The Best of Ken Burns Jazz

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Star Dust
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04) and George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Stardust (the jazz standard) (on 1931-11-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Louis Armstrong & His Orchestra3:35
2Dead Man Blues
banjo:
Johnny St. Cyr (on 1926-09-21)
clarinet:
Barney Bigard (on 1926-09-21), Darnell Howard (on 1926-09-21) and Omer Simeon (on 1926-09-21)
cornet:
George Mitchell (US jazz trumpeter and cornet player) (on 1926-09-21)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1926-09-21)
drums (drum set):
Andrew Hilaire (on 1926-09-21)
other instruments:
Marty Bloom (on 1926-09-21)
piano:
Jelly Roll Morton (on 1926-09-21)
trombone:
Kid Ory (on 1926-09-21)
vocals:
Johnny St. Cyr (on 1926-09-21) and Jelly Roll Morton (on 1926-09-21)
conductor:
Jelly Roll Morton (on 1926-09-21)
remasters:
Dead Man Blues (take 1) by Jelly Roll Morton’s Red Hot Peppers
recording of:
Dead Man Blues (on 1926-09-21)
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton’s Red Hot Peppers3:15
3Dear Old Southland
performer:
Sidney Bechet
recording of:
Dear Old Southland (1921 Layton/Creamer jazz standard)
lyricist:
Henry Creamer (in 1921)
composer:
Ray Bloch (French-born composer/bandleader) and Turner Layton (in 1921)
Noble Sissle and His Orchestra2:37
4Singin' the Blues
cornet:
Bix Beiderbecke (on 1927-02-04)
performer:
Bix Beiderbecke
recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
Frankie Trumbauer and His Orchestra3:02
5St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
Louis Armstrong & His Orchestra2:59
6The Mooche
recorded in:
New York, New York, United States (on 1928-10-01)
alto saxophone:
Harry Carney (on 1928-10-01) and Johnny Hodges (on 1928-10-01)
banjo:
Fred Guy (on 1928-10-01)
baritone saxophone:
Harry Carney (on 1928-10-01)
clarinet:
Barney Bigard (on 1928-10-01), Harry Carney (on 1928-10-01) and Johnny Hodges (on 1928-10-01)
double bass:
Wellman Braud (on 1928-10-01)
drums (drum set):
Sonny Greer (on 1928-10-01)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1928-10-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1928-10-01)
soprano saxophone:
Johnny Hodges (on 1928-10-01)
tenor saxophone:
Barney Bigard (on 1928-10-01)
trombone:
Joe Nanton (on 1928-10-01)
trumpet:
Bubber Miley (on 1928-10-01) and Arthur Whetsel (on 1928-10-01)
vocals:
Baby Cox (on 1928-10-01)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
The Mooche (on 1928-10-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
Duke Ellington & His Orchestra3:16
7Hotter Than 'Ell
recording of:
Hotter Than 'Ell
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra2:57
8King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman and His Orchestra3:11
9Begin the Beguine
recorded at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Artie Shaw and His Orchestra3:15
10Cotton Tail
alto saxophone:
Otto Hardwick and Johnny Hodges
baritone saxophone and clarinet:
Harry Carney
cornet:
Rex Stewart (on 1940-05-04)
double bass:
Jimmy Blanton (on 1940-05-04)
drums (drum set):
Sonny Greer (on 1940-05-04)
guitar:
Fred Guy
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-05-04)
reeds:
Barney Bigard (on 1940-05-04), Harry Carney (on 1940-05-04), Otto Hardwick (on 1940-05-04) and Johnny Hodges (on 1940-05-04)
tenor saxophone:
Barney Bigard and Ben Webster (on 1940-05-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1940-05-04) and Joe "Tricky Sam" Nanton (on 1940-05-04)
trumpet:
Wallace Jones (on 1940-05-04) and Cootie Williams (on 1940-05-04)
valve trombone:
Juan Tizol (on 1940-05-04)
recording of:
Cotton Tail (on 1940-05-04)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:13
11Jumpin' at the Woodside
baritone saxophone:
Charlie Fowlkes (on 1960-06-09)
double bass:
Eddie Jones (US jazz double bassist) (on 1960-06-09)
drums (drum set):
Sonny Payne (on 1960-06-09)
guitar:
Freddie Green (on 1960-06-09)
piano:
Count Basie (pianist) (on 1960-06-09)
reeds:
Marshall Royal (on 1960-06-09)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-06-09) and Billy Mitchell (US jazz saxophonist) (on 1960-06-09)
trombone:
Henry Coker (on 1960-06-09), Al Grey (trombone) (on 1960-06-09) and Benny Powell (on 1960-06-09)
trumpet:
Sonny Cohn (on 1960-06-09), Thad Jones (on 1960-06-09), Joe Newman (US jazz trumpeter) (on 1960-06-09) and Snooky Young (on 1960-06-09)
woodwind:
Frank Wess (on 1960-06-09)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1960-06-09)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Count Basie & His Orchestra3:10
12Solitude
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
clarinet and tenor saxophone:
Ernie Powell (on 1941-05-09)
double bass:
Grachan Moncur (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowens (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1941-05-09) and Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
lead vocals:
Billie Holiday (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
orchestra:
Billie Holiday and Her Orchestra (on 1941-05-09)
recording of:
(In My) Solitude (on 1941-05-09)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Billie Holiday3:14
13Groovin' High
recording of:
Groovin’ High
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Dizzy Gillespie Sextet2:41
14Straight, No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:57
15They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan and Her Trio2:42
16Take Five (45-RPM version)
recording of:
Take Five (original instrumental version)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company, Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet2:55
17Doodlin'
double bass [bass]:
Doug Watkins (on 1954-11-13)
drums (drum set):
Art Blakey (on 1954-11-13)
piano:
Horace Silver (on 1954-11-13)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1954-11-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-11-13)
recording of:
Doodlin’ (original instrumental version) (on 1954-11-13)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver & The Jazz Messengers6:45
18Giant Steps
recording engineer:
Tom Dowd and Phil Iehle
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Warner Music France (in 2010) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2022)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane Quartet3.64:45
19So What
recorded in:
New York, New York, United States (on 1959-03-02)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis Sextet4.359:24
20Take the "A" Train
recording of:
Take the “A” Train (original instrumental version)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
Lincoln Center Jazz Orchestra5:35

Credits

Release

ASIN:US: B000050HVJ [info]

Release Group

part of:Ken Burns Jazz (order: 14)