The Essential Hyperion

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Allegro (Concerto for two trumpets)
recording engineer:
Tony Faulkner (recording engineer) (in 1987-03)
producer:
Martin Compton (producer) (in 1987-03)
baroque trumpet [trumpet]:
Stephen Keavy (trumpet player) (from 1987-03-24 until 1987-03-26) and Crispian Steele‐Perkins (classical trumpeter and composer) (from 1987-03-24 until 1987-03-26)
trumpet:
Stephen Keavy (trumpet player) and Crispian Steele‐Perkins (classical trumpeter and composer)
orchestra:
The Parley of Instruments (from 1987-03-24 until 1987-03-26)
conductor:
Peter Holman (conductor and organist) (from 1987-03-24 until 1987-03-26)
performer:
The Parley of Instruments
Nicola Matteis1:30
2Rondeau (Abdelazer)
engineer:
Antony Howell (engineer) (in 1992-03)
producer:
Arthur Johnson (recording producer of classical music) (in 1992-03)
violin:
Roy Goodman (conductor and violinist) (in 1992-03)
orchestra:
The Brandenburg Consort (in 1992-03)
conductor:
Roy Goodman (conductor and violinist) (in 1992-03)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet, London (Greater London), England, United Kingdom (in 1992-03)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:49
3A Prince of glorious race
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell3:39
4The glitt'ring sun (The Morning)
engineer:
Antony Howell (engineer) (from 1987-01-03 until 1987-01-04)
producer:
Martin Compton (producer) (from 1987-01-03 until 1987-01-04)
cello:
Mark Caudle (cellist and bass violist) (from 1987-01-03 until 1987-01-04)
double bass:
Anthony Van Kampen (from 1987-01-03 until 1987-01-04)
flute:
Lisa Beznosiuk (flautist) (from 1987-01-03 until 1987-01-04)
violin:
Pavlo Beznosiuk (violinist) (from 1987-01-03 until 1987-01-04), Theresa Caudle (violinist, violist) (from 1987-01-03 until 1987-01-04), Roy Goodman (conductor and violinist) (from 1987-01-03 until 1987-01-04), Pauline Nobes (violinist) (from 1987-01-03 until 1987-01-04), Jane Norman (violinist, violist) (from 1987-01-03 until 1987-01-04), Judy Tarling (viola player, Parley of Instruments) (from 1987-01-03 until 1987-01-04) and Henrietta Wayne (from 1987-01-03 until 1987-01-04)
soprano vocals:
Emma Kirkby (soprano) (from 1987-01-03 until 1987-01-04)
conductor:
Roy Goodman (conductor and violinist) (from 1987-01-03 until 1987-01-04)
performer:
The Parley of Instruments (from 1987-01-03 until 1987-01-04)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1987-01-03 until 1987-01-04)
edit of:
The Morning by The Parley of Instruments, Ray Goodman, Emma Kirkby (soprano)
recording of:
The Morning: The glitt'ring sun begins to rise
composer:
Thomas Arne (composer)
part of:
The Morning
Thomas Arne51:42
5Vauderville (The Ephesian Matron)
engineer:
Antony Howell (engineer) (from 1992-03 until 1992-04)
producer:
Martin Compton (producer) (from 1992-03 until 1992-04)
bass vocals:
Andrew Knight (Australian singer) (from 1992-03-31 until 1992-04-02)
soprano vocals:
Jane Streeton (from 1992-03-31 until 1992-04-02) and Bronwen Mills (soprano) (from 1992-03-31 until 1992-04-02)
tenor vocals:
Mark Padmore (British tenor) (from 1992-03-31 until 1992-04-02)
orchestra:
Opera Restor'd (from 1992-03-31 until 1992-04-02)
conductor:
Peter Holman (conductor and organist) (from 1992-03-31 until 1992-04-02)
recorded at:
St. Paul’s Church (New Southgate) in London (Greater London), England, United Kingdom (from 1992-03-31 until 1992-04-02)
recording of:
The Ephesian Matron; or, The Widow's Tears: Vaudeville. Thus old wits in wicked satires (from 1992-03-31 until 1992-04-02)
composer:
Charles Dibdin
part of:
The Ephesian Matron; or, The Widow's Tears
Charles Dibdin2:43
6Magnificat in G
engineer:
Antony Howell (engineer) (in 1990-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1990-07)
