Island in the Sun

~ Release by Harry Belafonte (see all versions of this release, 2 available)

Tracklist

CD 1
CD 2
CD 3
CD 4
CD 5
#TitleRatingLength
1Mama Look a’ Boo Boo3:03
2Cocoanut Woman
producer:
Joe Carlton and Edward O. Welker
bongos:
Noah Rodriguez (on 1957-01-26)
congas:
Daniel Barrajanos (on 1957-01-26)
double bass:
Norman Keenan (on 1957-01-26)
flute:
Paige Brook (flautist) (on 1957-01-26) and Harold M. Jones (50s US flautist) (on 1957-01-26)
guitar:
Frantz Casséus (on 1957-01-26), Victor Messer (on 1957-01-26) and Millard Thomas (on 1957-01-26)
marimba:
George Devens (on 1957-01-26)
trumpet:
Joseph B. Wilder (on 1957-01-26)
choir vocals:
Gilbert E. Adkins (on 1957-01-26), Irving D. Barnes (on 1957-01-26), Leon Bibb (on 1957-01-26), Charles Colman (on 1957-01-26), Stephen Harbachick (baritone) (on 1957-01-26), Marvin Hayes (bass-baritone) (on 1957-01-26), Herbert L. Stubbs (on 1957-01-26), Irving Burgie (on 1957-01-26), Joe N. Kenyon (on 1957-01-26), Leroy B. Thompson (on 1957-01-26), Samuel R. McCurry (on 1957-01-26), John Nielsen (on 1957-01-26), Brock Peters (on 1957-01-26), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-26), Rodester Timmons (on 1957-01-26) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-26)
lead vocals:
Harry Belafonte (on 1957-01-26)
conductor:
Robert DeCormier (on 1957-01-26)
recorded at:
Webster Hall in New York, New York, United States (on 1957-01-26)
recording of:
Cocoanut Woman (on 1957-01-26)
lyricist, writer and composer:
Harry Belafonte and Lord Burgess
3:03
3Island in the Sun2:48
4Mama Look a’ Boo Boo3:01
5Cocoanut Woman
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
conductor:
Robert DeCormier (on 1957-01-27)
recorded at:
Webster Hall in New York, New York, United States (on 1957-01-27)
recording of:
Cocoanut Woman (on 1957-01-27)
lyricist, writer and composer:
Harry Belafonte and Lord Burgess
3:19
6Scratch, Scratch
2:44
7Don’t Ever Love Me
vocals:
Harry Belafonte
recording of:
Don’t Ever Love Me (on 1957-01-27)
lyricist and composer:
Lord Burgess
2:48
8Cordelia Brown
2:57
9Island in the Sun
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (on 1957-01-27)
recorded at:
Webster Hall in New York, New York, United States (on 1957-01-27)
recording of:
Island in the Sun (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
3:24
10Angelique‐O
vocals:
Harry Belafonte
recording of:
Angelique-O (on 1957-01-27)
writer:
William Attaway and Irving Burgie
2:43
11Haiti Cherie
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
conductor:
Robert DeCormier (on 1957-01-27)
recorded at:
Webster Hall in New York, New York, United States (on 1957-01-27)
recording of:
Haiti Cherie (on 1957-01-27)
lyricist and composer:
Harry Belafonte and Lord Burgess
3:20
12Judy Drownded
producer:
Edward O. Welker
congas:
Daniel Barrajanos (on 1957-06-02)
double bass:
Norman Keenan (on 1957-06-02)
drums (drum set):
George Guadagno (on 1957-06-02)
flute:
Harold M. Jones (50s US flautist) (on 1957-06-02)
guitar:
Victor Messer (on 1957-06-02) and Millard Thomas (on 1957-06-02)
percussion:
Robert Haring (on 1957-06-02)
choir vocals:
Joseph Crawford (50s US vocalist) (on 1957-06-02), James Eby (on 1957-06-02), Jack Eddleman (on 1957-06-02), Ken Emery (on 1957-06-02), John Gonsalves (on 1957-06-02), George Goodman (1960s Soul singer from Pittsburgh) (on 1957-06-02), John Nielsen (on 1957-06-02), Sherman Sneed (on 1957-06-02), Arman Stephanian (on 1957-06-02), Paul Westbrook (on 1957-06-02), William H. Stewart (choral vocals in Harry Belafonte recordings) (on 1957-06-02) and Ned Wright (on 1957-06-02)
lead vocals:
Harry Belafonte (on 1957-06-02)
conductor:
Robert DeCormier (on 1957-06-02)
recorded at:
Webster Hall in New York, New York, United States (on 1957-06-02)
recording of:
Judy Drownded (on 1957-06-02)
lyricist and composer:
Lord Burgess
3:28
13Lead Man Holler
producer:
Edward O. Welker
congas:
Daniel Barrajanos (on 1957-06-02)
double bass:
Norman Keenan (on 1957-06-02)
drums (drum set):
George Guadagno (on 1957-06-02)
flute:
Harold M. Jones (50s US flautist) (on 1957-06-02)
guitar:
Victor Messer (on 1957-06-02) and Millard Thomas (on 1957-06-02)
percussion:
Robert Haring (on 1957-06-02)
choir vocals:
Joseph Crawford (50s US vocalist) (on 1957-06-02), James Eby (on 1957-06-02), Jack Eddleman (on 1957-06-02), Ken Emery (on 1957-06-02), John Gonsalves (on 1957-06-02), George Goodman (1960s Soul singer from Pittsburgh) (on 1957-06-02), John Nielsen (on 1957-06-02), Sherman Sneed (on 1957-06-02), Arman Stephanian (on 1957-06-02), Paul Westbrook (on 1957-06-02), William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-06-02) and Ned Wright (on 1957-06-02)
lead vocals:
Harry Belafonte (on 1957-06-02)
conductor:
Robert DeCormier (on 1957-06-02)
recorded at:
Webster Hall in New York, New York, United States (on 1957-06-02)
recording of:
Lead Man Holler (on 1957-06-02)
lyricist and composer:
Harry Belafonte and Irving Burgie
4:17
14Love, Love Alone
3:21
15Lucy’s Door
recorded at:
Webster Hall in New York, New York, United States (on 1957-06-02)
recording of:
Lucy's Door (on 1957-06-02)
lyricist and composer:
Lord Burgess
3:45
16Fifteen
3:27
17How Green Was My Valley
producer:
Edward O. Welker
bassoon:
Sylvia Deutscher (on 1957-12-02)
cello:
Charles McCracken (cellist) (on 1957-12-02) and Luverne Tuttle (on 1957-12-02)
clarinet:
Charles Russo (Clarinet player) (on 1957-12-02)
double bass:
Norman Keenan (on 1957-12-02)
drums (drum set):
Daniel Barrajanos (on 1957-12-02) and George Guadagno (on 1957-12-02)
flute:
Harold M. Jones (50s US flautist) (on 1957-12-02)
French horn:
Ray Alonge (french horn) (on 1957-12-02)
guitar:
Victor Messer (on 1957-12-02) and Millard Thomas (on 1957-12-02)
harp:
Eugene Bianco (on 1957-12-02)
oboe:
Harry Smyles (on 1957-12-02)
percussion:
Robert Haring (on 1957-12-02)
piano:
Charles Williams (US jazz/R&B pianist) (on 1957-12-02)
viola:
Alfred Brown (viola) (on 1957-12-02), Alexander Fishman (on 1957-12-02) and Julius Schacter (on 1957-12-02)
violin:
Isidor Lateiner (on 1957-12-02), Eugene Mark (on 1957-12-02), Marvin Morgenstein (on 1957-12-02), Bernard Ocko (on 1957-12-02), Phil Ramone (on 1957-12-02), Herbert Sorkin (on 1957-12-02), Michael Spivakowsky (on 1957-12-02), Maurice Wilk (on 1957-12-02) and Elvira Woloschuk (on 1957-12-02)
conductor:
Robert DeCormier (on 1957-12-02)
recording of:
How Green Was My Valley (on 1957-12-02)
composer:
Alan Greene and Nick Kenny
2:32
18The Lord Is My Shepherd
2:39
19I’m Goin’ Away
3:31