Mastermix Presents the 100 Collection: Soul & Motown

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ Digital Media 1: Warm Up
▼ Digital Media 2: Main Party Set
#TitleArtistRatingLength
1Dancing in the Street
producer:
William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
recording of:
Dancing in the Street
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha Reeves and the Vandellas3.62:36
2Reach Out, I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul "Duke" Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Four Tops42:54
3Get Ready
recording of:
Get Ready
lyricist and composer:
William “Smokey” Robinson
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations2:40
4It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye & Kim Weston52:56
5You Can’t Hurry Love
Diana Ross & The Supremes2:41
6Come on Over to My Place
recorded in:
New York, New York, United States (on 1965-03-17)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Berns and Jerry Wexler
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1965-03-17)
baritone vocals:
Eugene Pearson (vocals, Drifters) (on 1965-03-17)
bass vocals:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (on 1965-03-17)
lead vocals [lead tenor vocals]:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1965-03-17)
tenor vocals:
Charlie Thomas (The Drifters) (on 1965-03-17)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (on 1965-03-17)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recording of:
Come on Over to My Place (on 1965-03-17)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:27
7Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd. and Sony/ATV Music Pub. Ltd.
The Foundations42:35
8Ain’t Too Proud to Beg
recording of:
Ain’t Too Proud to Beg
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations2:31
9Soul Man
recording of:
Soul Man
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave2:36
10Superstition
Moog programming and associate producer:
Malcolm Cecil and Robert Margouleff
engineer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
recording of:
Superstition
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽, Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.54:04
11Love Machine (album version)
performer:
Billy Griffin
recording of:
Love Machine
lyricist and composer:
Billy Griffin and Warren Moore
horn and strings arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles6:55
12Twenty Five Miles
Edwin Starr3:18
13(Your Love Keeps Lifting Me) Higher and Higher
producer:
Carl Davis (record producer)
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (US funk/soul guitarist) (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (soul singer) (on 1967-07-06)
performer:
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios (Chicago) in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 246)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson, Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Jackie Wilson52:56
14Shout (Pts. 1 & 2)
recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Longitude Music Co. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers4:27
15Stop Her on the Sight (S.O.S.)
Edwin Starr2:15
16The Night
recording of:
The Night
writer:
Bob Gaudio and Al Ruzicka
Frankie Valli & The Four Seasons3:21
17Under My Thumb
Wayne Gibson3:09
18Tainted Love
engineer:
Armin Steiner
producer:
Ed Cobb
arranger:
Lincoln Mayorga
recording of:
Tainted Love (in 1965)
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Gloria Jones52:11
19Sliced Tomatoes
Just Brothers2:21
20The Snake
recording of:
The Snake
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:29
21Do I Love You (Indeed I Do)
recording of:
Do I Love You (Indeed I Do)
lyricist and composer:
Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music
Frank Wilson2:23
22There’s a Ghost in My House
recording of:
There’s a Ghost in My House
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor2:25
23River Deep Mountain High
cover recording of:
River Deep – Mountain High
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Company, Universal‐Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), フジパシフィックミュージック BMG事業部, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日本アブコ音楽出版
The Supremes & Four Tops3:08
24This Old Heart of Mine (Is Weak for You)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
This Old Heart of Mine (Is Weak for You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music and Stone Agate Music Division
The Isley Brothers4.352:49
25Uptight (Everything’s Alright)
Stevie Wonder2:54
26Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.152:51
27Saturday Night at the Movies
recording of:
Saturday Night at the Movies
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music Ltd.
The Drifters2:27
28Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo and Tony Macaulay
publisher:
EMI United Partnership Ltd.
The Foundations43:00
29He Was Really Sayin’ Somethin’
recording of:
He Was Really Sayin’ Somethin’ (on 1964-12-07)
writer:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team), William Stevenson (Motown songwriter) and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music
The Velvelettes42:28
30Nowhere to Run
recording of:
Nowhere to Run
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha Reeves and the Vandellas2:55
31Papa Was a Rollin’ Stone
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R'n'B singer) (in 1972), Damon Harris (in 1972) and Richard Street (in 1972)
conductor:
Paul Riser
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 168) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations46:58
32Signed, Sealed, Delivered (I’m Yours)
producer:
Stevie Wonder
lead vocals:
Stevie Wonder (in 1970)
arranger:
Paul Riser
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
writer:
Lee Garrett, Lula Mae Hardaway, Syreeta (US singer-songwriter active 1970s-80s) and Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
Stevie Wonder4.22:38
