Messiah

~ Release by George Frideric Handel; Lynne Dawson, Hilary Summers, John Mark Ainsley, Alastair Miles, The Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury (see all versions of this release, 2 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messiah : Part II. Chorus "Surely he has borne our grieves"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:43
2Messiah : Part II. Chorus "And with his stripes we were healed"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:47
3Messiah : Part II. Chorus "All we like sheep"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:43
4Messiah : Part II. Recitative "All they that see Him"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:40
5Messiah : Part II. Chorus "He trusted in god"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:19
6Messiah : Part II. Recitative "Thy rebuke hath broken his heart"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:48
7Messiah : Part II. Aria "Behold, and see if there be any sorrow"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:22
8Messiah : Part II. Recitative "He was cut off the land"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
9Messiah : Part II. Aria "But thou didst not leave"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
10Messiah : Part II. Chorus "Lift up your heads"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
11Messiah : Part II. Recitative "Unto which of the angels"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
12Messiah : Part II. Chorus "Let all the angels of God worship Him"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:28
13Messiah : Part II. Aria "Thou art gone up on high"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:12
14Messiah : Part II. Chorus "The lord gave the word"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:04
15Messiah : Part II. Aria-soprano "How beautiful are the feet"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:03
16Messiah : Part II. Chorus "Their sound is gone out"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
17Messiah : Part II. Aria-Bass "Why do the nations?"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
18Messiah : Part II. Chorus "Let us break their bonds asunder"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:43
19Messiah : Part II. Recitative "He that dwelleth in heaven"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:12
20Messiah : Part II. Aria "Thou shalt break them"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:59
21Messiah : Part II. Chorus "Hallelujah!"
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
22Messiah : Part III. Aria "I know that my Redeemer liveth"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:48
23Messiah : Part III. Chorus "Since by man come death"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
24Messiah : Part III. Recitativ-bass "Behold, I tell you a mystery"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I Tell you a Mystery” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:34
25Messiah : Part III. Aria-bass "The trumpet shall sound"
instruments:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The Trumpet Shall Sound” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:31
26Messiah : Part III. Recitativ "Then shall be brought to pass"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:17
27Messiah : Part III. Duet "O death, where is thy sting?"
alto vocals:
Hilary Summers (contralto) (in 1994)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:03
28Messiah : Part III. Chorus "But thanks be to god"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
29Messiah : Part III. Aria "If god be for us"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:06
30Messiah : Part III. Chorus "Worthy is the Lamb... Amen"
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:49

Credits

Release

orchestra:The Brandenburg Consort
conductor:Stephen Cleobury (organist, conductor)
alto vocals:Hilary Summers (contralto)
bass vocals:Alastair Miles (operatic bass)
choir vocals:Choir of King’s College, Cambridge
soprano vocals:Lynne Dawson (soprano)
tenor vocals:John Mark Ainsley (tenor)
ASIN:DE: B0007XT3IK [info]