The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 13 available)

Tracklist

▶ CD 1: Sacred Cantatas, BWV 1-3
▶ CD 2: Sacred Cantatas, BWV 4-6
▶ CD 3: Sacred Cantatas, BWV 7-9
▶ CD 4: Sacred Cantatas, BWV 10-12
▶ CD 5: Sacred Cantatas, BWV 13, 14 & 16
▶ CD 6: Sacred Cantatas, BWV 17-19
▶ CD 7: Sacred Cantatas, BWV 20 & 21
▶ CD 8: Sacred Cantatas, BWV 22-25
▶ CD 9: Sacred Cantatas, BWV 26-29
▶ CD 10: Sacred Cantatas, BWV 30 & 31
▶ CD 11: Sacred Cantatas, BWV 32-34
▶ CD 12: Sacred Cantatas, BWV 35 & 36
▶ CD 13: Sacred Cantatas, BWV 37-40
▶ CD 14: Sacred Cantatas, BWV 41-43
▶ CD 15: Sacred Cantatas, BWV 44-47
▶ CD 16: Sacred Cantatas, BWV 48-51
▶ CD 17: Sacred Cantatas, BWV 52 & 54-56
▶ CD 18: Sacred Cantatas, BWV 57-60
▶ CD 19: Sacred Cantatas, BWV 61-63
▶ CD 20: Sacred Cantatas, BWV 64-66
▶ CD 21: Sacred Cantatas, BWV 67-69, 69a
▶ CD 22: Sacred Cantatas, BWV 70-73
▶ CD 23: Sacred Cantatas, BWV 74 & 75
▶ CD 24: Sacred Cantatas, BWV 76-78
▶ CD 25: Sacred Cantatas, BWV 79-82
▶ CD 26: Sacred Cantatas, BWV 83-86
▶ CD 27: Sacred Cantatas, BWV 87-90
▶ CD 28: Sacred Cantatas, BWV 91-93
▶ CD 29: Sacred Cantatas, BWV 94-96
▶ CD 30: Sacred Cantatas, BWV 97-99
▶ CD 31: Sacred Cantatas, BWV 100-102
▶ CD 32: Sacred Cantatas, BWV 103-105
▶ CD 33: Sacred Cantatas, BWV 106-108
▶ CD 34: Sacred Cantatas, BWV 109-111
▶ CD 35: Sacred Cantatas, BWV 112-114
▶ CD 36: Sacred Cantatas, BWV 115-117
▶ CD 37: Sacred Cantatas, BWV 119-120
▶ CD 38: Sacred Cantatas, BWV 121-124
▶ CD 39: Sacred Cantatas, BWV 125-127
▶ CD 40: Sacred Cantatas, BWV 128-130
▶ CD 41: Sacred Cantatas, BWV 131-133
▶ CD 42: Sacred Cantatas, BWV 134-137
▶ CD 43: Sacred Cantatas, BWV 138-140
▶ CD 44: Sacred Cantatas, BWV 143-146
▶ CD 45: Sacred Cantatas, BWV 147-149
▶ CD 46: Sacred Cantatas, BWV 150-153
▶ CD 47: Sacred Cantatas, BWV 154-157
▶ CD 48: Sacred Cantatas, BWV 158, 159, 161 & 162
▶ CD 49: Sacred Cantatas, BWV 163-166
▶ CD 50: Sacred Cantatas, BWV 167-169
▶ CD 51: Sacred Cantatas, BWV 170-173
▶ CD 52: Sacred Cantatas, BWV 174-176
▶ CD 53: Sacred Cantatas, BWV 177-179
▶ CD 54: Sacred Cantatas, BWV 180-182
▶ CD 55: Sacred Cantatas, BWV 183-185
▶ CD 56: Sacred Cantatas, BWV 186-187
▶ CD 57: Sacred Cantatas, BWV 188 & 192
▶ CD 58: Sacred Cantatas, BWV 194 & 195
▶ CD 59: Sacred Cantatas, BWV 196 & 197
▶ CD 60: Sacred Cantatas, BWV 198 & 199
▶ CD 61: Secular Cantatas, BWV 134A & 173A
▶ CD 62: Secular Cantatas, BWV 201 & 204
▶ CD 63: Secular Cantatas, BWV 202, 203 & 209
▶ CD 64: Secular Cantatas, BWV 206 & 207
▶ CD 65: Secular Cantatas, BWV 205 & 211
▶ CD 66: Secular Cantatas, BWV 207A & 210
▶ CD 67: Secular Cantatas, BWV 208 & 212
▶ CD 68: Secular Cantatas, BWV 213
▶ CD 69: Secular Cantatas, BWV 214 & 215
▶ CD 70: Secular Cantatas, BWV 190, 191 & 193
▶ CD 71: Secular Cantatas, BWV 63 app., 182 app., 36C & 200
▶ CD 72: Sacred vocal works, Mass in B minor BWV 232 (I)
▶ CD 73: Sacred vocal works, Mass in B minor BWV 232 (II)
▶ CD 74: Sacred vocal works, Missae breves (I) BWV 233, 234 & 239-241
▶ CD 75: Sacred vocal works, Missae breves (II) BWV 235-238 & 242
▶ CD 76: Sacred vocal works, Magnificats, BWV 243 & 243A
▶ CD 77: Sacred vocal works, St Matthew Passion, BWV 244 (I)
▶ CD 78: Sacred vocal works, St Matthew Passion, BWV 244 (II)
▶ CD 79: Sacred vocal works, St Matthew Passion, BWV 244 (III)
▶ CD 80: Sacred vocal works, St John Passion, BWV 245 (I)
▶ CD 81: Sacred vocal works, St John Passion, BWV 245 (II)
▼ CD 82: Sacred vocal works, Christmas Oratorio, BWV 248 (I)
#TitleRatingLength
