Symphonie no. 8

~ Release by Gustav Mahler; Berliner Philharmoniker, Claudio Abbado (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Poco adagio
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:50
2Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Più mosso. (Allegro moderato)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:16
3Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Wieder langsam. Chor und Echo: “Waldung, sie schwankt heran”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:46
4Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Moderato. Pater ecstaticus: “Ewiger Wonnebrand”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
baritone vocals [Pater ecstaticus] and solo baritone vocals [Pater Ecstaticus]:
Bryn Terfel (bass-baritone opera singer) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:54
5Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Allegro — (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Pater profundus] and solo bass vocals [Pater Profundus]:
Jan‐Hendrik Rootering (bass-baritone) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:42
6Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied der Geisterwelt vom Bösen” / Chor selige Knaben: “Hände verschlinget euch”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:03
7Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Molto leggiero. Chor der jüngeren Engel: “Jene Rosen aus den Händen”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:53
8Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Schon etwas langsamer und immer noch mäßiger — Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:04
9Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (tenor) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:19
10Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sempre l’istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt!”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:02
11Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Äußerst langsam. Adagissimo. “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
solo soprano vocals [Una Poenitentium] and soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:53
12Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” / Maria Aegyptiaca: “Bei dem hochgeweihten Orte”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:57
13Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Una poenitentium: “Niege, niege du Ohnegleiche”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:54
14Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Unmerklich frischer werden. Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen Geisterchor umgeben”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:24
15Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sehr langsam. Mater gloriosa: “Komm! Hebe dich zu höhern Sphären!” / Hymnenartig (Ungefähr im selbem Zeitmaß weiter) / Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler7:16
16Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass-baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass-baritone) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler5:43

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ASIN:DE: B000001GP1 [info]