organ:
Andrew Lucas (organist) (from 1990-07-05 until 1990-07-19)
choir vocals:
St Paul’s Cathedral Choir (London) (from 1990-07-05 until 1990-07-19)
treble vocals:
Jeremy Budd (from 1990-07-05 until 1990-07-19)
conductor:
John Scott (organist, choirmaster) (from 1990-07-05 until 1990-07-19)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (from 1990-07-05 until 1990-07-19)
recording of:
Evening Service in G major, op. 81: Magnificat (from 1990-07-05 until 1990-07-19)
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Evening Service in G major, op. 81
Sir Charles Villiers Stanford4:41
7Libera Nos, Salva Nos
engineer:
Antony Howell (engineer) (in 1988-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1988-01)
choir vocals:
The Sixteen (UK choir) (from 1988-01-21 until 1988-01-24)
orchestra:
The Sixteen (UK choir) (from 1988-01-21 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-21 until 1988-01-24)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1988-01-21 until 1988-01-24)
John Sheppard2:58
8Mandad' el comigo (Cantigas de Amigo)
engineer:
Tony Faulkner (recording engineer) (in 1987-01)
producer:
Martin Compton (producer) (in 1987-01)
performer:
Sinfonye (on 1987-09-16)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1987-01-16 until 1987-01-17)
recording of:
Cantigas (7) de Amigo, song cycle for voice and accompaniment, II. Mandad' ei comigo
lyricist:
Martín Codax
translator:
Elsa Beaulieu, Sharon A. Fechter and Maricruz Gil
Martín Codax2:43
9Ma dame, trop vous mesprenes
engineer:
Tony Faulkner (recording engineer) (in 1985-10)
producer:
Martin Compton (producer) (in 1985-10)
lute:
Christopher Wilson (lute and theorbo player) (from 1985-10-16 until 1985-10-17)
choir vocals:
Gothic Voices (UK vocal group specialising in 11th-15th c. repertoire) (from 1985-10-16 until 1985-10-17)
conductor:
Christopher Page (conductor and medieval music scholar) (from 1985-10-16 until 1985-10-17)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1985-10-16 until 1985-10-17)
recording of:
Ma dame, trop vous mesprenés (from 1985-10-16 until 1985-10-17)
writer:
Charles the Bold (the Duke of Burgundy, 1433-1477)
Charles the Bold1:41
10Locus iste
engineer:
Antony Howell (engineer) (in 1982-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1982-05)
organ:
Thomas Trotter (organist)
trombone:
Graham Chambers (classical trombonist), Jeremy Gough (Classical Trombonist), Martin Kelly (Trombonist) and Christopher Stearn (Classical Trombonist)
choir vocals:
Corydon Singers (from 1982-05-10 until 1982-05-12)
tenor vocals:
Philip Salmon (tenor)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1982-05-10 until 1982-05-12)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1984)
recorded at:
The Parish Church of St. Alban the Martyr, Holborn in London (Greater London), England, United Kingdom (from 1982-05-10 until 1982-05-12)
recording of:
Locus iste, WAB 23
composer:
Anton Bruckner (composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner3:26
11Tempo di Minuetto (Symphony No 14)
engineer:
Tony Faulkner (recording engineer) (from 1986-12-18 until 1986-12-19)
producer:
Martin Compton (producer) (from 1986-12-18 until 1986-12-19)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1986-12-18 until 1986-12-19)
conductor:
Ross Pople (from 1986-12-18 until 1986-12-19)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1986-12-18 until 1986-12-19)
Luigi Boccherini3:21
12Finale ('Surprise' Symphony)
recording engineer:
Tony Faulkner (recording engineer) (in 1992-09)
producer:
Martin Compton (producer) (in 1992-09)
orchestra:
The Hanover Band (from 1992-09-21 until 1992-09-23)
conductor:
Roy Goodman (conductor and violinist) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1992-09-21 until 1992-09-23)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto (from 1992-09-21 until 1992-09-23)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:00
