Annotation

Packaging: Cardboard box that folds open with booklet and nine individual paper sleeves inside

Sub-optimal credits

Transfer from 78s done by (as specified for individual tracks, for discs 1–3):

  • Symphony no. 1 (disc 1, tracks 1–4): Michael J. Dutton
  • Falstaff (disc 1, tracks 5–10): Anthony C. Griffith
  • Symphony no. 2 (disc 2, tracks 1–5): Michael J. Dutton
  • Symphony no. 2 rehearsal (disc 2, track 6): Jerrold Northrop Moore
  • Dream of Gerontius (disc 3, tracks 1–8): Anthony C. Griffith
  • Civic Fanfare (disc 3, track 9): Anthony C. Griffith
  • Dream of Gerontius (disc 3, tracks 10–13): Anthony C. Griffith, Michael J. Dutton
  • Music Makers (disc 3, tracks 14–17): Michael J. Dutton

Transfer and remastering, by disc:

  • CDs 1–3: Mastered by Paul Baily, Michael J. Dutton, and Peter Mew; digitally remastered by Michael J. Dutton and John Holland
  • CDs 4 and 7–9: Transferred from 78s and digitally remastered by Andrew Walter
  • CDs 5 and 6: Digitally remastered by Andrew Walter, Paul Baily, and John Holland. Transferred from 78s by:
    • CD 5, track 14–26: Anthony C. Griffith
    • CD 6, track 4: Anthony C. Griffith
    • The rest: Andrew Walter

Edward Elgar "supervised…via telephone" Lawrance Collingwood conducting Caractacus (disc 9, tracks 10–11).

Source Matrix/Catalogue Numbers

Source matrix no.s/catalogue nos. (HMV unless stated otherwise) of first publication:

