| # | Title | Rating | Length |
|---|
| 1 | A Hard Rain's A-Gonna Fall- assistant engineer:
- Andy Arthurs
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry, John Porter and John Punter
- alto saxophone and baritone saxophone:
- Roger Ball (in 1973-06)
- bass and guitar:
- John Porter (in 1973-06)
- drums (drum set):
- Paul Thompson (in 1973-06)
- keyboard, synthesizer and violin:
- Eddie Jobson (in 1973-06)
- piano:
- David Skinner (in 1973-06)
- piano [occasional piano]:
- Bryan Ferry (in 1973-06)
- tenor saxophone:
- Malcolm Duncan (in 1973-06)
- trumpet:
- Henry Lowther (in 1973-06)
- background vocals:
- Jessie Davis (in 1973-06) and Robbie Montgomery (in 1973-06)
- vocals:
- Bryan Ferry (in 1973-06)
- horn [horns] arranger:
- Roger Ball
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1973) and Virgin Records Ltd. (in 1999)
- recorded at:
- Air Recording Studio No. 1 in London , England, United Kingdom (in 1973-06)
- cover recording of:
- Hard Rain’s A‐Gonna Fall (in 1973-06)
- lyricist and composer:
- Bob Dylan (in 1962-10)
- publisher:
- Sony Music Publishing , Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Bros., Inc. , Warner/Chappell (from 1963 until 1991) and Special Rider Music (from 1991 to present)
| | 5:22 |
| 2 | The 'In' Crowd- assistant engineer:
- Rhett Davies, Mark Dobson , Gary Edwards and Sean Milligan
- engineer:
- John Punter
- producer:
- Bryan Ferry and John Punter
- drums (drum set):
- Paul Thompson (in 1974)
- electric bass guitar:
- John Wetton (in 1974)
- guitar:
- David O’List (in 1974)
- vocals:
- Bryan Ferry (in 1974)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1974), Virgin EG Records Ltd. (in 1974) and Virgin Records Ltd. (in 1999)
- recorded at:
- Ramport Studios in Battersea, Wandsworth, London , England, United Kingdom (in 1974)
- cover recording of:
- The “In” Crowd (in 1974)
- orchestrator:
- Gene Page
- lyricist and composer:
- Billy Page
- publisher:
- Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
| | 4:35 |
| 3 | Shame, Shame, Shame- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- strings arranger:
- Ann O'Dell
- phonographic copyright (℗) by:
- Virgin EG Records Ltd. (in 1976)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Shame, Shame, Shame (from 1973 until 1976)
- writer:
- Jimmy Reed
- publisher:
- Tristan Music Ltd.
| | 3:16 |
| 4 | Let's Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| 2 | 3:00 |
| 5 | Tokyo Joe | | 3:56 |
| 6 | Can't Let Go- assistant engineer:
- Randy Mason, Martin Pearson and Dave Richards
- engineer:
- Jimmy Douglass , Lew Hahn and Steve Nye
- producer:
- Bryan Ferry, Rick Marotta , Steve Nye , Simon Puxley and Waddy Wachtel
- bass guitar:
- Alan Spenner
- drums (drum set):
- Rick Marotta
- guitar:
- Neil Hubbard and Waddy Wachtel
- piano:
- Ann O'Dell
- lead vocals:
- Bryan Ferry
- strings arranger:
- Ann O'Dell
- phonographic copyright (℗) by:
- E.G. Records Ltd.
