BACH 333 Great Bach Singers

~ Release by Johann Sebastian Bach; Helmut Krebs, Fritz Wunderlich, Arleen Augér, Aafje Heynis (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248, Part One: For The First Day Of Christmas: no. 1 Chorus: "Jauchzet, frohlocket"
choir vocals:
Berliner Motettenchor (from 1955-08-03 until 1955-08-10) and RIAS Kammerchor (German chamber choir) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach8:18
2Christmas Oratorio, BWV 248, Part Two: For The Second Day Of Christmas: no. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Helmut Krebs (tenor) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:49
3Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VI. Agnus Dei
contralto vocals:
Kathleen Ferrier (contralto)
soprano vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
orchestra:
London Philharmonic Orchestra (LPO) and Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
performer:
Sir Adrian Boult (conductor)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:47
4Widerstehe doch der Sünde, Cantata BWV 54: I. "Widerstehe doch der Sünde"
alto vocals:
Hilde Rössel-Majdan (Austrian contralto)
orchestra:
Orchester der Wiener Staatsoper
conductor:
Hermann Scherchen (conductor)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach4:00
5Widerstehe doch der Sünde, Cantata BWV 54: III. "Wer Sünde tut, der ist vom Teufel"
alto vocals:
Helen Watts (contralto)
orchestra:
Philomusica of London
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach3:24
6"Kommt, eilet und laufet" Cantata, BWV 249: "Oster-Oratorium", Original: VII. Aria "Sanfte soll mein Todeskummer"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1956-07)
orchestra:
Stuttgarter Bach-Orchester (in 1956-07)
conductor:
Marcel Couraud (conductor) (in 1956-07)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956-07)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1956-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach6:48
7Jauchzet Gott in allen Landen, Cantata BWV 51: I. "Jauchzet Gott in allen Landen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
trumpet:
Willi Bauer (trumpet player) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:45
8Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VII. Aria: Sich üben im Lieben
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:35
9Es ist euch gut, dass ich hingehe, Cantata BWV 108: Was mein Herz von dir begehrt
recorded in:
Wien, Austria (in 1960-07)
alto vocals:
Aafje Heynis (contralto)
orchestra:
Wiener Symphoniker
conductor:
Hans Gillesberger
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": V. Aria (Alt) "Was mein Herz von dir begehrt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
Johann Sebastian Bach4:04
10St. Matthew Passion, BWV 244, Part One: no. 6 Aria (Alto): "Buss und Reu"
alto vocals:
Marga Höffgen (contralto) (in 1965-11)
orchestra:
Koninklijk Concertgebouworkest (in 1965-11)
conductor:
Eugen Jochum (conductor) (in 1965-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-11)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1965-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:57
11St. Matthew Passion, BWV 244, Part Two: no. 35 Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen"
producer:
Ray Minshull (record producer)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (German conductor) (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:02
12St. Matthew Passion, BWV 244, Part Two: no. 39 Aria (Alto): "Erbarme dich"
alto vocals:
Aafje Heynis (contralto) (in 1961)
orchestra:
Wiener Symphoniker (in 1961)
conductor:
Hans Gillesberger (in 1961)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1961)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:21
13St. Matthew Passion, BWV 244, Part Two: no. 49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
soprano vocals:
Agnes Giebel (soprano) (in 1965-11)
orchestra:
Koninklijk Concertgebouworkest (in 1965-11)
conductor:
Eugen Jochum (conductor) (in 1965-11)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1965-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:06
14Christmas Oratorio, BWV 248, Part Five: For The 1st Sunday in The New Year: no. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
recording engineer:
Hans-Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (soprano) (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans-Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:27
15Magnificat in D major, BWV 243: Chorus: "Gloria Patri"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1961-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:26
16Johannes-Passion, BWV 245, Part One: IX. "Ich folge dir gleichfalls mit freudigen Schritten"
producer:
Jaap van Ginneken
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Koninklijk Concertgebouworkest
conductor:
Eugen Jochum (conductor)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1967-06)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:40