1Christmas Oratorio, BWV 248: Part 1, 1. Chorus "Jauchzet, frohlocket"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
8:29
2Christmas Oratorio, BWV 248: Part 1, 2. Evangelist (Tenore) "Es begab sich aber zu der Zeit"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:09
3Christmas Oratorio, BWV 248: Part 1, 3. Accompagnato (Alto) "Nun wird mein liebster Bräutigam"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:53
4Christmas Oratorio, BWV 248: Part 1, 4. Air (Alto) "Bereite dich, Zion"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:57
5Christmas Oratorio, BWV 248: Part 1, 5. Chorale "Wie soll ich dich empfangen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:08
6Christmas Oratorio, BWV 248: Part 1, 6. Evangelist "Und sie gebar"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:24
7Christmas Oratorio, BWV 248: Part 1, 7. Chorale, Recitative (Soprano, Basso) "Er ist auf Erden kommen arm"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:56
8Christmas Oratorio, BWV 248: Part 1, 8. Air (Basso) "Großer Herr, o starker König"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:26
9Christmas Oratorio, BWV 248: Part 1, 9. Chorale "Ach mein herzliebes Jesulein"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:12
10Christmas Oratorio, BWV 248: Part 2, 10. Sinfonia
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:43
11Christmas Oratorio, BWV 248: Part 2, 11. Evangelist "Und es waren Hirten in derselben Gegend"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:31
12Christmas Oratorio, BWV 248: Part 2, 12. Chorale "Brich an, o schönes Morgenlicht"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:08
13Christmas Oratorio, BWV 248: Part 2, 13. Evangelist, Angelus (Soprano) "Und der Engel sprach zu ihnen"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:41
14Christmas Oratorio, BWV 248: Part 2, 14. Recitative (Basso) "Was Gott dem Abraham verheissen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:40
15Christmas Oratorio, BWV 248: Part 2, 15. Air (Tenore) "Frohe Hirten, eilt"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:45
16Christmas Oratorio, BWV 248: Part 2, 16. Evangelist "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:18
17Christmas Oratorio, BWV 248: Part 2, 17. Chorale "Schaut hin, dort liegt im finstern Stall"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:37
18Christmas Oratorio, BWV 248: Part 2, 18. Recitative (Basso) "So geht denn hin"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:49
19Christmas Oratorio, BWV 248: Part 2, 19. Air (Alto) "Schlafe, mein Liebster"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
9:23
20Christmas Oratorio, BWV 248: Part 2, 20. Evangelist "Und alsobald war da bei dem Engel"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:16
21Christmas Oratorio, BWV 248: Part 2, 21. Chorus "Ehre sei Gott in der Höhe"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:55
22Christmas Oratorio, BWV 248: Part 2, 22. Recitative (Basso) "So recht, ihr Engel"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:22
23Christmas Oratorio, BWV 248: Part 2, 23. Chorale "Wir singen dir in deinem Heer"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1972)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:13
24Christmas Oratorio, BWV 248: Part 3, 24. Chorus "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:18
25Christmas Oratorio, BWV 248: Part 3, 25. Evangelist "Und da die Engel"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:11
26Christmas Oratorio, BWV 248: Part 3, 26. Chorus (Shepherds) "Lasset uns nun gehen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:47