- recorded at:
- Mountain Studios in Montreux, Vaud, Switzerland
- remixed at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States
- recording of:
- Can’t Let Go
- lyricist, writer and composer:
- Bryan Ferry
- publisher:
- E.G. Music Ltd. (in 1978)
| | 5:15 |
| 7 | Slave to Love- additional engineer:
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee
- assistant engineer:
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker
- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Bryan Ferry
- mixer:
- Bob Clearmountain
- lead vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1985) and Virgin Records Ltd. (in 1985, in 1999)
- recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and The White House in Nashville, Tennessee, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Slave to Love
- lyricist and composer:
- Bryan Ferry
- publisher:
- EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985), E.G. Records Ltd. (in 1985) and Virgin EG Records Ltd. (in 1985)
| 4 | 4:26 |
| 8 | Don't Stop the Dance- additional engineer:
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee
- assistant engineer:
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker
- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Bryan Ferry
- mixer:
- Bob Clearmountain
- lead vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1985) and Virgin Records Ltd. (in 1985, in 1999)
- recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and The White House in Nashville, Tennessee, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Don’t Stop the Dance
- writer:
- Rhett Davies and Bryan Ferry
- publisher:
- BMG Music Publishing Ltd., EMI Virgin Music Ltd. , E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985) and Virgin EG Records Ltd. (in 1985)
| 4 | 4:21 |
| 9 | Limbo- engineer:
- Ian Eales, Steve Jackson and Kevin Killen
- executive producer:
- Simon Puxley
- producer:
- Bryan Ferry and Patrick Leonard
- mixer:
- Bruce Lampcov and Alan Meyerson
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1999)
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France, Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
- recording of:
- Limbo
- writer:
- Bryan Ferry and Patrick Leonard
- publisher:
- EMI Music Publishing Ltd. , Sony ATV Music Publishing (UK) Ltd., Virgin-Nymph Music Inc., Virgin Music (Publishers) Ltd. (in 1988) and Warner Bros. Music Ltd. (in 1988)
| 3.5 | 5:00 |
| 10 | Girl of My Best Friend | | 3:26 |
| 11 | Don't Want to Know- additional engineer:
- Richard T. Norris
- engineer:
- Sven Taits
- assistant producer:
- Johnson Somerset
- producer:
- Bryan Ferry and Robin Trower
- mixer:
- Bob Clearmountain
- bass:
- Nathan East
- drums (drum set):
- Steve Ferrone
- guitar [atmos guitar]:
- Jeff Thall
- guitar [gull guitar]:
- Phil Manzanera
- guitar [mood guitar]:
- Chester Kamen
- guitar [rhythm guitar]:
- Neil Hubbard
- guitar [riff guitar]:
- David Williams
- other instruments [sonics]:
- Brian Eno
- piano and synthesizer [Oberheim]:
- Bryan Ferry
- background vocals:
- Carleen Anderson and Jhelisa
- vocals:
- Bryan Ferry
- recorded at:
- Master Rock Studios in Kilburn, Brent, London , England, United Kingdom, Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom and Utopia Studios in London , England, United Kingdom
- mixed at:
- Mix This! in Pacific Palisades, Los Angeles, California, United States
- additionally engineered at:
- Studio One in London , England, United Kingdom
- recording of:
- Don’t Want to Know
- lyricist and composer:
- Bryan Ferry
- publisher:
- EMI/Virgin Music Publishing Ltd.
| | 4:08 |
| 12 | The Way You Look Tonight- additional engineer:
- Chris Dibble and Sven Taits
- assistant engineer:
- Steve Pelluet
- engineer:
- Mark Tucker
- producer:
- Rhett Davis and Bryan Ferry
- bass:
- Richard Jeffries
- clarinet and tenor saxophone:
- Alan Barnes
- drums (drum set):
- John Sutton
- guitar:
- Nils Solberg
- piano:
- Colin Good
- trombone:
- Malcolm Earle Smith
- trumpet:
- Enrico Tomasso
- vocals:
- Bryan Ferry
- arranger:
- Bryan Ferry and Colin Good
- video director:
- Colin Good
- recorded at and mixed at:
- Lansdowne Studios in London , England, United Kingdom
- recording of:
- The Way You Look Tonight
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Academy Award for Best Original Song (number: 9)
- part of:
- Swing Time
| | 3:37 |
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