13Gymnopedie no. 1 (orchestrated by Debussy)
engineer:
Tony Faulkner (recording engineer) (in 1989-04)
producer:
Arthur Johnson (recording producer of classical music) (in 1989-04)
orchestra:
The New London Orchestra (from 1989-04-13 until 1989-04-14)
conductor:
Ronald Corp (from 1989-04-13 until 1989-04-14)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1989-04-13 until 1989-04-14)
recording of:
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy) (from 1989-04-13 until 1989-04-14)
orchestrator:
Claude Debussy (composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie: Lent et douloureux
part of:
Gymnopédies (orchestrated by Debussy)
recording of:
Gymnopédies: I. Lent et grave (Satie: Gymnopédie No. 3 orchestrated by Debussy)
orchestrator:
Claude Debussy (composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie: Lent et grave
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie3:38
14Waldesgesprach
engineer:
Antony Howell (engineer) (in 1991-10)
producer:
Arthur Johnson (recording producer of classical music) (in 1991-10)
piano:
Graham Johnson (pianist) (from 1991-10-11 until 1991-10-12)
soprano vocals:
Margaret Price (soprano) (from 1991-10-11 until 1991-10-12)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1991-10-11 until 1991-10-12)
recording of:
Liederkreis, op. 39: Nr. 3. Waldesgespräch (from 1991-10-11 until 1991-10-12)
lyricist:
Joseph von Eichendorff
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Liederkreis, op. 39
Robert Schumann2:23
15Album Leaf in waltz form
recording engineer:
Antony Howell (engineer) (in 1985-10)
producer:
Martin Compton (producer) (in 1985-10)
piano:
Leslie Howard (pianist) (from 1985-10-24 until 1985-10-25)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1986)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden, Haringey, Islington, London (Greater London), England, United Kingdom (from 1985-10-24 until 1985-10-25)
recording of:
Albumblatt in Walzerform, S. 166 (from 1985-10-24 until 1985-10-25)
composer:
Franz Liszt
part of:
The Music of Liszt (number: S. 166)
Franz Liszt0:51
16Prelude and Fugue in A, op 87/7
recorded in:
London (Greater London), England, United Kingdom (from 1990-09-24 until 1990-09-27)
engineer:
Antony Howell (engineer) (in 1990-09)
producer:
Arthur Johnson (recording producer of classical music) (in 1990-09)
piano:
Татьяна Пeтрoвнa Николаева (pianist) (from 1990-09-24 until 1990-09-27)
recording of:
Prelude and Fugue no. 7 in A major, op. 87: II. Fugue
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1950 until 1951)
part of:
Prelude and Fugue no. 7 in A major, op. 87
Дмитрий Дмитриевич Шостакович3:36
17Phil the Fluter's Ball
recording engineer:
Antony Howell (engineer) (from 1992-09-14 until 1992-09-15)
producer:
Arthur Johnson (recording producer of classical music) (from 1992-09-14 until 1992-09-15)
piano:
Graham Johnson (pianist) (from 1992-09-14 until 1992-09-15)
solo mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1992-09-14 until 1992-09-15)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-09-15)
recording of:
Phil the Fluter's Ball (from 1992-09-14 until 1992-09-15)
composer:
William Percy French
William Percy French3:09
18Korsakov / Allegro (Piano Concerto in C sharp minor)
engineer:
Tony Faulkner (recording engineer) (in 1992-10)
producer:
Andrew Keener (engineer/editor/producer) (in 1992-10)
piano:
Malcolm Binns (pianist) (from 1992-10-25 until 1992-10-26)
orchestra:
Orchestra of Opera North (English Northern Philharmonia) (from 1992-10-25 until 1992-10-26)
conductor:
David Lloyd-Jones (conductor) (from 1992-10-25 until 1992-10-26)
recorded at:
