Stage Heroes

~ Release by Colm Wilkinson (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Man of La Mancha (from Man of La Mancha)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Man of La Mancha (I, Don Quixote) (in 1988-12)
lyricist:
Joe Darion
composer:
Mitch Leigh
part of:
Man of La Mancha (Mitch Leigh musical)
3:50
2The Impossible Dream (from Man of La Mancha)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
The Impossible Dream (Man of la Mancha) (in 1988-12)
lyricist:
Joe Darion
composer:
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
part of:
Man of La Mancha (Mitch Leigh musical)
2:49
3Pity the Child (from Chess)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Pity the Child (Chess) (in 1988-12)
lyricist:
Tim Rice
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
part of:
Chess (full musical)
4:18
4Anthem (from Chess)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Anders Eljas
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Anthem (Chess) (in 1988-12)
lyricist:
Tim Rice
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
part of:
Chess (full musical)
3:32
5Maria (from West Side Story)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
West Side Story: Maria (Tony) (in 1988-12)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:36
6Somewhere (from West Side Story)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1988-12)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:42
7The Phantom of the Opera (from The Phantom of the Opera)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Claire Moore (in 1988-12) and Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
The Phantom of the Opera (Christine, The Phantom) (in 1988-12)
additional lyricist:
Mike Batt
lyricist:
Charles Hart (British lyricist) and Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (2004 film soundtrack)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
3:07
8Music of the Night (from The Phantom of the Opera)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
The Music of the Night (The Phantom of the Opera) (in 1988-12)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (2004 film soundtrack)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
5:55
9Bring Him Home (from Les Misérables)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Bring Him Home (Valjean) (in 1988-12)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
3:25
10Empty Chairs at Empty Tables (from Les Misérables)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Empty Chairs at Empty Tables (Marius) (in 1988-12)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
2:52
11Some Enchanted Evening (from South Pacific)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Richard Hewson (in 1988-12)
arranger:
Richard Hewson
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Some Enchanted Evening (South Pacific) (in 1988-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music, Inc.
part of:
South Pacific (Rodgers & Hammerstein musical)
3:16
12This Nearly Was Mine (from South Pacific)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Richard Hewson (in 1988-12)
arranger:
Richard Hewson
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
This Nearly Was Mine (South Pacific) (in 1988-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
3:25
13How to Handle a Woman (from Camelot)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
How to Handle a Woman (from “Camelot”) (in 1988-12)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
3:59
14If Ever I Would Leave You (from Camelot)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
If Ever I Would Leave You (from “Camelot”) (in 1988-12)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019))
part of:
Camelot (full musical)
4:01
15Summertime (from Porgy & Bess)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
George Gershwin (composer)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1988-12)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:30
16It Ain't Necessarily So (from Porgy & Bess)
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
George Gershwin (composer)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1988-12)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
3:30

Credits

Release

printed in:USA
photography:Terry O’Neill (photographer) (task: cover photo)
design:Dewynters PLC London (entertainment marketing firm)
manufactured by and distributed by:BMG Entertainment
copyrighted (©) by:BMG Records (not for release label use! primarily named as distributor in the UK) (in 1995)
ASIN:US: B000003ET2 [info]