Now More Than Ever: The History of Chicago

~ Release by Chicago (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleRatingLength
1Introduction
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Terry Kath (member of Chicago) (in 1969-01)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Introduction (in 1969-01)
lyricist and composer:
Terry Kath (member of Chicago)
6:35
2Listen
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Listen (in 1969-01)
composer:
Robert Lamm
3:24
3Beginnings
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Beginnings (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lamminations Music
7:54
4Questions 67 and 68
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-01) and Robert Lamm (in 1969-01)
brass arranger:
Robert Lamm and James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Questions 67 & 68 (in 1969-01)
lyricist and composer:
Robert Lamm
5:02
5Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is? (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music and Spirit Music Publishing Ltd.
44:35
6Liberation
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Liberation (in 1969-01)
composer:
James Pankow
14:37
7I’m a Man
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
7:43
8Free Form Guitar
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Free Form Guitar (in 1969-01)
composer:
Terry Kath (member of Chicago)
6:49
9Movin’ In
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Movin’ In (in 1969-08)
lyricist and composer:
James Pankow
4:06
1025 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
4:50
11Fancy Colours
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Fancy Colours (in 1969-08)
lyricist and composer:
Robert Lamm
5:10
12Make Me Smile
recording of:
Make Me Smile
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
3:16
13So Much to Say, So Much to Give1:12
14Anxiety’s Moment
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Anxiety’s Moment (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:00
15West Virginia Fantasies
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
West Virginia Fantasies (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:34
16Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
23:02
17To Be Free
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
To Be Free (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:15
18Now More Than Ever
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Now More Than Ever (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:26
19It Better End Soon, 1st Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (1st Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
2:33
20It Better End Soon, 2nd Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (2nd Movement) (in 1969-08)
composer:
Robert Lamm and Walter Parazaider
part of:
It Better End Soon
3:41
21It Better End Soon, 3rd Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (3rd Movement) (in 1969-08)
writer:
Terry Kath (member of Chicago) and Robert Lamm
part of:
It Better End Soon
3:18
22It Better End Soon, 4th Movement
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (4th Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
0:51
23Where Do We Go From Here
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Where Do We Go From Here (in 1969-08)
lyricist and composer:
Peter Cetera
publisher:
Aurelius Music
2:49
24Flight 602
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Flight 602 (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:45
25Motorboat to Mars
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Motorboat to Mars (in 1970-11)
composer:
Danny Seraphine
part of:
Travel Suite
1:30
26Free
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free (in 1970-11)
lyricist and composer:
Robert Lamm
publisher:
J.W. Guercio Aurelia Music (Aurelia Music Division), Lamminations Music, Primary Wave Lamm, Spirit Catalogue Holdings, Spirit Two Music Inc., フジパシフィックミュージック and フジパシフィックミュージック BMG事業部
part of:
Travel Suite
2:17
27Free Country
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free Country (in 1970-11)
composer:
Terry Kath (member of Chicago), Robert Lamm and Walter Parazaider
part of:
Travel Suite
5:47
28At the Sunrise
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
At the Sunrise (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:49
29Happy ’Cause I’m Going Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Happy Cause I'm Going Home (in 1970-11)
writer:
Robert Lamm
7:28
30Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
43:56
31Now That You’ve Gone
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Now That You’ve Gone (from 1971-09-20 until 1971-09-29)
lyricist and composer:
James Pankow
publisher:
Big Elk Music
5:01
32Dialogue (Part One)
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
3:01
33Dialogue (Part Two)
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
4:13
34Just You ’n’ Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
3:42
35What’s This World Comin’ To
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
What’s This World Comin’ To (in 1973-02)
writer:
