| # | Title | Rating | Length |
|---|
| 1 | Cruel Prelude | 2 | 0:37 |
| 2 | Don’t Be Cruel- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface , Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface , Bobby Brown , Kayo , Daryl Simmons and Karyn White
- other vocals [cruel rap]:
- Bobby , Daryl and L.A.
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Be Cruel
- writer:
- Antonio “L.A.” Reid, Babyface and Daryl Simmons
- publisher:
- Chappell Music Ltd. (from 1988 to present)
| 3 | 6:48 |
| 3 | My Prerogative- assistant recording engineer and assistant mixer:
- Jim Hanneman
- recording engineer:
- Dennis Mitchell
- drum machine programming:
- Markell Riley
- producer:
- Gene Griffin
- mixer:
- Gene Griffin, Dennis Mitchell and Teddy Riley
- background vocals:
- Bernard Bill, Lee Drakeford, Aaron Hall and Teddy Riley
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- G.R. Productions
- recorded at:
- Axis Studios in Manhattan, New York, New York, United States
- mixed at:
- Soundworks in New York, New York, United States
- music videos:
- My Prerogative by Bobby Brown
- recording of:
- My Prerogative
- writer:
- Bobby Brown , Gene Griffin and Teddy Riley
- publisher:
- Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., Universal Music – Z Tunes LLC and Universal Music Corp.
| 3.65 | 4:52 |
| 4 | Roni- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface , Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface , Bobby Brown , Kayo , Daryl Simmons and Karyn White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Roni
- writer:
- Babyface and Darnell Bristol
| | 5:58 |
| 5 | Rock Wit’cha | | 4:49 |
| 6 | Every Little Step- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface , Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface , Bobby Brown , Kayo , Daryl Simmons and Karyn White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Every Little Step
- writer:
- Antonio “L.A.” Reid and Babyface
| 2.35 | 3:57 |
| 7 | I’ll Be Good to You | | 4:26 |
| 8 | Take It Slow- recording engineer:
- Michael Denten and Howard Johnston
- miscellaneous support:
- Michael Denten
- engineer and producer:
- Larry White
- mixer:
- Michael Denten and Larry White
- bass and synthesizer [bass]:
- Kirk Crumpler
- bass [tastie bass] and drums (drum set):
- Larry White
- effects [special f/x and sound]:
- Ruben Laxamana
- finger snaps:
- Tommy Brown , Ervilinda Nasaira Hill and Mel Jay
- guitar:
- Emilio Conesa and Larry White
- keyboard:
- Ben Rayes, Percy Scott and Dewayne Sweet
- membranophone [fills]:
- Richard Aguon
- soprano saxophone:
- “The Cat” Melicio Magdaluyo
- background vocals:
- Richard Aguon, Ollie Bolds, Lee Peters , Ronnie Watkins and Larry White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- recorded at:
- Different Fur Studios in San Francisco, California, United States and Infinite Studio in Alameda, California, United States
- recording of:
- Take It Slow
- writer:
- Jay Logan, Lee Peters and Larry White
| | 5:23 |
| 9 | All Day All Night- recording engineer:
- Michael Denten and Howard Johnston
- producer:
- Larry White
- mixer:
- Michael Denten and Larry White
- drums (drum set) [drums]:
- Richard Aguon and Dewayne Sweet
- keyboard:
- Ben Rayes, Percy Scott, Dewayne Sweet and Larry White
- synthesizer [bass]:
- Dewayne Sweet
- background vocals:
- Richard Aguon, Ollie Bolds, Michael Denten and Lee Peters
- spoken vocals [telephone conversation]:
- Ervilinda Nasaira Hill
- additional remixer:
- K2 , Mark Slagle and Larry White
- remixer:
- Louil Silas, Jr.
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- recorded at:
- Different Fur Studios in San Francisco, California, United States and Infinite Studio in Alameda, California, United States
- recording of:
- All Day All Night
- writer:
- Lee Peters , Dewayne Sweet, Dennis Wadlington and Larry White
| 2 | 4:40 |
| 10 | I Really Love You Girl- recording engineer:
- Phil Waters
- producer:
- Gordon Jones
- assistant mixer:
- Paul Einger
- mixer:
- Mitch Gibson and Gordon Jones
- editor:
- Bill Dirks
- instruments:
- Gordon Jones
- membranophone [overdubs]:
- Flip Kirby
- background vocals:
- Gordon Jones and Porsche Griffin
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- B. Brown Productions and Flash Productions
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States and Cochrane Studios in Studio City, Los Angeles, California, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- I Really Love You Girl
- writer:
- Bobby Brown and Gordon Jones
| | 5:11 |
| 11 | Cruel Reprise | | 0:20 |
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