Música Sacra / Orquestra de Câmara de Stuttgart

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

Medium 1
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154 Coro: Herr, wenn die stolzen Feinde schnauben
choir vocals:
Lübecker Kantorei
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:41
255 Recitação: Da berief Herodes die Weisen heimlich (Tenor)
tenor vocals:
Peter Pears (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:51
356 Recitação: Du Falscher (Soprano), Ária: Nur ein Wink von seinen Händen (Soprano)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:00
458 Recitação: Als sie nun den König (Tenor)
tenor vocals:
Peter Pears (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:25
559 Coral: Ich steh an deiner Krippen hier
choir vocals:
Lübecker Kantorei
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:07
660 Recitação: Und Gott befahl (Tenor), 61 Recitação: So geht! (Tenor)
tenor vocals:
Peter Pears (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:44
762 Ária: Nun mögt ihr stolzen Feinde schrecken (Tenor)
tenor vocals:
Peter Pears (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:24
863 Recitação: Was will der Hölle (Cuarteto), 64 Coral: Nun seid ihr wohl gerochen
alto vocals:
Helen Watts (contralto)
bass vocals:
Tom Krause (bass-baritone)
choir vocals:
Lübecker Kantorei
soprano vocals:
Elly Ameling (soprano)
tenor vocals:
Peter Pears (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1966-09)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:19
9I Coro: Magnificat
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:17
10II Soprano II: Et Exultavit
soprano vocals:
Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1966-09)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat, op. 26: II. Et exultavit
composer:
Urmas Sisask (in 1990)
part of:
Magnificat, op. 26
2:33
11III Soprano I: Quia Respexit, IV omnes generationes (Coro)
choir vocals:
Vienna Academy Chorus (in 1968-05)
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:22
12V Baixo: Quia fecit mih magna
baritone vocals:
Tom Krause (bass-baritone) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:20
13VI Contralto e Tenor: Et Misericordia
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:18
14VII Coro: Fecit potentiam
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:02
15VIII Tenor: Deposuit potentes
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:08
16IX Contralto: Esurientes
contralto vocals:
Helen Watts (contralto) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
3:11
17X Soprano I, soprano II, contralto: Suscepit Israel
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05) and Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:12
18XI Coro: Sicut locutus est
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:02
19XII Coro: Gloria
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:33