| # | Title | Artist | Rating | Length |
|---|
| 1 | The Best | Tina Turner | | 4:10 |
| 2 | The Power of Love | Huey Lewis and the News | | 3:53 |
| 3 | This Is Not America- engineer:
- Marcellus Frank and David Richards
- producer:
- David Bowie and Pat Metheny
- mixer:
- Bob Clearmountain
- analog synthesizer [Oberheim], analog synthesizer [Prophet-5], keyboard [Kurzweil] and marimba:
- Lyle Mays (from 1984-09 until 1984-10)
- drums (drum set):
- Paul Wertico (from 1984-09 until 1984-10)
- electric bass guitar:
- Steve Rodby (from 1984-09 until 1984-10)
- electric guitar, guitar synthesizer [Roland GR-300 guitar synthesizer] and synclavier:
- Pat Metheny (from 1984-09 until 1984-10)
- background vocals and lead vocals:
- David Bowie (from 1984-09 until 1984-10)
- performer:
- Pat Metheny Group (from 1984-09 until 1984-10)
- phonographic copyright (℗) by:
- David Bowie (in 1985)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1984-09 until 1984-10)
- recording of:
- This Is Not America (from 1984-09 until 1984-10)
- lyricist and writer:
- David Bowie
- composer:
- Lyle Mays and Pat Metheny
- publisher:
- CBS Songs Ltd., Donna Dijon Music Publications, Jones Music , Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp , Pat-Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 and 渡辺音楽出版 CM事業部
| David Bowie | 3.65 | 3:48 |
| 4 | Here Comes the Rain Again | Eurythmics | 4.35 | 5:00 |
| 5 | Maneater | Daryl Hall & John Oates | 4.45 | 4:27 |
| 6 | Manic Monday | The Bangles | 4.1 | 3:05 |
| 7 | Cruel Summer- producer:
- Steve Jolley and Tony Swain
- lead vocals:
- Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
- performer:
- Bananarama (in 1983-04)
- phonographic copyright (℗) by:
- London Records 90 Ltd. (in 1983)
- recording of:
- Cruel Summer (in 1983-04)
- lyricist:
- Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain and Keren Woodward
- composer:
- Leo Birenberg, Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel , Tony Swain and Keren Woodward
- publisher:
- Reverb Music Ltd., Sony Music Publishing (UK) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd.
| Bananarama | 4 | 3:29 |
| 8 | Club Tropicana | Wham! | 3.75 | 4:28 |
| 9 | Stand by Me | Ben E. King | | 3:02 |
| 10 | Who Can It Be Now | Men at Work | 4.4 | 3:23 |
| 11 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Whitechapel, Tower Hamlets, London , England, United Kingdom
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.5 | 4:30 |
| 12 | An Angel | The Kelly Family | | 3:45 |
| 13 | Kyrie | Mr. Mister | 4.15 | 4:23 |
| 14 | Karma Chameleon- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross-Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- harmonica:
- Judd Lander (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- EMI Virgin Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | | 4:13 |
| 15 | Twist in My Sobriety | Tanita Tikaram | | 3:55 |
| 16 | Fading Like a Flower | Roxette | 3.15 | 3:47 |
| 17 | You’re the Voice | John Farnham | 4.15 | 5:03 |
| 18 | The Final Countdown- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986) and Sony Music Entertainment Inc. (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- EMI , EMI Music Publishing Ltd. and Seven Doors Music
- parody version of:
- The Final Sound
| Europe | 4 | 5:10 |
| 19 | Weil ich dich liebe | Marius Müller‐Westernhagen | | 3:47 |
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