33I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (formerly “The Jackson 5”)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
writer:
Deke Richards (American songwriter and record producer), Berry Gordy, Fonce Mizell and Freddie Perren
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Jackson 54.252:58
34My Guy
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:52
35The Tracks of My Tears
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Smokey Robinson & The Miracles2:53
36Too Many Fish in the Sea
The Marvelettes2:28
37I’ll Pick a Rose for My Rose
Marv Johnson2:38
38Twist & Shout
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 3)
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Robert Mellin Ltd., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers2:29
39Love Man
recording of:
Love Man
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:19
40Nutbush City Limits
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner2:54
41Money (That’s What I Want)
producer:
Berry Gordy
drums (drum set):
Benny Benjamin (US drummer)
piano:
Barrett Strong
tambourine:
Brian Holland (Motown producer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 3) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 288)
recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
Barrett Strong3.852:36
42Love on a Mountain Top
recording of:
Love on a Mountain Top
writer:
James "Buzz" Cason and Mac Gayden
publisher:
Peter Maurice Music Pub. Co. Ltd.
Robert Knight2:28
43I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.62:48
44Land of 1000 Dances
Wilson Pickett2:22
45I Heard It Through the Grapevine
producer:
Norman Whitfield
drums (drum set):
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
organ:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 119)
recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
recording of:
I Heard It Through the Grapevine (on 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:12
46Ain’t No Mountain High Enough
vocals:
Marvin Gaye and Tammi Terrell
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music, Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye & Tammi Terrell4.752:28
47Get Up (I Feel Like Being a Sex Machine)
recording of:
Sex Machine (James Brown)
writer:
James Brown (“The Godfather of Soul”), Pee Wee Ellis and Bud Hobgood
James Brown5:16
48Proud Mary
engineer:
Brent Maher
producer:
Ike Turner
instruments:
Ike Turner & The Kings of Rhythm
background vocals:
The Ikettes
lead vocals:
Tina Turner
vocals:
Ike Turner
part of:
New York Post: 100 Greatest Covers (2007) (number: 69)
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.54:55
49Needle in a Haystack
recording of:
Needle in a Haystack
writer:
William Stevenson (Motown songwriter) and Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
The Velvelettes2:25
50Do You Love Me
producer:
Berry Gordy Jr.
guitar:
Huey Davis (guitarist) (on 1962-06-03)
instruments:
The Funk Brothers (on 1962-06-03)
additional lead vocals:
Billy Hoggs (on 1962-06-03)
background vocals:
Billy Hoggs (in 1962), Joe Billingslea (on 1962-06-03), Hubert Johnson (singer) (on 1962-06-03) and Sylvester Potts (on 1962-06-03)
lead vocals:
Billy Gordon (The Contours) (on 1962-06-03)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1962-06-03)
music videos:
Do You Love Me (music video) by The Contours (60s soul)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 9)
recording of:
Do You Love Me (on 1962-06-03)
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours4.352:53
51Everybody Needs Somebody to Love
Solomon Burke2:42
52Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
is based on:
Yeah Man
Arthur Conley42:21
53Heaven Must Have Sent You
recording of:
Heaven Must Have Sent You (on 1966-06-02)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobette-Carlin Music Ltd.
The Elgins22:33
54Rockin’ Robin
lead vocals:
Michael Jackson (“King of Pop”) (in 1971-10)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
cover recording of:
Rockin’ Robin (in 1971-10)
lyricist and composer:
Jimmie Thomas
publisher:
Recordo Music Pub.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Michael Jackson4.62:32
55Breakin’ Down the Walls of Heartache
Johnny Johnson & The Bandwagon2:35
56My Man, a Sweet Man
Millie Jackson2:34
57Hit the Road, Jack
recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部
Ray Charles1:56
58Jimmy Mack
Martha Reeves and the Vandellas2:51
59Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:36
60Abc
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
The Jackson 54.12:58
61Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin2:24
62Will You Still Love Me Tomorrow
cover recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Shirelles2:39
63Hold On, I’m Comin’
recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East Memphis Music, Irving Music, Inc., Pronto Music and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave2:31
64Hard to Handle
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
Otis Redding2:18
65(What a) Wonderful World
recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版
Sam Cooke2:05
66Be My Baby
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Trio Music Co., Inc. and Universal‐Songs of PolyGram International, Inc.
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Ronettes42:40
67(I Get the) Sweetest Feeling
recording of:
I Get the Sweetest Feeling
writer:
Alicia Evelyn and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson2:54
68Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold
writer:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:53
69Then He Kissed Me
engineer:
Larry Levine (in 1963-07)
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 493)
recording of:
Then He Kissed Me (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal‐Songs of PolyGram International, Inc.
The Crystals52:36
70Mustang Sally
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett43:04
▶ Digital Media 3: End of Night

Credits

Release Group

part of:Mastermix Presents the 100 Collection (order: 2)