Baroque Gold: 100 Great Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▼ CD 4
#TitleArtistRatingLength
1Solomon, HWV 67: Arrival of the Queen of Sheba
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03)
balance engineer:
Hans-Peter Schweigmann (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:11
2Judas Maccabaeus HWV 63: No. 58. "See, the Conqu'ring Hero Comes! See, the Godlike Youth Advance! See, the Conqu'ring Hero Comes!"
choir vocals:
Wandsworth School Boys’ Choir
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Russell Burgess
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel2:53
3Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
orchestra:
New London Consort
conductor:
Philip Pickett (musician)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
Johann Sebastian Bach7:13
4Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
orchestra:
New London Consort
conductor:
Philip Pickett (musician)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
Johann Sebastian Bach3:23
5Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
orchestra:
New London Consort
conductor:
Philip Pickett (musician)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
Johann Sebastian Bach4:35
6Violin Concerto in F minor, op. 8, no. 4, RV. 297 "L'inverno": I. Allegro non molto
producer:
Peter Wadland
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Catherine Mackintosh (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
solo performer:
Catherine Mackintosh (violinist)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:22
7Violin Concerto in F minor, op. 8, no. 4, RV. 297 "L'inverno": II. Largo
producer:
Peter Wadland
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Catherine Mackintosh (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
solo performer:
Catherine Mackintosh (violinist)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi1:59
8Violin Concerto in F minor, op. 8, no. 4, RV. 297 "L'inverno": III. Allegro
producer:
Peter Wadland
archlute:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Catherine Mackintosh (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
solo performer:
Catherine Mackintosh (violinist)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:08
9Sonata for Violin and Continuo in G minor, B.g5 "The Devil's Trill": I. Larghetto affettuoso
cello:
Catherine Rimer (cellist) (on 2010-09-29)
harpsichord:
Christian Curnyn (conductor) (on 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (on 2010-09-29)
violin:
Nicola Benedetti (violinist) (on 2010-09-29)
conductor:
Christian Curnyn (conductor) (on 2010-09-29)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 2010-09-29)
recording of:
Violin Sonata in G minor, B.g5 'Le trille du diable': I. Larghetto affettuoso (on 2010-09-29)
composer:
Giuseppe Tartini
part of:
Violin Sonata in G minor, B.g5 'Le trille du diable' (three-movement version)
Giuseppe Tartini4:35
10Sonata for Violin and Continuo in G minor, B.g5 "The Devil's Trill": II. Allegro
cello:
Catherine Rimer (cellist) (on 2010-09-29)
harpsichord:
Christian Curnyn (conductor) (on 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (on 2010-09-29)
violin:
Nicola Benedetti (violinist) (on 2010-09-29)
conductor:
Christian Curnyn (conductor) (on 2010-09-29)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 2010-09-29)
recording of:
Violin Sonata in G minor, B.g5 'Le trille du diable': II. Allegro (Tempo giusto) (on 2010-09-29)
composer:
Giuseppe Tartini
part of:
Violin Sonata in G minor, B.g5 'Le trille du diable' (three-movement version)
Giuseppe Tartini3:48
11Sonata for Violin and Continuo in G minor, B.g5 "The Devil's Trill": III. Andante - Allegro
cello:
Catherine Rimer (cellist) (on 2010-09-29)
harpsichord:
Christian Curnyn (conductor) (on 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (on 2010-09-29)
violin:
Nicola Benedetti (violinist) (on 2010-09-29)
conductor:
Christian Curnyn (conductor) (on 2010-09-29)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 2010-09-29)
recording of:
Violin Sonata in G minor, B.g5 'Le trille du diable': III. Andante - Allegro (on 2010-09-29)
composer:
Giuseppe Tartini
part of:
Violin Sonata in G minor, B.g5 'Le trille du diable' (three-movement version)
Giuseppe Tartini5:29
12Orphée et Eurydice, Wq. 30 : “J’ai perdu mon Eurydice”
tenor vocals:
Daniel Behle (tenor) (in 2013-07)
orchestra:
Armonia Atenea (Greek camerata) (in 2013-07)
conductor:
George Petrou (Greek conductor) (in 2013-07)
arranger:
Giovanni Secchi
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (in 2013-07)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:23
13Concerto in G major, op. 2, no. 3: I. Adagio - Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1979-03)
orchestra:
The English Concert (in 1979-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1979-03)
balance engineer:
Hans-Peter Schweigmann and Karl-August Naegler (balance engineer) (in 1979-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02 until 1979-03)
recording of:
Concerto in G major, op. 2 no. 3: I. Adagio (in 1979-03)
composer:
John Stanley (English classical composer and organist)
part of:
Concerto in G major, op. 2 no. 3
recording of:
Concerto in G major, op. 2 no. 3: II. Allegro (in 1979-03)
composer:
John Stanley (English classical composer and organist)
part of:
Concerto in G major, op. 2 no. 3
John Stanley4:06
14Sonata in F major, Kk469
producer:
Chris Sayers (producer) (in 1997-04)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1997-04)
recording of:
Sonata in F major, K 469, L 431: Allegro molto (in 1997-04)
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 431) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 469)
Domenico Scarlatti3:14
15Messiah, HWV 56: "And the Glory of the Lord"
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
chorus master:
Simon Preston (organist, conductor, composer)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the Glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:54
16Messiah, HWV 56: Hallelujah
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Christopher Hogwood (conductor, harpsichordist)
chorus master:
Simon Preston (organist, conductor, composer)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:51
17Concerto Grosso in D minor
assistant engineer:
Anna D’hein
producer:
Christoph Claßen (producer/engineer)
harpsichord:
Mahan Esfahani
orchestra:
Concerto Köln (in 2014-09)
balance engineer:
Michael Morawietz
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2014-09)
recording of:
Concerto Grosso in D minor "La Follia", op. 5 no. 12, H. 143 (in 2014-09)
composer:
Francesco Geminiani (composer)
part of:
Francesco Germiniani's thematic catalogue of works (Numbers starting with H.) (number: H. 143)
is based on:
Violin Sonata in D minor "Follia", op. 5 no. 12
part of:
12 Concerti Grossi after Corelli's Violin Sonatas, op.5
Francesco Geminiani11:47
▶ CD 5
▶ CD 6

Credits

Release

manufactured in:Czechia
copyrighted (©) by and phonographic copyright (℗) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2017)
licensed to:Universal International Music B.V. (company, do not use as label)
Discogs:https://www.discogs.com/release/11504560 [info]
ASIN:DE: B06Y1Q1XVF [info]
discography entry:http://www.deccaclassics.com/au/cat/4832158 [info]