The Complete Deutsche Grammophon Recordings

~ Release by Claudio Abbado, Berliner Philharmoniker (see all versions of this release, 4 available)

Annotation

The 60-CD collection of the complete recordings made for Deutsche Grammophon by Claudio Abbado and the Berliner Philharmoniker.

Annotation last modified on 2020-12-03 09:52 UTC.

Tracklist

▶ CD 1: Beethoven: Symphonies nos. 1 & 3 “Eroica”
▶ CD 2: Beethoven: Symphonies nos. 2 & 4
▶ CD 3: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶ CD 4: Beethoven: Symphonies nos. 7 & 8
▶ CD 5: Beethoven: Symphony no. 9 “Choral”
▶ CD 6: Beethoven: Piano Concertos nos. 1 & 2
▶ CD 7: Beethoven: Piano Concertos nos. 3 & 4
▶ CD 8: Beethoven: Piano Concerto no. 5
▶ CD 9: Beethoven: Music to “Egmont” / “Ah! perfido” / Overture to “Leonore III” / Fantasia, op. 80
▶ CD 10: Beethoven: Music to “The Consecration of the House” / “Leonore Prohaska” / “Egmont” Entr'acte I & II
▶ CD 11: Brahms: Symphony no. 1 / Gesang der Parzen
▶ CD 12: Brahms: Alto Rhapsody / Symphony no. 2
▶ CD 13: Brahms: Tragic Overture / Schicksalslied / Symphony no. 3
▶ CD 14: Brahms: Haydn Variations / Nänie / Symphony no. 4
▶ CD 15: Brahms: Symphony no. 2 / Academic Festival Overture
▶ CD 16: Brahms: Serenades nos. 1 & 2
▶ CD 17: Brahms: Piano Concerto no. 1 (Brendel)
▶ CD 18: Brahms: Piano Concerto no. 2 (Brendel)
▶ CD 19: Brahms: Piano Concerto no. 1 (Pollini)
▶ CD 20: Brahms: Piano Concerto no. 2 (Pollini)
▶ CD 21: Brahms: Violin Concerto / Academic Festival Overture (Mintz)
▶ CD 22: Brahms: Violin Concerto (Mullova)
▶ CD 23: Brahms: Violin Concerto / Concerto for Violin, Cello and Orchestra (Shaham / Wang)
▶ CD 24: Brahms: Ein deutsches Requiem
▶ CD 25: Debussy: Prélude à l'après-midi d'un faune / Trois Nocturnes / Pelléas et Melisande - Concert Suite
▶ CD 26: Dvořák: Concert Overture “Othello” / Symphony no. 9 “From the New World”
▶ CD 27: Hindemith: Symphony “Mathis der Maler” / Nobilissima visione / Symphonische Metamorphosen nach Themen von Carl Maria von Weber
▶ CD 28: Janáček: Zápisník zmizelého / Sinfonietta
▶ CD 29: Kurtág: Grabstein für Stephan / Stele / Stockhausen: Gruppen
▶ CD 30: Mahler: Symphony no. 1
▶ CD 31: Mahler: Symphony no. 3 (Part I)
▶ CD 32: Mahler: Symphony no. 3 (Part II)
▶ CD 33: Mahler: Symphony no. 4 / Berg: Sieben frühe Lieder
▶ CD 34: Mahler: Symphony no. 5
▶ CD 35: Mahler: Symphony no. 6
▶ CD 36: Mahler: Symphony no. 7
▶ CD 37: Mahler: Symphony no. 8 (Part I)
▶ CD 38: Mahler: Symphony no. 8 (Part II)
▶ CD 39: Mahler: Symphony no. 9
▶ CD 40: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
▶ CD 41: Mozart: Requiem / Betracht dies Herz und frage mich / Laudate dominum
▶ CD 42: Mozart: Arias, Motets and Scenes / Strauss: Orchestral Songs
▶ CD 43: Mussorgsky: Night on Bald Mountain / Pictures at an Exhibition / Choral Works
▶ CD 44: Prokofiev: Romeo and Juliet (excerpts)
▶ CD 45: Prokofiev: Piano Concertos nos. 1 & 3 (Kissin)
▶ CD 46: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto (Argerich)
▶ CD 47: Rachmaninov: Piano Concertos nos. 2 & 3 (Zilberstein)
▶ CD 48: Schumann / Schoenberg: Piano Concertos (Pollini)
▶ CD 49: Strauss: Orchestral Songs / Vier letzte Lieder (Mattila)
▶ CD 50: Tchaikovsky: Piano Concerto no. 1 (Argerich)
▶ CD 51: Tchaikovsky: The Tempest / Slavonic March / Overtures
▶ CD 52: Verdi: Overtures and Preludes
▶ CD 53: Verdi: Falstaff (Acts I & II, Part I)
▶ CD 54: Falstaff (Act II, Part II & Act III)
▼ CD 55: Verdi: Arias (Alagna)
#TitleArtistRatingLength
1Luisa Miller: Atto II. “Oh! Fede negar potessi” (Rodolfo)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi1:39
2Luisa Miller: Atto II. “Quando le sere al placido” (Rodolfo)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi4:10
3I Lombardi alla prima crociata: Atto II. “La mia letizia infondere” (Oronte)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Oronte]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:22
4Aida: Atto I. “Se quel guerrier io fossi” (Radamès)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Radamès]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:55
5Aida: Atto I. “Celeste Aida” (Radamès)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Radamès]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:32
