Le Ténor du siècle

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Turandot: Atto III. “Nessun dorma!”
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini53:01
2O sole mio
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Giancarlo Chiaramello
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
part of:
For the First Time (1959 film)
Eduardo di Capua3:24
3Rigoletto: Atto III. “La donna è mobile” (edit)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:25
4La Bohème: Atto I. “Che gelida manina”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:41
5Mattinata, op. 5
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Mattinata (in 1977-04)
lyricist and composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo2:01
6Fedora: Atto II. “Amor ti vieta”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Umberto Giordano1:47
7Il Trovatore: Atto III. “Ah sì ben mio”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:00
8L'elisir d'amore: Atto II. “Una furtiva lagrima”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:50
9Macbeth: Atto IV. “O figli miei … Ah, la paterna mano”
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Macduff]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
Giuseppe Verdi3:42
10Musica proibita
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Musica proibita
lyricist:
Flick‐Flock (in 1881)
composer:
Stanislao Gastaldon (in 1881)
Stanislao Gastaldon3:09
11Werther: Acte III. « Pourquoi me réveiller, ô souffle du printemps? »
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Werther]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:08
12Soirées musicales: 8. La danza
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
Gioachino Rossini3:09
13Andrea Chénier: Atto IV. “Come un bel dì di maggio”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:12
14L'Arlesiana: Atto II. “È la solita storia del pastore”
choir vocals:
Vienna Opera Chorus
tenor vocals and tenor vocals [Federico]:
Luciano Pavarotti (tenor)
orchestra:
Vienna Opera Orchestra
conductor:
Nicola Rescigno (conductor)
recording of:
L’arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’arlesiana: Atto II
Francesco Cilea5:03
15Das Land des Lächelns (sung in italian): “Tu che m'hai preso il cor”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Maurizio Benini (conductor)
recording of:
Il paese del sorriso: “Tu che m'hai preso il cuor”
lyricist:
Mario Panzeri (Italian Composer and “paroliere”) and Giuseppe Rastelli (Italian lyricist)
composer:
Franz Lehár (composer)
translated version of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
Franz Lehár3:40
16La Favorita: Atto IV. “Spirto gentil”
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Sir Edward Downes (conductor)
performer:
Vienna Opera Orchestra
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti4:12
17La mia canzone al vento
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
La mia canzone al vento (arr. Mancini)
lyricist:
Bixio Cherubini
composer:
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Cesare Andrea Bixio3:04
18Aida: Atto I. “Se quel guerrier io fossi!” … “Celeste Aida”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Lorin Maazel (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:09
19L'Africaine: Atto IV. “Mi batte il cor … O Paradiso!”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Giacomo Meyerbeer3:32
20Chitarra romana
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Chitarra romana
lyricist:
Bruno Cherubini (brother of Bixio Cherubini) and Eldo Di Lazzaro
composer:
Eldo Di Lazzaro
Eldo Di Lazzaro3:20
21Tosca: Atto III. “E lucevan le stelle”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Leone Magiera (conductor, pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1974)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1974)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:16
22Rigoletto: Atto I. “Questa o quella”
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (in 1989-06)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1989-06)
conductor:
Riccardo Chailly (conductor) (in 1989-06)
performer:
Riccardo Chailly (conductor)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1989-06)
edit of:
Rigoletto: Atto I, scene 1. Questa o quella per me pari sono by Anna Caterina Antonacci (soprano), Coro del Teatro Comunale di Bologna, Leo Nucci (baritone), Luciano Pavarotti (tenor), Orchestra del Teatro Comunale di Bologna, Riccardo Chailly (conductor)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1989-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:42
23Pagliacci: Atto I. “Recitar! … Vesti la giubba”
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo4:09
24Vanne, o rosa fortunata
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Vanne, o rosa fortunata
lyricist:
Pietro Metastasio
composer:
Vincenzo Bellini (Sicilian opera composer)
arranger:
Douglas Gamley (film composer)
Vincenzo Bellini2:28
25Manon Lescaut: Atto I. “Donna non vidi mai”
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:40
26Non ti scordar di me
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Non ti scordar di me (arr. Mancini)
lyricist:
Domenico Furnò
composer:
Ernesto De Curtis (composer)
arranger:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Non ti scordar di me
Ernesto De Curtis2:57
27Un ballo in maschera: Atto III. “Ma se m'è forza perderti”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:59
28Malinconia, ninfa gentile
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Malinconia, ninfa gentile
lyricist:
Ippolito Pindemonte
composer:
Vincenzo Bellini (Sicilian opera composer)
arranger:
Douglas Gamley (film composer)
Vincenzo Bellini1:47
29La traviata: Atto II. “Lunge da lei … De' miei bollenti spiriti”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
Giuseppe Verdi3:54
30Torna a Surriento
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Giancarlo Chiaramello
recording of:
Torna a Surriento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
Ernesto De Curtis4:26
31La Gioconda: Atto II. “Cielo e mar!”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Leone Magiera (conductor, pianist)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli5:10
32Voglio vivere così
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Voglio vivere cosi
lyricist:
Domenico Titomaglio (Italian songwriter)
composer:
Giovanni D'Anzi
Giovanni D'Anzi2:44
33Un ballo in maschera: Atto I. “La rivedrà nell'estasi” (excerpt)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Nicolas Christou (Belgian Bass-Baritone) and Leonardo Monreale (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Bruno Bartoletti (conductor)
performer:
Coro dell’Accademia Nazionale di Santa Cecilia
partial recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:07
34Core 'ngrato
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Giancarlo Chiaramello
recording of:
Core ’ngrato (Catari, Catari) (for voice & orchestra)
lyricist:
Riccardo Cordiferro (in 1911)
composer:
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA
Salvatore Cardillo4:56
35Caro mio ben
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Caro mio ben (in 1977-04)
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani
publisher:
G. Schirmer Inc.
[anonymous], previously attributed to Giuseppe Giordani3:07
36Ave Maria, D839
recording engineer:
John Dunkerley (engineer) and James Lock (engineer) (in 1976-01)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) (in 1976-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:51
37Un amore così grande
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Un amore così grande
lyricist:
Antonella Maggio
composer:
Guido Maria Ferilli (in 1976)
Guido Maria Ferilli4:24
38Funiculì, funiculà
choir vocals:
Coro del Teatro Comunale di Bologna
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Anton Guadagno (conductor)
recording of:
Funiculì, funiculà
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
Luigi Denza2:44
39Vaga luna che inargenti
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Piero Gamba (conductor and pianist)
recording of:
Vaga luna che inargenti
lyricist:
[anonymous] (special purpose artist)
composer:
Vincenzo Bellini (Sicilian opera composer)
Vincenzo Bellini3:50
40Volare
tenor vocals:
Luciano Pavarotti (tenor)
vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Nel blu dipinto di blu (Volare)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
publisher:
Curci and EMI Robbins Catalog Inc. (ASCAP)
part of:
Grammy Award: Song of the Year nominees (number: 1959 winner)
Domenico Modugno4:34
41Mamma
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1984-01)
orchestra:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1984)
recorded at:
Grand Casino Noga Hilton in Genève, Genève, Switzerland (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
lyricist:
Bixio Cherubini
composer:
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Mamma
Cesare Andrea Bixio3:36
42I Lombardi: Atto II. “La mia letizia infondere” (live in Parma / 1976)
recorded in:
Parma, Parma, Emilia-Romagna, Italy (in 1976)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976)
orchestra:
Orchestra del Teatro Regio di Torino (in 1976)
conductor:
Giuseppe Patanè (conductor) (in 1976)
live recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1976)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:15
43Martha: Atto III. “M'appari”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Atto II. “M’apparì tutt'amor” (Lionel)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt II. "Ach so fromm" (Lyonel)
Friedrich von Flotow3:32
44Vivere
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Vivere
lyricist and composer:
Cesare Andrea Bixio
Cesare Andrea Bixio3:27
45Carmen : Acte II. « La fleur que tu m'avais jetée »
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recorded at:
Wiener Staatsoper in Innere Stadt, Wien, Austria (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:31
46Tosca: Atto I. “Recondita armonia” (extract)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Nicola Rescigno (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini3:01
47Passione
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Giancarlo Chiaramello
recording of:
Passione
lyricist:
Libero Bovio (in 1934)
composer:
Ernesto Tagliaferri (composer) (in 1934) and Nicola Valente (in 1934)
Nicola Valente & Ernesto Tagliaferri3:47
48La fille du régiment : Acte I. « Ah mes amis – Pour mon âme »
bass vocals:
Eric Garrett (English Bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti6:56
49Il Trovatore: Atto III. “Di quella pira”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:19
50Marechiare
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Giancarlo Chiaramello
recording of:
Marechiare
lyricist:
Salvatore Di Giacomo
composer:
Francesco Paolo Tosti (composer)
Francesco Paolo Tosti3:54
51Luisa Miller: Atto II. “Quando le sere al placido chiaror d'un ciel stellato”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:49
52Madama Butterfly: Atto II. “Addio fiorito asil”
baritone vocals:
Robert Kerns (baritone)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:09
53Panis Angelicus, op.12
choir vocals:
Wandsworth School Boys’ Choir
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian-born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck4:04
54Parlami d'amore, Mariù
flute:
Andrea Griminelli
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Parlami d’amore Mariù
lyricist:
Ennio Neri
composer:
Cesare Andrea Bixio
Cesare Andrea Bixio3:38
55Manon Lescaut: Atto I. “Tra voi belle, brune e bionde”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini1:13
56Messa da requiem: IIh. Dies irae: Ingemisco
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:39
57Fenesta che lucive
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Giancarlo Chiaramello
recording of:
Fenesta ca lucive
lyricist:
Giulio Genoino
composer:
Vincenzo Bellini (Sicilian opera composer) and Guglielmo Cottrau
publisher:
PD (refers to works that are in the public domain)
Vincenzo Bellini & Guglielmo Cottrau3:36
58La Fanciulla del West: Atto III. “Ch'ella mi creda libero e lontano”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:07
59Fiorin Fiorello
choir vocals:
Coro del Teatro Comunale di Bologna
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Fiorin Fiorello
lyricist:
Giuseppe Mendes
composer:
Angelo Mascheroni
Angelo Mascheroni2:17
60La traviata: Atto I. “Libiamo ne' lieti calici”
choir vocals:
London Opera Chorus
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi2:51
61Turandot: Atto III. “Nessun dorma” (live)
tenor vocals:
José Carreras (Spanish tenor), Plácido Domingo (tenor) and Luciano Pavarotti (tenor)
conductor:
Zubin Mehta (conductor)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini3:30