic bass) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre de l’Opéra national de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (from 1946-09-17 until 1946-09-27)
balance engineer:
Eugène Ravenet (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
6:20
▶ CD 34: Historical Recordings: Samson et Dalila (end)