18 Great Arias: Die Zauberflöte / Don Giovanni / Così fan tutte / Le nozze di Figaro

~ Release by Mozart; Anna Moffo, Anneliese Rothenberger, Plácido Domingo, Hermann Prey (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Don Giovanni: "Là ci darem la mano" (Atto I)
baritone vocals [Don Giovanni]:
Sir Thomas Allen (baritone)
soprano vocals [Zerlina]:
Elizabeth Gale (soprano)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Bernard Haitink (conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:41
2Don Giovanni: "Or sai chi l'onore" (Atto I)
soprano vocals [Donna Anna]:
Birgit Nilsson (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Heinz Wallberg (conductor)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:05
3Don Giovanni: "Il mio tesoro" (Atto II)
tenor vocals [Don Ottavio]:
Keith Lewis (tenor)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Bernard Haitink (conductor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:27
4Don Giovanni: "In quali eccessi... Mi tradi quell'alma ingrata" (Atto II)
soprano vocals [Donna Elvira]:
Lucia Popp (soprano)
orchestra:
Münchner Rundfunkorchester
conductor:
Leonard Slatkin (conductor)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:06
5Le nozze di Figaro: "Non più andrai" (Atto I)
bass vocals [Figaro]:
Sesto Bruscantini (bass-baritone)
orchestra:
Glyndebourne Festival Orchestra
conductor:
Vittorio Gui (conductor and composer)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:59
6Le nozze di Figaro: "Porgi amor" (Atto II)
soprano vocals [La Contessa]:
Lucia Popp (soprano)
orchestra:
Münchner Rundfunkorchester
conductor:
Leonard Slatkin (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:51
7Le nozze di Figaro: "Voi che sapete" (Atto II)
mezzo-soprano vocals:
Risë Stevens (Opera director, actress, mezzo-soprano)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:59
8Le nozze di Figaro: "Giunse alfin il momento... Deh vieni, non tardar" (Atto IV)
soprano vocals:
Graziella Sciutti (soprano)
orchestra:
Glyndebourne Festival Orchestra
conductor:
Vittorio Gui (conductor and composer)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart5:05
9Die Entführung aus dem Serai: "Martern aller Arten" (Akt II)
soprano vocals [Konstanze]:
Anneliese Rothenberger (soprano)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:53
10Die Entführung aus dem Serai: "O, wie will ich triumphieren" (Akt III)
bass vocals [Osmin]:
Gottlob Frick (operatic bass)
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips (conductor and violinist)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:31
11Così fan tutte: "Soave sia il vento" (Atto I)
bass vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
soprano vocals:
Agnes Baltsa (mezzo-soprano) and Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Wiener Philharmoniker
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:25
12Così fan tutte: "In uomini, in soldati" (Atto I)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1958-05-17 until 1958-05-19)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Anna Moffo (soprano) (from 1958-05-17 until 1958-05-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-05-17 until 1958-05-19)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1958-05-17 until 1958-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1959)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-17 until 1958-05-19)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1958-05-17 until 1958-05-19)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:40
13Così fan tutte: "Come scoglio" (Atto I)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano)
orchestra:
Münchner Rundfunkorchester
conductor:
Leonard Slatkin (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:34
14Così fan tutte: "Un'aura amorosa" (Atto I)
tenor vocals [Ferrando]:
Plácido Domingo (tenor)
orchestra:
Münchner Rundfunkorchester
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:11
15Die Zauberflöte: "Der Vogelfänger bin ich ja" (Akt I)
baritone vocals [Papageno]:
Hermann Prey (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:56
16Die Zauberflöte: "O Isis und Osiris" (Akt II)
bass vocals [Sarastro]:
Kurt Moll (operatic bass)
choir vocals [Priester]:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:26
17Die Zauberflöte: "Der Hölle Rache" (Akt II)
soprano vocals [Die Königin der Nacht]:
Edda Moser (soprano)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
18Die Zauberflöte: "Ach, ich fühl's" (Akt II)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1958-05-17 until 1958-05-19)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Anna Moffo (soprano) (from 1958-05-17 until 1958-05-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-05-17 until 1958-05-19)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1958-05-17 until 1958-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1959)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-17 until 1958-05-19)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (from 1958-05-17 until 1958-05-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:32

Credits

Release

ASIN:UK: B000027IXJ [info]