27Christmas Oratorio, BWV 248: Part 3, 27. Recitative (Basso) "Er hat sein Volk getröst'"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:38
28Christmas Oratorio, BWV 248: Part 3, 28. Chorale "Dies hat er alles uns getan"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:51
29Christmas Oratorio, BWV 248: Part 3, 29. Air duett (Soprano, Basso) "Herr, dein Mitleid"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:50
30Christmas Oratorio, BWV 248: Part 3, 30. Evangelist "Und sie kamen eilend"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:08
31Christmas Oratorio, BWV 248: Part 3, 31. Air (Alto) "Schließe, mein Herze"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:04
32Christmas Oratorio, BWV 248: Part 3, 32. Recitative (Alto) "Ja, ja, mein Herz"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:28
33Christmas Oratorio, BWV 248: Part 3, 33. Choral "Ich will dich mit Fleiß bewahren"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien, Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1972)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:59
▶ CD 83: Sacred vocal works, Christmas Oratorio, BWV 248 (II)
▶ CD 84: Sacred vocal works, Psalm 51, BWV 1083; Arias, BWV 245A, B & C
▶ CD 85: Sacred vocal works, Easter Oratorio, BWV 249
▶ CD 86: Motets, chorales & songs, Motets, BWV 225-230
▶ CD 87: Motets, chorales & songs: Chorales, BWV 253-301
▶ CD 88: Motets, chorales & songs: Chorales, BWV 302-342
▶ CD 89: Motets, chorales & songs: Chorales, BWV 343-388
▶ CD 90: Motets, chorales & songs: Chorales, BWV 389-438
▶ CD 91: Motets, chorales & songs: Sacred songs (Schemelli)
▶ CD 92: Motets, chorales & songs: Chorales, quodlibet, etc
▶ CD 93: Organ works: Fantasias, preludes & fugues BWV 531, 542-544, 562, 570, 572, 578, 582 & 588
▶ CD 94: Organ works: Schübler Chorales, BWV 645-650 & Leipzig Chorales, BWV 651-655 & 668
▶ CD 95: Organ works: Leipzig Chorales, BWV 656-667
▶ CD 96: Organ works: Sonatas, BWV 525-530
▶ CD 97: Organ works: Toccatas, preludes & fugues, BWV 532, 538, 540 & 564-566
▶ CD 98: Organ works: Clavier-übung III, BWV 552,1 & 669-683
▶ CD 99: Organ works: Clavier-übung III, BWV 552,2, 684-689, 769A & 802-805
▶ CD 100: Organ works: Preludes & Fugues, BWV 533, 535, 537, 546, 549, 550, 568, 569, 575; Allabreve, BWV 589
▶ CD 101: Organ works: Preludes & Fugues, BWV 534, 539, 541, 545, 547, 577, 583, 590 & 598
▶ CD 102: Organ works: Orgel-Büchlein, BWV 599-644
▶ CD 103: Organ works: Chorales partitas, BWV 690, 691, 705-708, 728, 729, 763, 766-768, 770 & BWV Anh. II 74
▶ CD 104: Organ works: Kirnberger chorales BWV 695A, 696, 698 & 711; Chorale arrangements BWV 717, 718, 721, 725, 726, 730-733, 735, 738-741, 754 & 1085
▶ CD 105: Organ works: Neumeister chorales, BWV 1090-1120; Chorale arrangements, BWV 714, 719, 737, 742 & 957
▶ CD 106: Organ works: Kirnberger chorales BWV 709, 697, 702, 713, 712, 700, 701, 704, 703, 694, 699; and other chorale arrangements
▶ CD 107: Organ works: Preludes & fugues, BWV 548, 553-561 & 571; Kleines harmonisches labyrinth, BWV 591; Concerto, BWV 594
▶ CD 108: Organ works: Concertos, BWV 592, 593 & 595-597; Fantasias, preludes & fugues, BWV 536, 551, 563, 574, 576, 579, 1121
▶ CD 109: Keyboard works: Inventions, BWV 772-786; Sinfonias, BWV 787-801
▶ CD 110: Keyboard works: English & French suites 1 & 2
▶ CD 111: Keyboard works: English & French suites 3 & 4
▶ CD 112: Keyboard works: English & French suites 5 & 6
▶ CD 113: Keyboard works: Suites, BWV 818A, 819 & 821, etc.
