Jules Massenet Edition

~ Release by Jules Massenet (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Don Quichotte
▶ CD 2: Don Quichotte – Fantasy for cello and orchestra – Arias – Méditation
▶ CD 3: Esclarmonde
▶ CD 4: Esclarmonde
▶ CD 5: Esclarmonde
▶ CD 6: Le Jongleur de Notre‐Dame
▶ CD 7: Le Jongleur de Notre‐Dame
▶ CD 8: Manon
▼ CD 9: Manon
#TitleRatingLength
1Manon : Acte III. Entr’acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. Entr’acte (Menuet) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III
5:12
2Manon : Acte III. « Voyez mules à fleurettes ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Michele Raynaud (opera singer) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. “C’est fête au Cours-la-Reine !” (Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. “La charmante promenade !” (Poussette, Javotte, Rosette, Chœur, Lescaut)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. “Voyez mules à fleurettes” (Chœur)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:12
3Manon : Acte III. « À quoi bon l’économie » … « Bonjour, Poussette ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Michele Raynaud (opera singer) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
tenor vocals:
Nico Castel (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. “À quoi bon l’économie” (Lescaut, Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. “Bonjour, Poussette !” (Guillot, Poussette, Javotte, Rosette, Brétigny) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. “O Rosalinde” (Lescaut) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
5:19
4Manon : Acte III. « Voici les élégantes »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. “Voici les élégantes !…Suis-je gentille ainsi ?” (Chœur, Brétigny, Manon) (Air du Cours la Reine) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
2:30
5Manon : Acte III. « Je marche sur les chemins »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. “Je marche sur tous les chemins” (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III
2:49
6Manon : Acte III. « Obéissons quand leur voix appelle »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Andrew Stephens (recording engineer)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1970-07, from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. Gavotte “Obéissons quand leur voix appelle” (Manon, Brétigny, Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
3:52
7Manon : Acte III. « Et maintenant restez seul »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
bass vocals:
Gabriel Bacquier (French baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
spoken vocals:
Gabriel Bacquier (French baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte III, scène I. « Et maintenant restez seul » (Manon, Brétigny, Chœur, Le Comte) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
2:21
8Manon : Acte III. « C’est elle ? Oui, c’est Manon »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
bass vocals:
Gabriel Bacquier (French baritone) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
spoken vocals:
Gabriel Bacquier (French baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. “C’est elle ? Oui, c’est Manon !” (Comte, Brétigny) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. “Pardon ! Mais j’étais là…” (Manon, Le Comte) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:31
9Manon : Acte III. « Répondez‐moi, Guillot ! » … « Voici l’Opéra ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
spoken vocals:
Nico Castel (tenor) (in 1970-07), Beverly Sills (soprano) (in 1970-07), Gérard Souzay (baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. Ballet: La Présentation "Voici l'Opéra !.." (Chœur, Brétigny, Guillot) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III, Scène I. Ballet
recording of:
Manon: Acte III, Scène I. Dialogue “Répondez-moi, Guillot !” (Brétigny, Guillot, Manon, Lescaut) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
3:32
10Manon : Acte III. Ballet … « C’est fête au Cours‐la‐Reine ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
partial recording of:
Manon: Acte III, Scène I. “C’est fête au Cours-la-Reine !” (Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène I. Ballet: (no. 1) Entrèe. Allegro moderato (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III, Scène I. Ballet
recording of:
Manon: Acte III, Scène I. Ballet: (no. 2) Entrèe. Andante (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III, Scène I. Ballet
recording of:
Manon: Acte III, Scène I. Ballet: (no. 3) Entrèe. Allegro (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III, Scène I. Ballet
recording of:
Manon: Acte III, Scène I. Ballet: (no. 4) Entrèe. Andantino con moto è Allegro moderato (avec chant) « Non, sa vie à la mienne... » (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III, Scène I. Ballet
5:38
11Manon : Acte III. « Quelle éloquence ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène II. “Quelle éloquence !” (Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
3:10
12Manon : Acte III. « Bravo, mon cher…Épouse quelque brave fille »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
bass vocals:
Gabriel Bacquier (French baritone) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène II. “Bravo, mon cher” (Comte, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
part of:
Manon: Acte III
recording of:
Manon: Acte III, Scène II. “Épouse quelque brave fille” (Comte, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:19
13Manon : Acte III. « Je suis seul » … « Ah, fuyez, douce image »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
5:41
14Manon : Acte III. « Ces murs silencieux » … « Pardonnez‐moi, Dieu de toute puissance »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène II. “Ces murs silencieux…Pardonnez-moi, Dieu de toute puissance” (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
2:33
15Manon : Acte III. « Toi! Vous! »…« Oui! Je fus cruelle et coupable! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène II. “Toi ! Vous !… Oui ! Je fus cruelle et coupable !” (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:12
16Manon : Acte III. « N’est‐ce plus ma main ? »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène II. “N’est-ce plus ma main ?” (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
4:39
▶ CD 10: Manon
▶ CD 11: Le Roi de Lahore
▶ CD 12: Le Roi de Lahore
▶ CD 13: Thaïs
▶ CD 14: Thaïs
▶ CD 15: Thérèse
▶ CD 16: Werther
▶ CD 17: Werther
▶ CD 18: Songs
▶ CD 19: Manon ballet
▶ CD 20: Manon ballet
▶ CD 21: Scènes alsaciennes – Scènes dramatiques – Orchestral Music from Le Cid, Le Rois de Lahore, Thaïs & Cendrillon
▶ CD 22: Le Carillon – Cigale
▶ CD 23: Rarities & Historic Recordings

Credits

Release

ASIN:US: B007NUP7Y4 [info]

Release Group

includes:Don Quichotte
Esclarmonde by Jules Massenet (French Romantic composer); Dame Joan Sutherland (soprano), Giacomo Aragall (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) & Richard Bonynge (conductor and pianist)
Songs by Jules Massenet (French Romantic composer); Huguette Tourangeau (mezzo-soprano), Richard Bonynge (conductor and pianist)
Werther by Massenet (French Romantic composer); José Carreras (Spanish tenor), Frederica von Stade (mezzo-soprano), Thomas Allen (baritone), Isobel Buchanan (soprano), Robert Lloyd (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Colin Davis (English conductor)