6Ernani: Atto I. “Mercé, diletti amici” (Ernani)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi1:03
7Ernani: Atto I. “Come rugiada al cespite” (Ernani)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:31
8Ernani: Atto I. “Dell'esilio nel dolore ... O tu che l'alma adora” (Ernani, chorus)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
choir vocals:
London Voices (from 1997-02 until 1997-09)
tenor vocals [Ernani]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
chorus master:
Terry Edwards (British choir director) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:11
9Un ballo in maschera: Atto III. “Forse la soglia attinse” (Riccardo)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Riccardo]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:31
10Un ballo in maschera: Atto III. “Ma se m'è forza perderti” (Riccardo)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Riccardo]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:03
11Otello: Atto III. “Dio, mi potevi scagliar” (Otello)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Otello]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
Giuseppe Verdi2:21
12Otello: Atto IV. “Ma, o pianto, o duol!” (Otello)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Otello]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
partial recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
Giuseppe Verdi2:36
13Otello: Atto IV. “Niun mi tema” (Otello, Cassio, Lodovico, Montano)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
other vocals [Cassio]:
Noel Mann (bass vocalist) (from 1997-02 until 1997-09)
other vocals [Lodovico]:
Richard Fallas (from 1997-02 until 1997-09)
other vocals [Montano]:
Andrew Busher (tenor) (from 1997-02 until 1997-09)
tenor vocals [Otello]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi6:13
14La forza deel destino: Atto III. Introduzione
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi3:59
15La forza deel destino: Atto III. “La vita è inferno” (Alvaro)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Alvaro]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi2:59
16La forza deel destino: Atto III. “O tu che in seno agli angeli” (Alvaro)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Alvaro]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi3:49
17Macbeth: Atto IV. “O figli” (Macduff)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Macduff]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
Giuseppe Verdi1:14
18Macbeth: Atto IV. “Ah, la paterna mano” (Macduff)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Macduff]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
Giuseppe Verdi2:53
19Jérusalem: Acte II. « L'Émir auprès de lui m'appelle » (Gaston)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi2:53
20Jérusalem: Acte II. « Je veux encore entendre ta voix » (Gaston)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Gaston]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi3:27
21Il trovatore: Atto III. “Ah sì, ben mio” (Manrico)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Manrico]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:19
22Il trovatore: Atto III. “Di quella pira” (Manrico, Leonora, chorus)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
choir vocals:
London Voices (from 1997-02 until 1997-09)
soprano vocals [Leonora]:
Angela Gheorghiu (Romanian soprano) (from 1997-02 until 1997-09)
tenor vocals [Manrico]:
Roberto Alagna (tenor) (from 1997-02 until 1997-09)
orchestra:
Berliner Philharmoniker (from 1997-02 until 1997-09)
conductor:
Claudio Abbado (conductor) (from 1997-02 until 1997-09)
chorus master:
Terry Edwards (British choir director) (from 1997-02 until 1997-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1997-02 until 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1997-02 until 1997-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:27
▶ CD 56: Wagner: Tannhäuser / Parsifal / Tristan und Isolde (Orchestral Music)
▶ CD 57: Wagner: Holländer / Meistersinger / Tannhäuser / Parsifal / Walküre (Terfel)
▶ CD 58: Wagner Gala 1993
▶ CD 59: Berlin Gala 1997: A Salute to Carmen
▶ CD 60: Berlin Gala 1998