  • Symphony no. 1 (disc 1, tracks 1–4): Cc 20675-7 & 20682-9/D 1944-9
  • Falstaff (disc 1, tracks 5–10): 2B 2011-14 & 2017-20/DB 1621-4
  • Symphony no. 2 (disc 2): CR 1268-79/D 1230-35 (no matrix number assigned to track 6/rehearsal, part ℗ 1971 on World Record Club SH 163, part EMI Classics CDS 7 54560 2)
  • Dream of Gerontius (disc 2, tracks 1–8): CR 997–9/Pearl Opal 810; CR 1201/RLS 713; CR 1202/RLS 713; CR 1203/D 1243; CR 1205/D 1242; CR 1206–7/D 1242 & RLS 713; CR 1208/RLS 713; CR 1209–10/RLS 713 & D 1243
  • Civic Fanfare (disc 2, track 9): BR 1137/RLS 708
  • Dream of Gerontius (disc 2, tracks 10–13): BR 1137/RLS 708 and CR 1143, 1145, & 1148–9/D 1350 & 1348
  • Music Makers (disc 2, tracks 14–17): CR 1157, 1159, & 1161/D 1349 & 1347
  • Enigma Variations (disc 4, tracks 1–15): CR 339–45/D 1154–7
  • Violin Concerto in B minor (disc 4, tracks 16–19): 2B 2968–79/DB 1751–6
  • The Wand of Youth (disc 5, tracks 1–7): Cc 15062–6/D 1636–8
  • The Wand of Youth (disc 5, tracks 8–13): Cc 15062–6 & 15067–70/D 1636–8 & 1649–50
  • Nursery Suite (disc 5, tracks 14–21): 2B 558–61/D 1998–9
  • Severn Suite (disc 5, tracks 22–26): 2B 2848–52/DB 1908–10
  • Land of Hope and Glory, It comes from the misty ages, National Anthem, Croft: O God, our help in ages past (disc 6, tracks 1–4): CR 1658/RLS 713; CR 1661/RLS 713; CR 1659/C 1467; CR 1660/C 1467
  • Meditation from the Light of Life (disc 6, track 5): CR 649/D 1157
  • Three Characteristic Pieces (disc 6, tracks 6–8): Bb 18152/Japanese Victor JF 38; Cc 18153/EMI Classics CDS 7 54564 2; 2B 4152/DB 1910
  • Chanson de nuit, Canson de matin (disc 6, tracks 9–10): CR 338 & CR 1280/D 1236
  • Three Bavarian Dances (disc 6, tracks 11–13): CR 1455–6/D 1367 and 2B 576/DB 1667
  • The Crown of India (disc 6, tracks 14–18): Cc 19727–8 & Cc 19741/D 1899–1900
  • Fantasia and Fugue in C minor (disc 6, tracks 19–20): CR 346–7/W 749
  • Froissart (disc 7, track 1): 2B 4149–51/DB 1938–9
  • Cockaigne (disc 7, track 2): CR 332–5/D 1110–11
  • In the South (disc 7, tracks 3–6): Cc 19729–30 & 19742–4/DB 1665–7
  • Interludes from Falstaff (disc 7, tracks 7–8): Cc 18151/D 1863
  • Cello Concerto in E minor (disc 7, tracks 9–12) CR 1754–9/D 1507–9
  • Minuet from Beau Brummel, Rosemary, Salut d’amour, Minuet op. 21, Sérénade lyrique, May Song, Carissima (disc 8, tracks 1–7): Cc 18139/RLS 713, Cc 18138/D 1778, Bb 18150/E 547, Cc 18149/D 1863, Cc 18137/D 1778, Cc 18140/D 1949, and Bb 18141/E 547
  • Minuet from Beau Brummel (disc 8, track 8): Cc 15072/D 1638
  • Five Piano Improvisations (disc 8, tracks 9–13): Bb 18129 and Cc 18130–33/RLS 713
  • Pomp and Circumstance (disc 8, tracks 14–18): CR 336/D 1102, CR 337/D 1102, CD 1454/D 1301, CR 1453/D 1301, and Cc 19740/D 1900
  • Land of Hope and Glory (disc 8, track 19): 2B 2016 (transferred from film soundtrack)/RLS 713
  • Prelude to The Kingdom (disc 9, track 1); Pomp and Circumstance (disc 9, tracks 3–4); and Cockaigne (disc 9, track 5): 2B 4178–9/DB 1934, 2B 3456/DB 1801, 2B 3455/DB 1801, 2B 4177/DB 1936, and 2B 4174–6/DB 1935–6
  • Serenade in E minor (disc 9, tracks 6–8); Elegy (disc 9, track 9): 2B 3553–5/DB 2132–3 and (Elegy only) 2B 3556/DB 1939
  • Caractacus (disc 9, tracks 10–11): 2B 4757/DB 2147 and 2B 4759–60/DB 2142
  • Mina (disc 9, track 12–13): OB 5886/EMI Classics CDS 7 54568 2 and (track 13 only) OEA 957/B 8282
  • Coronation March (disc 9, track 14): 2EA 1019–20/DB 2437
Annotation last modified on 2017-03-04 08:33 UTC.

