Complete Recordings on Archiv Produktion 2

~ Release by Reinhard Goebel, Musica Antiqua Köln (see all versions of this release, 6 available)

Tracklist

▶ CD 15: J. S. Bach: Wedding Cantatas
▶ CD 16: C. P. E. Bach, W. F. Bach: Concertos for 2 Harpsichords
▶ CD 17: Bachiana: Music by the Bach Family
▶ CD 18: Bachiana: Double Concertos
▶ CD 19: Cantatas by the Bach Family Before Johan Sebastian (I)
▶ CD 20: Cantatas by the Bach Family Before Johan Sebastian (II)
▼ CD 21: Lamento: Arias and Cantatas by the Bach Family
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1“Ach, dass ich Wassers g'nug hätte”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Ach, dass ich Wassers g’nug hätte (in 2003-02)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
Johann Christoph Bach7:30
2“Languet aanima mea”: 1. Recitative: “Languet anima mea amore tuo”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: I. Recitativo: Languet anima mea amore tuo (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti0:54
3“Languet aanima mea”: 2. Aria: “O vulnera, vita coelestis”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti3:20
4“Languet aanima mea”: 3. Recitative: “Amoris tui jaculo”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: III. Recitativo: Amoris tui jaculo (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti0:39
5“Languet aanima mea”: 4. Aria: “Tu lumen mentis es”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: IV. Aria: Tu lumen mentis es (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti7:03
6“Languet aanima mea”: 5. “Alleluja”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: V. Alleluja (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti1:37
7“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 1. Aria: “Vergnügte Ruh, beliebte Seelenlust”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:24
8“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 2. Recitative: “Die Welt, das Sündenhaus”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:21
9“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 3. Aria: “Wie jammern mich doch die verkehrten Herzen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:09
10“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 4. Recitative: “Wer sollte sich demnach”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:06
11“Vergnügte Ruh, beliebte Seelenlust”, BWV 170: 5. Aria: “Mir ekeit mehr zu leben”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:58
12“Bekennen will ich seinen Namen”, BWV 200
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02)
premiered in:
Leipzig, Sachsen, Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (number: BWV 200)
Johann Sebastian Bach3:30
13Selma, H 739 (Wq. 236): “Sie liebt! Mich Liebt die Auserwählte”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Selma, H 739 (Wq. 236) (chamber cantata) (in 2003-02)
lyricist:
Johann Heinrich Voß
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (Wotquenne [Wq.]) (number: Wq. 236) and Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 739)
Carl Philipp Emanuel Bach2:10
14Die Amerikanerin, BR JCFB G 47: 1. “Saide, komm, mein Wunsch, mein Lied!”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach2:46
15Die Amerikanerin, BR JCFB G 47: 2. “Schön ist mein Mädchen, wie die Traube”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach2:34
16Die Amerikanerin, BR JCFB G 47: 3. “Du Quell”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: III. Du Quell, der sich durch Goldsand schlängelt (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach1:43
17Die Amerikanerin, BR JCFB G 47: 4. “Mein Herz, mein Herz fleucht ihr entgegen”
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen (in 2003-02)
composer:
Johann Christoph Friedrich Bach (composer)
part of:
Die Amerikanerin, BR JCFB G 47
Johann Christoph Friedrich Bach4:08
▶ CD 22: Biber: Mensa sonora / Sonata representativa
▶ CD 23: Biber: Harmonia artificiosa (I)
▶ CD 24: Biber: Harmonia artificiosa (II)
▶ CD 25: Biber: Rosenkranz Sonatas (I)
▶ CD 26: Biber: Rosenkranz Sonatas (II) / Passacaglia
▶ CD 27: Biber: Missa Salisburgensis
▶ CD 28: Charpentier: Musiques sacrée
▶ CD 29: Clérambault: Orphée / Médée
▶ CD 30: Couperin: Les Nations (I)
▶ CD 31: Couperin: Les Nations (II)