James Pankow
publisher:
Big Elk Music (in 1973)
5:00
36Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
4:03
37Devil’s Sweet
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Devil’s Sweet
composer:
Walter Parazaider and Danny Seraphine
10:07
38Harry Truman
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
lead vocals:
Robert Lamm (in 1975)
vocals:
John Carsello (in 1974-09), Donna Conroy (in 1974-09), Bob Eberhardt (in 1974-09), Steve Fagin (in 1974-09), Kristy Ferguson (vocalist, "The Caribou Kitchenettes") (in 1974-09), Linda Greene (in 1974-09), Lee Loughnane (in 1974-09), Brandy Maitland (in 1974-09), Katherine Ogden (in 1974-09), Laudir de Oliveira (in 1974-09), James Pankow (in 1974-09), Walter Parazaider (in 1974-09), Joanne Rocconi (in 1974-09) and Richard Torres (vocalist, "The Caribou Kitchenettes") (in 1974-09)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1974-09)
recording of:
Harry Truman (in 1974-09)
writer:
Robert Lamm (in 1975)
publisher:
Big Elk Music (in 1975) and Lamminations Music (in 1975)
3:00
39If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings), Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
4.353:55
40The Inner Struggles of a Man
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
The Inner Struggles of a Man (in 1977)
orchestrator and composer:
Dominic Frontiere
2:44
41Mississippi Delta City Blues
assistant recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Mississippi Delta City Blues (in 1977)
lyricist and composer:
Terry Kath (member of Chicago)
4:39
42Run Away
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
percussion:
Airto Moreira (percussionist)
lead vocals:
Peter Cetera and Donnie "Hot Licks" Dacus
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Run Away
writer:
James Pankow
4:18
43Reruns
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
lead vocals:
Robert Lamm
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Reruns
writer:
Robert Lamm
4:29
44Street Player
engineer:
Jim Boyer (producer/engineer)
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
percussion:
Airto Moreira (percussionist)
synthesizer:
David “Hawk” Wolinski
trumpet:
Maynard Ferguson
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Street Player
writer:
Danny Seraphine and David “Hawk” Wolinski
9:11
45Thunder and Lightning
assistant engineer:
Ricky DeLena, Karat Faye and Bill Freesh
engineer:
Michael Carnévale (engineer)
producer:
Tom Dowd
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2003)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Thunder and Lightning (in 1980)
lyricist and composer:
Peter Cetera (in 1980) and Robert Lamm (in 1980)
writer:
Danny Seraphine (in 1980)
publisher:
BMG Songs, Inc. (in 1980), Little Sacha Songs (in 1980) and Street Sense Music (in 1980)
3:32
46Hard to Say I’m Sorry / Get Away
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Jack Goudie, Lee Loughnane and Walter Parazaider
mixer:
Bill Schnee
strings arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Danny Seraphine
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. and Little Sacha Songs
medley of:
Get Away
medley of:
Hard to Say I’m Sorry (Chicago song)
55:05
47Chains
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Jack Goudie, Lee Loughnane and Walter Parazaider
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Danny Seraphine
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Chains
writer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Mark-Cain Music
3:24
48Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:45
49Along Comes a Woman
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
vocals:
Peter Cetera (in 1984)
arranger:
Peter Cetera and Mark Goldenberg
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Along Comes a Woman (in 1984)
writer:
Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1984)
4:19
50You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
3:49
51We Can Stop the Hurtin’
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
additional background vocals:
Richard Marx and Donny Osmond
arranger:
David Foster (Canadian music producer, arranger and composer) and Robert Lamm
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States, The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
We Can Stop the Hurtin’
lyricist and composer:
J. Parker (written by credit)
publisher:
Cheeky Kid Music (in 1984), Fin de Siècle Musique (US work publisher) (in 1984) and JSH Music (in 1984)
4:13
52Will You Still Love Me?
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Laura Livingston
lead vocals:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
writer:
Richard Baskin (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) and Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
MasonMack Music, Inc., MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) and Young Millionaires Club Music (in 1986)
5:43
53Look Away
assistant engineer:
Nick Basich, Michael Hutchinson, Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
Look Away (in 1988)
lyricist and composer:
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
54:03