Ciné Dancing : Édition spéciale

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1A Kind of Magic
assistant engineer:
Croydon (Engineer)
engineer:
David Richards (Swiss-based producer and engineer)
producer:
Queen (UK rock group) and David Richards (Swiss-based producer and engineer)
bass guitar:
John Deacon
drum machine, drums (drum set) and electronic drum set:
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
synthesizer and background vocals:
Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1986, in 2011)
recorded at:
Mountain Studios (original Montreux location, 1975-2002) in Montreux, Vaud, Switzerland (from 1985-09 until 1986-04), Musicland Studios (Munich) in München, Bayern, Germany (from 1985-09 until 1986-04) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1985-09 until 1986-04)
recording of:
A Kind of Magic
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 1986) and Queen Music Ltd. (in 1986)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen3.854:22
2You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
Joe Cocker34:14
3Oh Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:57
4Eye of the TigerSurvivor4.753:48
5Here Comes the Hotstepper
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1994)
samples:
Heartbeat (club version) by Taana Gardner and Land of 1000 Dances by Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, since 1972) and Rondor Music (London) Ltd.
Ini Kamoze34:12
6Whiney, Whiney (What Really Drives Me Crazy)
Willi One Blood33:39
7I Can See Clearly NowJimmy Cliff4.53:11
8I’ll Take You There
cover recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
General Public4:04
9Baby I Love Your Way
recording engineer and producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
additional programming:
Erik Hansen
programming:
Aaron Zigman (American score composer)
executive producer:
Jeff Aldrich (A&R)
assistant mixer:
Dave Betancourt (engineer)
mixer:
Tom Lord‐Alge
acoustic guitar:
John Goux
alto saxophone:
Warren Hill
bass guitar:
Abraham Laboriel
drums (drum set):
Abraham Laboriel Jr. and John “JR” Robinson (session drummer)
flute and tenor saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar ["Duane Eddy" guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
guitar [skank guitar]:
Tony "Valentine" Chin
keyboard:
Aaron Zigman (American score composer)
percussion:
Steve Forman (US percussionist)
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Jerry Hey
background vocals:
James McWhinney
background vocals and lead vocals:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) and Aaron Zigman (American score composer)
mixed at:
Encore Recording Studios in Burbank, California, United States
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Nuages Artists Music Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain4:27
10Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:53
11She’s Like the Wind
assistant engineer:
Dan Nebenzal
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
lead vocals:
Patrick Swayze
vocals:
Wendy Fraser
phonographic copyright (℗) by:
BMG Music (in 1987)
recorded at:
Michael Lloyd Studio in Beverly Hills, California, United States
mixed at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
music videos:
She’s Like the Wind (music video) by Patrick Swayze
recording of:
She’s Like the Wind
writer:
Patrick Swayze (in 1984) and Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music and Very Tony Music
Patrick Swayze53:51
12Try a Little Tenderness
background vocals:
Angeline Ball, Bronagh Gallagher (Irish singer and actress) and Maria Doyle
vocals:
Andrew Strong (Irish singer)
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
The Commitments24:33
13We Don’t Need Another Hero
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner5:32
14The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:55
15Born to Be WildSteppenwolf4.153:39
16The Heat Is On
producer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
bass and keyboard:
Harold Faltermeyer
drums (drum set) and background vocals:
Keith Forsey (drummer, producer and songwriter)
guitar:
Rick Vito
solo guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Geffen Records (in 1984)
recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.353:47
17Stuck in the Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel43:25
18Sex Crime (1984)
additional engineer:
Steven Stanley (producer)
engineer:
Eric Thorngren
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Eric Thorngren
performer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) and Universal Music Careers
Eurythmics2.53:58
19Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
is based on:
I Want a New Drug
Ray Parker Jr.4.154:06