Huddersfield Town Hall in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 1992-10-25 until 1992-10-26)
partial recording of:
Piano Concerto in C-sharp minor, op. 30 (from 1992-10-25 until 1992-10-26)
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski‐Korsakov) (from 1882 until 1883)
dedicated to:
Franz Liszt
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 30)
Николай Андреевич Римский‐Корсаков3:59
19O salutaris hostia
recording engineer:
Antony Howell (engineer) (from 1989-07-05 until 1989-07-07)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Timothy Byram-Wigfield (organist) (from 1989-07-05 until 1989-07-07)
choir vocals:
Winchester Cathedral Choir (from 1989-07-05 until 1989-07-07)
conductor:
David Hill (organist and conductor) (from 1989-07-05 until 1989-07-07)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (from 1989-07-05 until 1989-07-07)
recording of:
O salutaris hostia (from 1989-07-05 until 1989-07-07)
composer:
Thomas Tallis (composer)
Thomas Tallis3:40
20Da quel sembiante, D688/3
recording engineer:
Antony Howell (engineer) (in 1989-10)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-10)
piano:
Graham Johnson (pianist) (from 1989-10-16 until 1989-10-18)
soprano vocals:
Arleen Augér (soprano) (from 1989-10-16 until 1989-10-18)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1989-10-16 until 1989-10-18)
recording of:
Vier Canzonen, D. 688: No. 3. Da quel sembiante appresi (from 1989-10-16 until 1989-10-18)
lyricist:
Pietro Metastasio
composer:
Franz Schubert (composer) (in 1820-01)
part of:
Vier Canzonen, D. 688
Franz Schubert2:04
21Vivace (Sonata in G minor, op 5/5)
engineer:
Antony Howell (engineer) (from 1989-10 until 1989-11)
producer:
Martin Compton (producer) (from 1989-10 until 1989-11)
cello:
Richard Tunnicliffe (cello and viol player) (from 1989-10-11 until 1989-11-09)
harpsichord:
Paul Nicholson (harpsichordist & organist) (from 1989-10-11 until 1989-11-09)
violin:
Elizabeth Wallfisch (violinist) (from 1989-10-11 until 1989-11-09)
performer:
Locatelli Trio (from 1989-10-11 until 1989-11-09)
arranger:
Francesco Geminiani (composer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1989-10-11 until 1989-11-09)
recording of:
Violin Sonata in G minor, op. 5 no. 5: IV. Vivace
composer:
Arcangelo Corelli (in 1700)
part of:
Violin Sonata in G minor, op. 5 no. 5
Arcangelo Corelli1:47
22Rondo (Clarinet Quartet No 1)
engineer:
Kenneth Wilkinson (engineer) (in 1981-04)
producer:
Tim Friese‐Greene (in 1981-04)
clarinet:
Dame Thea King (British clarinettist) (from 1981-04-06 until 1981-04-09)
strings:
Allegri String Quartet (from 1981-04-06 until 1981-04-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988, in 1999)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1981-04-06 until 1981-04-09)
recording of:
Clarinet Quartet in E-flat major, op. 2: IV. Rondo: Allegro vivace
composer:
Bernhard Crusell (clarinetist and composer)
part of:
Clarinet Quartet in E-flat major, op. 2
Bernhard Crusell3:37
23Furiant (String Sextet in A)
recording engineer:
Tony Faulkner (recording engineer) (from 1988-06-15 until 1988-06-16)
producer:
Arthur Johnson (recording producer of classical music)
cello:
Andrea Hess (from 1988-06-15 until 1988-06-16) and Rhydian Shaxson (from 1988-06-15 until 1988-06-16)
viola:
Sally Beamish (composer and violist) (from 1988-06-15 until 1988-06-16) and Roger Tapping (from 1988-06-15 until 1988-06-16)
violin:
James Clark (British violinist) (from 1988-06-15 until 1988-06-16) and Elizabeth Wexler (from 1988-06-15 until 1988-06-16)
performer:
The Raphael Ensemble (from 1988-06-15 until 1988-06-16)
recording of:
Smyčcový sextet A dur, op. 48, B. 80: III. Furiant. Presto (from 1988-06-15 until 1988-06-16)
composer:
Antonín Dvořák (composer) (from 1878-05-14 until 1878-05-27)
part of:
Smyčcový sextet A dur, op. 48, B. 80
