Don Carlo

~ Release by Giuseppe Verdi (see all versions of this release, 6 available)

Tracklist

CD 1
CD 2
CD 3
#TitleRatingLength
1Atto Quarto. Prima Scena: Introduzione e Scena: "Ella giammai m'amò!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, scena 1. N°10. Introduzione e scena: Introduzione by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) by Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Dormirò sol nel manto mio regal" (Filippo) by Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
part of:
Don Carlo: Atto III (IV)
10:31
2Atto Quarto. Prima Scena: Scena: "Il Grand' Inquisitor!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, Scena I, No. 11. Scena: "Il Grand'Inquisitor!" (Lerma, L'Inquisitore, Filippo) by Ryland Davies (tenor), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 11. Scena: "Nell'ispano suol mai l'eresia dominò" (L'Inquisitore, Filippo) by Giovanni Foiani (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 11. Scena: "Mio padre, che tra noi la pace alberghi ancor" (L'Inquisitore, Filippo) by Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
9:06
3Atto Quarto. Prima Scena: Scena e quartetto: "Giustizia, giustizia, Sire!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:02
4Atto Quarto. Prima Scena: Scena e quartetto: "Ardita troppo voi favellate!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
1:59
5Atto Quarto. Prima Scena: Scena e quartetto: "Ah! sii maledetto, sospetto fatale"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
4:35
6Atto Quarto. Prima Scena: Scena: "Pietà! pietà! perdon!"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:48
7Atto Quarto. Prima Scena: Aria: "O don fatale, o don crudel"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto IV, scena 1. N°13. Scena ed aria: "Ah più non vedrò la Regina! O don fatale, o don crudel" (Eboli) by Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 13. Scena ed aria: "O mia Regina, io t'immolai" (Eboli) by Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
5:01
8Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "Son io, mio Carlo."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:32
9Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "Per me giunto è il dì supremo" "O Carlo ascolta, la madre..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Per me giunto è il dì supremo" (Rodrigo) by Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Che parli tu di morte?" (Carlo, Rodrigo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "O Carlo, ascolta, la madre t'aspetta" (Rodrigo) by Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
5:43
10Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "lo morrò ma lieto in core"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
2:39
11Atto Quarto. Seconda Scena: Morte di Rodrigo e Sommossa: "Mio Carlo, a te la spada io rendo."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:32
12Atto Quinto: Scena ed aria: "Tu che le vanità..."
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto V, No. 15. Scena ed aria: Introduzione by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Addio! Addio, bei sogni d'ôr" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
11:02
13Atto Quinto: Scena e duetto d'addio e scena finale: "È dessa!"... "Un detto, un sol"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "È dessa!" - "Un detto, un sol" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V. Scena, duetto d'addio e finale: "Vago sogno m'arrise!" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
6:07
14Atto Quinto: Scena e duetto d'addio e scena finale: "Ma lassù ci vedremo"
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "Ma lassù ci vedremo" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V. Scena, duetto d'addio e finale: "Sì, per sempre!" (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Simon Estes (bass-baritone), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
6:10