La Légende

~ Release by Maria Callas (see all versions of this release, 4 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Orphée et Eurydice : Acte IV. « J’ai perdu mon Eurydice »
soprano vocals [Orphée]:
Maria Callas (soprano)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:28
2Carmen : Acte I. Habanera « L’amour est un oiseau rebelle »
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:24
3Carmen : Acte I. Séguédille « Près des remparts de Séville »
soprano vocals [Carmen]:
Maria Callas (soprano)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:37
4Carmen : Acte II. Chanson Bohéme « Les tringles des sistres tintaient »
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:24
5Il barbiere di Siviglia: Atto I. “Una voce poco fa”
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:24
6Dinorah: Atto II. “Ombra leggiera”
soprano vocals [Dinorah]:
Maria Callas (soprano)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah)
composer:
Giacomo Meyerbeer (composer)
translated version of:
Dinorah: Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:47
7Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
soprano vocals [Juliette]:
Maria Callas (soprano)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:41
8Samson et Dalila : Acte I. « Printemps qui commence »
soprano vocals [Dalila]:
Maria Callas (soprano)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:16
9Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
soprano vocals [Dalila]:
Maria Callas (soprano)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:19
10Le Cid : Acte III. « De cet affreux combat … Pleurez, mes yeux ! »
soprano vocals [Chimène]:
Maria Callas (soprano)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:08
11Manon : Acte II. « Je ne suis que faiblesse … Adieu, notre petite table »
soprano vocals [Manon]:
Maria Callas (soprano)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet3:23
12Louise : Acte III. « Depuis le jour »
soprano vocals [Louise]:
Maria Callas (soprano)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier4:46
13La vestale: Atto II. “O Nume tutelar”
soprano vocals:
Maria Callas (soprano)
recording of:
La vestale: Atto II. "O Nume tutelar" (Giulia, Gran Sacerdote)
composer:
Gaspare Spontini (composer)
librettist:
Étienne de Jouy and Giovanni Schmidt (librettist)
translated version of:
La Vestale : Acte II. « Ô des infortunés déesse tutélaire ! » (Julia, Le grand pontife)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini2:35
14La sonnambula: Atto III. “Ah! non credea mirarti”
soprano vocals [Amina]:
Maria Callas (soprano)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
La sonnambula: Atto II
Vincenzo Bellini5:06
15Le nozze di Figaro: Atto II. “Porgi, amor”
soprano vocals [La contessa]:
Maria Callas (soprano)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:18
16Otello: Atto IV. “Ave Maria”
soprano vocals [Desdemona]:
Maria Callas (soprano)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:34