Antonín Dvořák4:07
24Scherzo in A minor, op 81/2
recording engineer:
Antony Howell (engineer) (in 1989-11)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-11)
cello:
John Todd (cellist) (from 1989-11-28 until 1989-11-30)
string quartet:
Coull Quartet (from 1989-11-28 until 1989-11-30)
viola:
David Curtis (conductor, violist) (from 1989-11-28 until 1989-11-30)
violin:
Roger Coull (violinist) (from 1989-11-28 until 1989-11-30) and Philip Gallaway (violinist) (from 1989-11-28 until 1989-11-30)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1989-11-28 until 1989-11-30)
recording of:
Four Pieces for String Quartet, op. 81: No. 2. Scherzo in A minor. Allegro leggiero (from 1989-11-28 until 1989-11-30)
composer:
Felix Mendelssohn (composer) (from 1843 until 1847)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV R 35)
part of:
Four Pieces for String Quartet, op. 81
Felix Mendelssohn3:37
25Come you, Mary
engineer:
Antony Howell (engineer) (in 1987-04)
producer:
Paul Spicer (composer, conductor, organist and producer) (in 1987-04)
piano:
Clifford Benson (piano accompanist) (in 1987-04)
baritone vocals:
Stephen Varcoe (bass-baritone) (in 1987-04)
recorded at:
Haberdashers’ Aske’s Boys’ School: Seldon Hall in Elstree, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Come You, Mary, op. 21 no. 2
lyricist:
Norman Gale (poet)
composer:
Ernest Farrar
part of:
3 Songs, op. 21
Ernest Farrar1:03
26Chorale prelude 'Nun freut euch, lieben Christen g'mein'
engineer:
Tony Faulkner (recording engineer) (in 1991-08)
executive producer:
Joanna Gamble (producer)
producer:
Ateş Orga (in 1991-08)
piano:
Nikolai Demidenko (pianist) (from 1991-08-27 until 1991-08-28)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1991-08-27 until 1991-08-28)
recording of:
Nun freut euch lieben Christen, BWV 734, KiV B27/4 (for piano, Busoni) (from 1991-08-27 until 1991-08-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni
arrangement of:
Nun freut euch, lieben Christen g’mein, BWV 734
part of:
10 Choral Preludes, KiV B27
Ferruccio Busoni2:09
27Deus in adiutorium
recording engineer:
Antony Howell (engineer)
engineer:
Antony Howell (engineer) (from 1989-06-20 until 1989-06-22)
producer:
Recording Producer Mark Brown (operatic bass, early music singer, conductor, and producer) (from 1989-06-20 until 1989-06-22)
dulcian:
Andrew Watts (bassoonist) (from 1989-06-20 until 1989-06-22)
harp:
Andrew Lawrence‐King (Early music harpist and conductor) (from 1989-06-20 until 1989-06-22)
organ:
Iain Simcock (from 1989-06-20 until 1989-06-22)
choir vocals:
Westminster Cathedral Choir (from 1989-06-20 until 1989-06-22)
chorus master:
The Master of Music James OʼDonnell (organist and choir master) (from 1989-06-20 until 1989-06-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1990)
recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (from 1989-06-20 until 1989-06-22)
recording of:
Deus in adiutorium (from 1989-06-20 until 1989-06-22)
composer:
Juan Gutiérrez de Padilla
Juan Gutiérrez de Padilla2:37
28Sortie in E flat
engineer:
Christopher Greenleaf (engineer) (in 1992-02)
producer:
Paul Spicer (composer, conductor, organist and producer) (in 1992-02)
organ:
Christopher Herrick (organist) (from 1992-02-27 until 1992-02-28)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (from 1992-02-27 until 1992-02-28)
edit of:
Sortie in E‐flat by Christopher Herrick (organist)
recording of:
Sortie in E-flat major
composer:
Louis James Alfred Lefébure‐Wély (organist and composer)
Louis James Alfred Lefébure-Wély2:16

Credits

Release

design/illustration:Terry Shannon (designer)
liner notes:Edward Perry (producer and founder of hyperion, aka Ted Perry)
ASIN:US: B000002ZDX [info]
discography entry:http://www.hyperion-records.co.uk/al.asp?al=HYP12 [info]