17Meinen Jesum lass ich nicht, Cantata BWV 124: III. "Und wenn der harte Todesschlag"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach3:14
18Herr, gehe nicht ins Gericht mit deinem Knecht, Cantata BWV 105: V. "Kann ich nur Jesum mir zum Freunde machen"
producer:
John Mordler (producer)
tenor vocals:
Ian Partridge (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
balance engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1966-05)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:42
19Ich habe genug, Cantata BWV 82: III. "Schlummert ein, ihr matten Augen"
sound engineer and balance engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1968-07) and Karl Kolbinger (bassoonist) (in 1968-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1968-07) and Fritz Kiskalt (cellist) (in 1968-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1968-07)
oboe:
Manfred Clement (oboist) (in 1968-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1970) and Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1968-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:48
20Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia"
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:23
21Sie werden euch in den Bann tun, Cantata BWV 44: III. "Christen müssen auf der Erden"
recording engineer:
Hans-Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
orchestra:
Münchener Bach‐Orchester (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": III. Aria (Alto) "Christen müssen auf der Erden" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach5:23
22Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Kyrie: II. Christe eleison
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
solo soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:24
23Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: VIII. Domine Deus
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:00
24Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: X. Qui sedes ad dexteram Patris
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma, Roma, Lazio, Italy (in 1998-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1998-06)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:12
25Johannes-Passion, BWV 245, Part Two: 3I. Arioso: "Betrachte, meine Seel'"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sebastian Weigle (hornist and conductor)
recorded at:
Palais im Großen Garten (Dresden) in Dresden, Sachsen, Germany
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 2006-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:27
26Gott ist unsre Zuversicht, Cantata BWV 197, Pt. 2: VIII. "Vergnügen und Lust"
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (in 1990-08)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach3:21
27Ich habe genug, Cantata BWV 82: I. "Ich habe genug, ich habe den Heiland"
producer:
Michael Haas (classical music producer)
oboe:
Albrecht Mayer (oboist) (from 1999-06-16 until 1999-06-18)
bass vocals:
Matthias Goerne (baritone) (from 1999-06-16 until 1999-06-18)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (from 1999-06-16 until 1999-06-18)
conductor:
Sir Roger Norrington (conductor) (from 1999-06-16 until 1999-06-18)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Kapuzinerkloster in Salzburg, Salzburg, Austria (from 1999-06-16 until 1999-06-18)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1999-06-16 until 1999-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:50
28Gott soll allein mein Herze haben, Cantata BWV 169: III. "Gott soll allein mein Herze haben"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est, France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach6:21
29Mein Herze schwimmt im Blut, Cantata BWV 199: II. "Stumme Seufzer, stille Klagen"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach8:03
30St. Matthew Passion, BWV 244, Part One: no. 13 Aria (Soprano): "Ich will dir mein Herz schenken"
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-03)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1987-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:48
31St. Matthew Passion, BWV 244, Part Two: no. 42 Aria (Bass): "Gebt mir meinen Jesum wieder"
bass vocals:
Michael Volle (baritone)
orchestra:
Saito Kinen Orchestra
conductor:
Seiji Osawa (conductor and composer)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:02
32St. Matthew Passion, BWV 244, Part Two: no. 52 Aria (Alto): "Können Tränen meiner Wangen"
alto vocals:
Marie‐Claude Chappuis (mezzo-soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Riccardo Chailly (conductor)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 2009-04-02 until 2009-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:17
33St. Matthew Passion, BWV 244, Part Two: "Wir setzen uns mit Tränen nieder"
choir vocals:
Thomanerchor Leipzig and Tölzer Knabenchor
orchestra:
Gewandhausorchester Leipzig
conductor:
Riccardo Chailly (conductor)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 2009-04-02 until 2009-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:05