Chicago III

~ Release by Chicago (see all versions of this release, 10 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Sing a Mean Tune Kid
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Sing a Mean Tune Kid (in 1970-11)
writer:
Robert Lamm
9:16
2Loneliness Is Just a Word
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Loneliness Is Just a Word (in 1970-11)
writer:
Robert Lamm
2:38
3What Else Can I Say
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
What Else Can I Say (in 1970-11)
writer:
Peter Cetera
3:15
4I Don't Want Your Money
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
I Don’t Want Your Money (in 1970-11)
lyricist:
Robert Lamm
composer:
Terry Kath (member of Chicago)
4:47
5Flight 602
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Flight 602 (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:45
6Motorboat to Mars
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Motorboat to Mars (in 1970-11)
composer:
Danny Seraphine
part of:
Travel Suite
1:30
7Free
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free (in 1970-11)
lyricist and composer:
Robert Lamm
publisher:
J.W. Guercio Aurelia Music (Aurelia Music Division), Lamminations Music, Primary Wave Lamm, Spirit Catalogue Holdings, Spirit Two Music Inc., フジパシフィックミュージック and フジパシフィックミュージック BMG事業部
part of:
Travel Suite
2:16
8Free Country
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free Country (in 1970-11)
composer:
Terry Kath (member of Chicago), Robert Lamm and Walter Parazaider
part of:
Travel Suite
5:47
9At the Sunrise
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
At the Sunrise (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:48
10Happy 'Cause I'm Going Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Happy Cause I'm Going Home (in 1970-11)
writer:
Robert Lamm
7:29
11Mother
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Mother (in 1970-11)
writer:
Robert Lamm
4:30
12Lowdown
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Lowdown (in 1970-11)
lyricist:
Peter Cetera and Danny Seraphine
composer:
Peter Cetera
publisher:
Balloon Head Music, J.W. Guercio Aurelia Music (Aurelia Music Division), Spirit Two Music Crescendo and Universal Music–MGB Songs
3:37
13A Hard Risin' Morning Without Breakfast
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
A Hard Risin' Morning Without Breakfast (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
1:52
14Off to Work
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Off to Work (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
0:46
15Fallin' Out
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Fallin’ Out (in 1970-11)
composer:
Terry Kath (member of Chicago) and Denny Lile
publisher:
Shake Russell Music
part of:
An Hour in the Shower
0:53
16Dreamin' Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Dreamin’ Home (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
0:49
17Morning Blues Again
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Morning Blues Again (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
1:10
18When All the Laughter Dies in Sorrow
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
When All the Laughter Dies in Sorrow (in 1970-11)
writer:
Kendrew Lascelles
part of:
Elegy (Chicago)
1:05
19Canon
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Canon (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
1:05
20Once Upon a Time...
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Once Upon a Time… (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
2:35
21Progress?
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Progress? (in 1970-11)
composer:
James William Guercio and James Pankow
part of:
Elegy (Chicago)
2:35
22The Approaching Storm
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
The Approaching Storm (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
6:26
23Man Vs. Man: The End
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Man vs. Man: The End (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
1:34

Credits

Release

manufactured in:Germany
art direction:Maria Villar (Art director & graphic designer)
additional photography:Hugh Brown (US art director and photographer)
michaelochsarchives.com
photography:Sandy Speiser
liner notes:David Wild (US rock writer & critic (Rolling Stone magazine))
remastering:David Donnelly
bass:Peter Cetera (in 1970-11)
drums (drum set):Danny Seraphine (in 1970-11)
guitar:Terry Kath (member of Chicago) (in 1970-11)
keyboard:Robert Lamm (in 1970-11)
trombone:James Pankow (in 1970-11)
trumpet:Lee Loughnane (in 1970-11)
woodwind:Walter Parazaider (in 1970-11)
vocals:Peter Cetera (in 1970-11)
Terry Kath (member of Chicago) (in 1970-11)
Robert Lamm (in 1970-11)
Lee Loughnane (in 1970-11)
Walter Parazaider (in 1970-11)
design:John Berg (designer)
Amy McFarland
Maria Villar (Art director & graphic designer)
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyrighted (©) by:Warner Strategic Marketing (in 1971, in 2002)
phonographic copyright (℗) by:Warner Strategic Marketing (in 2002)
remastered at:DNA Mastering (Studio City) in Studio City, Los Angeles, California, United States
remaster of:Chicago III
Discogs:https://www.discogs.com/release/2456921 [info]