Classical Music For People Who Hate Classical Music Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#	Title	Artist	Rating	Length
1	Sabre Dance orchestra: Houston Symphony recording of: Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) composer: Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942) arrangement of: Gayaneh: Act III, Scene VII (Expiation). Sabre Dance	Արամ Խաչատրյան		2:38
2	Finale From Light Cavalry Overture orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) partial recording of: Leichte Kavallerie: Ouvertüre composer: Franz von Suppè (composer) part of: Leichte Kavallerie	Franz von Supp' Spalato Dalmatia		2:35
3	The Toreadors From Carmen orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz (musical fraudster) recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Georges Bizet		2:16
4	Wedding March From a Midsummer Night's Dream orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz (musical fraudster) recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Felix Mendelssohn		4:50
5	Radetzky March orchestra: Stauss-Orchester Wien, Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: Radetzky‐Marsch, op. 228 composer: Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848) dedicated to: Joseph Radetzky von Radetz premiered at: Wasserglacis in Wien, Austria (on 1848-08-31) part of: Works of Johann Strauss Sr. by opus number (number: op. 228)	Johann Strauss I		2:58
6	Finale From Symphony No. 9, Choral orchestra: Atlanta Symphony Orchestra recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) is based on: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		1:44
7	Polovstian Dance No. 17 From Prince Igor orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)	Александр Порфирьевич Бородин		3:55
8	Jesu, Joy of Man's Desiring brass: St. Louis Brass Quintet orchestra: St. Louis Brass Quintet recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		3:54
9	Solveig's Song From Peer Gynt orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor) recording of: Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 4. akt: Solveigs sang part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg	5	5:22
10	Sleepers, Wake orchestra: London Festival Orchestra (Alfred Scholz pseudonym) recording of: Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		4:20
11	Hornpipe From Water Music orchestra: Bamberger Symphoniker	Georg Friedrich Händel		0:56
12	Largo From Symphony No. 9, "From the New World" orchestra: Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation) partial recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“	Antonín Dvořák		4:25
13	Emperor Waltz orchestra: Orchester der Wiener Volksoper recording of: Kaiser-Walzer, op. 437 premiered in: Berlin, Germany (on 1889-10-21) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889) part of: Works of Johann Strauss Jr. by opus number (number: op. 437)	Johann Strauss II		6:03
14	St. Anthony's Chorale From Emperor Quartet	Joseph Haydn		1:48
15	Barcarolle From the Tales of Hoffman instruments: Royal Philharmonic Orchestra recording of: Les Contes d’Hoffmann: Barcarolle (catch-all for arrangements) composer: Jacques Offenbach arrangement of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, les invités, Hoffmann, Schlemil)	Jacques Offenbach		3:19
16	Farandole From L'Arl Sienne recording of: L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) composer: Georges Bizet (composer) (in 1872) arranger: Ernest Guiraud part of: L’Arlésienne Suite no. 2 (for orchestra)	Georges Bizet		3:30
17	Dance of the Mirlitons From the Nutcracker	Пётр Ильич Чайковский		2:13
18	Dance of the Sugar-Plum Fairy From the Nutcracker	Пётр Ильич Чайковский		1:49
19	Highlight From Rhapsody in Blue	George Gershwin		5:53
20	Can-Can From Orpheus in the Underworld recording of: Orphée aux enfers : Can-can (Ouverture / Acte II. Galop infernal) (catch-all for arrangements) composer: Jacques Offenbach is based on: Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (widely known as “Can-can”)	Jacques Offenbach		1:58

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