Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

▶ CD 1: Bach: Organ Works
▶ CD 2: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
▶ CD 3: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
▶ CD 4: Gregorian Chant
▶ CD 5: De La Halle: Dances; Le Jeu De Robin Et De Marion
▶ CD 6: Bach: Brandenburg Concertos
▶ CD 7: Bach: Brandenburg Concertos
▶ CD 8: Gibbons/Morley: Anthems; Madrigals; Fantasies
▶ CD 9: Bach: Passio Secundum Matthaeum
▶ CD 10: Bach: Passio Secundum Matthaeum
▶ CD 11: Bach: Passio Secundum Matthaeum
▶ CD 12: Bach: Cantatas
▶ CD 13: Praetorius / Widmann / Schein: Dances
▶ CD 14: Mouret / Delalande: Symphonies; Fanfares
▶ CD 15: Höfische Konzertmusik des österreichischen Barock
▶ CD 16: Musique de table
▶ CD 17: Vier Orchester-Sinfonien, wq 183
▶ CD 18: Israel in Egypt
▶ CD 19: Israel in Egypt
▶ CD 20: Sonaten für Cembalo
▶ CD 21: Canti amorosi
▶ CD 22: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
▶ CD 23: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
▶ CD 24: Music of the Gothic Era
▶ CD 25: Pièces de Clavecin
▶ CD 26: Die Orchesterwerke
▶ CD 27: Goldberg-Variationen
▶ CD 28: Le quattro stagioni
▶ CD 29: Wassermusik / 3 Konzerte
▶ CD 30: Mass in B minor
▶ CD 31: Mass in B minor
▶ CD 32: Palestrina: Missa Papae Marcelli / Allegri: Misere
▶ CD 33: Piano Concertos nos. 18 & 19
▶ CD 34: Vespro Della Beata Vergine
▶ CD 35: Vespro Della Beata Vergine
▶ CD 36: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
▶ CD 37: Symphonies nos. 5 & 6 "Pastoral"
▶ CD 38: Rebel: Les Élémens / Gluck: Alessandro
▶ CD 39: La Resurrezione
▶ CD 40: La Resurrezione
▶ CD 41: Music for San Rocco
▶ CD 42: Messiah
▶ CD 43: Messiah
▶ CD 44: Lamenti
▶ CD 45: A Flemish Feast / Flemish Renaissance Wind Music
▼ CD 46: Motets
#TitleArtistRatingLength
1Inviolata, integra, et casta es Maria à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Inviolata, integra et casta es (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Inviolata, integra et casta es
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:45
2Ut Phoebi radiis à 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Ut Phoebi radiis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Ut Phoebi radiis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
3De profundis clamavi à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
De profundis clamavi à 5 (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:12
4Christe Fili Dei - J'ay pris amours à 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Christe Fili Dei - J'ay pris amours (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Christe Fili Dei - J'ay pris amours
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Vultum tuum deprecabuntur: Christe, fili Dei
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:00
5O Virgo virginum à 6
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
O virgo virginum (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo virginum
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:44
6Vultum tuum deprecabuntur à 4: Vultum tuum deprecabuntur
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Vultum tuum deprecabuntur (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Vultum tuum deprecabuntur
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez2:29
7Vultum tuum deprecabuntur à 4: Ave Maria, gratia plena
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Ave Maria (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Vultum tuum deprecabuntur: Ave Maria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez2:37
8Vultum tuum deprecabuntur à 4: Sancta Dei genitrix
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Sancta Dei genitrix (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Sancta Dei genitrix
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez2:13
9Vultum tuum deprecabuntur à 4: O intemerata Virgo
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Intemerata virgo (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Intemerata virgo
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:30
10Vultum tuum deprecabuntur à 4: O Maria, nullam tam gravem
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
Vultum tuum deprecabuntur: O Maria, nullam tam gravem (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:02
11Vultum tuum deprecabuntur à 4: Mente tota tibi supplicamus
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Mente tota (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Mente tota
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:40
12Vultum tuum deprecabuntur à 4: Ora pro nobis
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Ora pro nobis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Ora pro nobis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:35
13La Déploration de Johannes Ockeghem: Nymphes des bois à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:33
14O bone et dulcis Domine Jesus - Pater noster - Ave Maria à 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
Pater noster / Ave Maria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:01
15Huc me sydereo / Plangent eum à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Huc me sydereo - Plangent eum (a 5) (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:07
16O Virgo prudentissima / Beata Mater à 6
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
O virgo prudentissima (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo prudentissima
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez6:50
▶ CD 47: Italian Cantatas
▶ CD 48: une symphonie imaginaire
▶ CD 49: il divino boemo
▶ CD 50: Concertos for Two Violins
▶ CD 51: Alcina
▶ CD 52: Alcina
▶ CD 53: Alcina
▶ CD 54: Motetes e himnos para el año litúrgico
▶ CD 55: 2013