▶ CD 114: Keyboard works: Partitas 1-4, BWV 825-828
▶ CD 115: Keyboard works: Partitas 4-6, BWV 828-830
▶ CD 116: Keyboard works: The Well-Tempered Clavier I (1) nos. 1-12, BWV 846-857
▶ CD 117: Keyboard works: The Well-Tempered Clavier I (2) nos. 13-24, BWV 858-869
▶ CD 118: Keyboard works: The Well-Tempered Clavier II (1) nos. 1-12, BWV 870-881
▶ CD 119: Keyboard works: The Well-Tempered Clavier II (2) nos. 13-24, BWV 882-893
▶ CD 120: Keyboard works: Preludes, fantasias & fugues, BWV 894, 900, 902A, 904, 924-927, 929-931, 937, 939, 940 & 994
▶ CD 121: Keyboard works: Preludes, fantasias & fugues, BWV 933-936, 938, 941-944, 955, 958-959; Sonata, BWV 963; Capriccio, BWV 993
▶ CD 122: Keyboard works: Toccatas, BWV 910-916
▶ CD 123: Keyboard works: Chromatic fantasias and fugue, BWV 903; Aria variata, BWV 989; 14 canons, BWV 1087; Suite, BWV 823; etc
▶ CD 124: Keyboard works: Italian concerto, BWV 971; Overture, BWV 831
▶ CD 125: Keyboard works: Goldberg Variations, BWV 988
▶ CD 126: Keyboard works: Sonatas, BWV 964-966 & 968; Fugue, BWV 954
▶ CD 127: Keyboard works: Preludes & fughettas, BWV 833, 846A, 847A, 851A, 855A, 896, 899, 901, 902, 906, 917, 918, 921, 922 & 929
▶ CD 128: Keyboard works: Suites, BWV 822 & 832; Fugures, BWV 946-951, 953 & 961, etc
▶ CD 129: Keyboard works: Concertos after Vivaldi, BWV 972, 973, 975, 976, 978 & 980
▶ CD 130: Keyboard works: Concertos after various composers, BWV 974, 977, 979 & 981-987
▶ CD 131: Chamber music: Works for lute, BWV 995-997
▶ CD 132: Chamber music: Works for lute, BWV 998-1000 & 1006a
▶ CD 133: Chamber music: Violin sonatas & partitas, BWV 1001-1003
▶ CD 134: Chamber music: Violin sonatas & partitas, BWV 1004-1006
▶ CD 135: Chamber music: Cello suites, BWV 1007-1009
▶ CD 136: Chamber music: Cello suites, BWV 1010-1012
▶ CD 137: Chamber music: Violin and Harpsichord Sonatas, BWV 1014-1018
▶ CD 138: Chamber music: Violin and Harpsichord Sonatas, BWV 1019, 1019a, 1021 & 1023
▶ CD 139: Chamber music: Violin and Harpsichord Sonatas, BWV 1025 & 1026; Sonatas for Viola da gamba and Harpsichord, BWV 1027-1029
▶ CD 140: Chamber music: Flute and Harpsichord Sonatas, BWV 1030, 1032, 1034, 1035, 1038 & 1039
▶ CD 141: Chamber music: Canons, BWV 1080/19, 1072-1078, 1086; Flute Sonatas, BWV 1013, 1031, 1033
▶ CD 142: Chamber music: A Musical Offering, BWV 1079
▶ CD 143: Chamber music: Art of Fugue, BWV 1080
▶ CD 144: Orchestral works: Violin concertos, BWV 1041-1043, 1056R & 1060R
▶ CD 145: Orchestral works: Brandenburg Concertos 1-3, BWV 1046-1048
▶ CD 146: Orchestral works: Brandenburg Concertos 4-6, BWV 1049-1051
▶ CD 147: Orchestral works: Harpsichord concertos (I), BWV 1053-1057
▶ CD 148: Orchestral works: Harpsichord concertos (II), BWV 1052, 1061, 1063 & 1064
▶ CD 149: Orchestral works: Harpsichord concertos (III), BWV 1058, 1059R, 1060, 1062 & 1065
▶ CD 150: Orchestral works: Orchestral suites 1 & 2
▶ CD 151: Orchestral works: Orchestral suites 3 & 4
▶ CD 152: Orchestral works: Concertos, BWV 1044, 1052R, 1055R & 1045
▶ CD 153: Orchestral works: Sinfonia, BWV 1046A; Concertos, BWV 1050A & 1064R