Herbert von Karajan: The Complete DECCA Recordings

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Richard Strauss: Also sprach Zarathustra
▶ CD 2: Richard Strauss: Don Juan / Tod und Verklärung / Till Eulenspiegel / Salomes Tanz
▶ CD 3: Beethoven: Symphony No. 7 / Brahms: Symphony No. 1
▶ CD 4: Mozart: Symphony No. 40 / Haydn: Symphony No. 104
▶ CD 5: Mozart: Symphony No. 31 "Jupiter" / Haydn: Symphony No. 103 "Drum Roll"
▶ CD 6: The Vienna of Johann Strauss
▶ CD 7: Holst: The Planets / Peer Gynt Suites Nos. 1 & 2
▶ CD 8: Tchaikovsky: Romeo and Juliet / The Nutcracker Suite
▶ CD 9: Tchaikovsky: Swan Lake Suite / The Sleeping Beauty Suite
▶ CD 10: Adam: Giselle
▶ CD 11: Brahms: Tragic Overture, Symphony No. 3 / Dvořák: Symphony No. 8
▶ CD 12: Christmas with Leontyne Price
▶ CD 13: Verdi: Aida CD1
▶ CD 14: Verdi: Aida CD2
▶ CD 15: J. Strauss II: Die Fledermaus CD1
▶ CD 16: J. Strauss II: Die Fledermaus CD2
▶ CD 17: Verdi: Otello CD1
▶ CD 18: Verdi: Otello CD2
▶ CD 19: Puccini: Tosca CD1
▶ CD 20: Puccini: Tosca CD2
▶ CD 22: Bizet: Carmen CD1
▶ CD 24: Bizet: Carmen CD2
▶ CD 25: Bizet: Carmen CD3
▶ CD 26: Mussorgsky: Boris Godunov CD1
▶ CD 27: Mussorgsky: Boris Godunov CD2
▶ CD 28: Mussorgsky: Boris Godunov CD3
▶ CD 29: Verdi: La Bohème CD1
▶ CD 30: Verdi: La Bohème CD2
▶ CD 31: Puccini: Madame Butterfly CD1
▼ CD 32: Puccini: Madame Butterfly CD2
#TitleArtistRatingLength
1Madama Butterfly: Atto secondo, Parte prima. "C'è. Entrate" (Goro, Sharpless, Yamadori)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini6:42
2Madama Butterfly: Atto secondo, Parte prima. "Si sa che aprir la porta" (Butterfly, Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:04
3Madama Butterfly: Atto secondo, Parte prima. "Udiste?" (Goro, Sharpless, Yamadori, Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:00
4Madama Butterfly: Atto secondo, Parte prima. "Ora a noi. Sedete qui" (Sharpless, Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:56
5Madama Butterfly: Atto secondo, Parte prima. "Ebbene, che fareste, Madama Butterfly?" (Sharpless, Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:53
6Madama Butterfly: Atto secondo, Parte prima. "E questo? E questo?" (Butterfly, Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “E questo? E questo?” (Butterfly, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:27
7Madama Butterfly: Atto secondo, Parte prima. "Che tua madre dovrà prenderti in braccio" (Butterfly, Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:18
8Madama Butterfly: Atto secondo, Parte prima. "Vespa! Rospo maledetto!" (Suzuki, Butterfly, Goro)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [La madre di Cio-Cio-San]:
Evamaria Hurdes (soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:01
9Madama Butterfly: Atto secondo, Parte prima. "Una nave da guerra" (Suzuki, Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:45
10Madama Butterfly: Atto secondo, Parte prima. "Scuoti quella fronda di ciliegio" (Butterfly, Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:39
11Madama Butterfly: Atto secondo, Parte prima. "Or vienmi ad adornar" (Butterfly, Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
bass vocals [L'ufficiale del registro]:
Siegfried Rudolf Frese (German operatic bass-baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:34
12Madama Butterfly: Atto secondo, Parte prima. Coro a bocca chiusa
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:04
13Madama Butterfly: Atto secondo, Parte seconda. Intermezzo - "Oh eh! Oh eh!" (marinai)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini6:16
14Madama Butterfly: Atto secondo, Parte seconda. Fischi d'uccelli dal giardino
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:49
15Madama Butterfly: Atto secondo, Parte seconda. "Già il sole!" (Suzuki, Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:32
16Madama Butterfly: Atto secondo, Parte seconda. "Chi sia?" (Suzuki, Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:33
17Madama Butterfly: Atto secondo, Parte seconda. "Io so che alle pene" (Sharpless, Pinkerton)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:10
18Madama Butterfly: Atto secondo, Parte seconda. "Non ve l'avevo detto?" (Sharpless, Pinkerton)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:54
19Madama Butterfly: Atto secondo, Parte seconda. "Addio fiorito asil" (Pinkerton, Sharpless, Kate, Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (Polish soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini3:10
20Madama Butterfly: Atto secondo, Parte seconda. "Suzuki? Suzuki? Dove sei?" (Butterfly, Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:56
21Madama Butterfly: Atto secondo, Parte seconda. "Tu, Suzuki, che sei tanto buona" (Butterfly, Suzuki, Sharpless, Kate)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (Polish soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:45
22Madama Butterfly: Atto secondo, Parte seconda. "Come una mosca prigioniera" (Suzuki, Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:44
23Madama Butterfly: Atto secondo, Parte seconda. "Con onor muore" (Butterfly, Pinkerton)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:34
▶ CD 33: Mozart: Figaro CD1
▶ CD 34: Mozart: Figaro CD2
▶ CD 35: Mozart: Figaro CD3

Credits

Release Group

includes:Die Fledermaus (1960 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); The Vienna Philharmonic Orchestra, Vienna State Opera Chorus, Herbert von Karajan (conductor)