Tracklist

CD 1
CD 2
CD 3
CD 4
CD 5
CD 6
#TitleRatingLength
1Land of Hope and Glory
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
contralto vocals:
Margaret Balfour (mezzo-soprano) (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
Land of Hope and Glory (on 1928-02-03)
anthem of:
England, United Kingdom (ended)
lyricist:
Arthur Christopher Benson
composer:
Edward Elgar (composer) (in 1902)
is based on:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
4:40
2It comes from the misty ages
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
The Banner of St. George, op. 33: Epilogue (on 1928-02-03)
composer:
Edward Elgar (composer) (in 1897)
librettist:
Shapcott Wensley
part of:
The Banner of St. George, op. 33
4:41
3National Anthem
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
God Save the King (for soloists, chorus and orchestra, Elgar) (on 1928-02-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arranger:
Edward Elgar (composer)
arrangement of:
God Save the King (national anthem of several countries in the British Commonwealth)
3:17
4Croft: O God, our help in ages past
organ:
Arnold Greir (organist) (on 1928-02-03)
choir vocals:
Philharmonic Choir (on 1928-02-03)
orchestra:
London Symphony Orchestra (on 1928-02-03)
conductor:
Sir Edward Elgar (composer) (on 1928-02-03)
balance engineer:
A. S. Clarke (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1928-02-03) and Studio D, Small Queen’s Hall (on 1928-02-03)
recording of:
O God, our help in ages past (arr. Elgar) (on 1928-02-03)
lyricist:
Isaac Watts (hymn writer)
composer:
William Croft (English composer & organist)
arranger:
Edward Elgar (composer)
arrangement of:
O God, our help in ages past (hymn to tune St. Anne)
4:23
5Meditation from The Light of Life, op. 29
orchestra:
Royal Albert Hall Orchestra (on 1926-08-30)
conductor:
Sir Edward Elgar (composer) (on 1926-08-30)
balance engineer:
A. S. Clarke (engineer), R. E. Beckett and H. E. Davidson
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-08-30)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1926-08-30)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
4:44
6Three Characteristic Pieces, op. 10: 1. Mazurka
orchestra:
New Symphony Orchestra (often referred to as just The New Symphony Orchestra) (on 1929-11-08)
conductor:
Sir Edward Elgar (composer) (on 1929-11-08)
balance engineer:
A. S. Clarke (engineer), J. H. Ellis (engineer) and Edward Fowler (engineer)
recorded at:
Queen’s Small Hall in London (Greater London), England, United Kingdom (on 1929-11-08)
recording of:
Three Characteristic Pieces, op. 10: No. 1. Mazurka (on 1929-11-08)
composer:
Edward Elgar (composer) (in 1899)
part of:
Three Characteristic Pieces, op. 10
3:22
7Three Characteristic Pieces, op. 10: 2. Sérénade mauresque
orchestra:
New Symphony Orchestra (often referred to as just The New Symphony Orchestra) (on 1929-11-08)
conductor:
Sir Edward Elgar (composer) (on 1929-11-08)
balance engineer:
A. S. Clarke (engineer), J. H. Ellis (engineer) and Edward Fowler (engineer)
recorded at:
Queen’s Small Hall in London (Greater London), England, United Kingdom (on 1929-11-08)
recording of:
Three Characteristic Pieces, op. 10: No. 2. Sérénade mauresque (on 1929-11-08)
composer:
Edward Elgar (composer)
part of:
Three Characteristic Pieces, op. 10
5:15
8Three Characteristic Pieces, op. 10: 3. Contrasts: The Gavotte AD 1700 and 1900
orchestra:
London Symphony Orchestra (on 1933-02-21)
conductor:
Sir Edward Elgar (composer) (on 1933-02-21)
balance engineer:
A. S. Clarke (engineer), J. H. Ellis (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1933-02-21)
recording of:
Three Characteristic Pieces, op. 10: No. 3. Contrasts: The Gavotte (on 1933-02-21)
composer:
Edward Elgar (composer)
part of:
Three Characteristic Pieces, op. 10
3:31
9Chanson de nuit, op. 15 no. 1
orchestra:
Royal Albert Hall Orchestra (on 1926-04-27)
conductor:
Sir Edward Elgar (composer) (on 1926-04-27)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1926-04-27) and Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-27)
recording of:
Chanson de nuit, op. 15 no. 1 (for orchestra) (on 1926-04-27)
orchestrator and composer:
Edward Elgar (composer)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
version of:
Chanson de nuit, op. 15 no. 1 (for violin and piano)
recording of:
Chanson de nuit, op. 15 no. 1 (for violin and piano) (on 1926-04-27)
composer:
Edward Elgar (composer)
part of:
Chanson de nuit and Chanson de matin, op. 15 (for violin and piano)
4:28
10Chanson de matin, op. 15 no. 2
orchestra:
London Symphony Orchestra (on 1927-04-01)
conductor:
Sir Edward Elgar (composer) (on 1927-04-01)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1927-04-01) and Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-04-01)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (on 1927-04-01)
orchestrator and composer:
Edward Elgar (composer)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
3:06
11Three Bavarian Dances, op. 27: 1. The Dance (Sonnenbichl) (Allegretto giocoso)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Three Bavarian Dances: No. 1. The Dance (on 1927-07-15)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
part of:
Three Bavarian Dances, op. 27a
3:45
12Three Bavarian Dances, op. 27: 2. Lullaby (In Hammersbach) (Moderato)
orchestra:
London Symphony Orchestra (on 1927-07-15)
conductor:
Sir Edward Elgar (composer) (on 1927-07-15)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander and D. F. Larter
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1927-07-15) and Studio D, Small Queen’s Hall (on 1927-07-15)
recording of:
Three Bavarian Dances: No. 2. Lullaby (on 1927-07-15)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
part of:
Three Bavarian Dances, op. 27a
3:44
13Three Bavarian Dances, op. 27: 3. The Marksman (Bei Murnau) (Allegro)
orchestra:
London Symphony Orchestra (on 1932-02-04)
conductor:
Sir Edward Elgar (composer) (on 1932-02-04)
balance engineer:
A. S. Clarke (engineer), M. J. C. Alexander, D. F. Larter and unknown (Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1932-02-04)
recording of:
Three Bavarian Dances: No. 3. The Marksmen (on 1932-02-04)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)
part of:
Three Bavarian Dances, op. 27a
4:53
14The Crown of India—Suite, op. 66: I. (a) Introduction (Allegro)—
orchestra:
London Symphony Orchestra (from 1930-09-15 until 1930-11-22)
conductor:
Sir Edward Elgar (composer) (from 1930-09-15 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and G. W. Dillnutt
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15, on 1930-11-22)
partial recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls (from 1930-09-15 until 1930-11-22)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
1:32
15The Crown of India—Suite, op. 66: I. (b) Dance of the Nautch Girls (Allegretto)
orchestra:
London Symphony Orchestra (from 1930-09-15 until 1930-11-22)
conductor:
Sir Edward Elgar (composer) (from 1930-09-15 until 1930-11-22)
balance engineer:
A. S. Clarke (engineer), F. C. Bulkley and G. W. Dillnutt
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15, on 1930-11-22)
partial recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls (from 1930-09-15 until 1930-11-22)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
3:05
16The Crown of India—Suite, op. 66: II. Menuetto (Moderato)
orchestra:
London Symphony Orchestra (on 1930-09-15)
conductor:
Sir Edward Elgar (composer) (on 1930-09-15)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15)
recording of:
The Crown of India - Suite, op. 66: II. Menuetto (on 1930-09-15)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
2:13
17The Crown of India—Suite, op. 66: III. Warriors’ Dance (Allegro)
orchestra:
London Symphony Orchestra (on 1930-09-15)
conductor:
Sir Edward Elgar (composer) (on 1930-09-15)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15)
recording of:
The Crown of India - Suite, op. 66: III. Warrior's Dance (on 1930-09-15)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
1:59
18The Crown of India—Suite, op. 66: V. March of the Mogul Emperors (Moderato maestoso)
orchestra:
London Symphony Orchestra (on 1930-09-15)
conductor:
Sir Edward Elgar (composer) (on 1930-09-15)
balance engineer:
A. S. Clarke (engineer) and F. C. Bulkley
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1930-09-15)
recording of:
The Crown of India - Suite, op. 66: V. March of the Mogul Emperors (on 1930-09-15)
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
3:57
19Fantasia and Fugue in C minor, op. 86: Fantasia
orchestra:
Royal Albert Hall Orchestra (on 1926-04-28)
conductor:
Sir Edward Elgar (composer) (on 1926-04-28)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-28)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration) (on 1926-04-28)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: I. Fantasie
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
4:37
20Fantasia and Fugue in C minor, op. 86: Fugue
orchestra:
Royal Albert Hall Orchestra (on 1926-04-28)
conductor:
Sir Edward Elgar (composer) (on 1926-04-28)
balance engineer:
A. S. Clarke (engineer), Edward Fowler (engineer) and G. W. Dillnutt
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1926-04-28)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration) (on 1926-04-28)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: II. Fuge
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
3:03
CD 7
CD 8
CD 9

Credits

Release

liner notes:Richard Abram
miscellaneous support:Lawrance Collingwood
producer:Fred Gaisberg
mastering:Andrew Walter (engineer)
Anthony C. Griffith (engineer)
Paul Baily (audio engineer)
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
John Holland (engineer)
Peter Mew