Tracklist

CD 1
CD 2
CD 3
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1Les Contes d’Hoffmann : Acte IV. Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
vocals:
Mike d’Abo (in 1988-06)
orchestra:
Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, les invités, Hoffmann, Schlemil)
composer:
Jacques Offenbach
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:22
2Les Contes d’Hoffmann : Acte IV. Récit et couplets « Holà ! Où est monsieur Schlémihl ? » (Hoffmann, Pitichinaccio, Nicklausse, Giulietta)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. Scène « Holà! Où est Monsieur Schlémil ? » (Hoffmann, Pitichinaccio, Nicklausse, Giulietta) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach1:53
3Les Contes d’Hoffmann : Acte IV. « Amis, l’amour tendre et rêveur, erreur ! » (Hoffmann, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. Couplets bachiques « Amis, l'amour tendre et rêveur, erreur ! » (Hoffmann, les invités) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:53
4Les Contes d’Hoffmann : Acte IV. Chanson « C’est bien ! On est en fête ! » (Schlemil, Giulietta, Pitichinaccio, Hoffmann, Chorus, Nicklausse, Dapertutto)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 18 Scène « Je vois qu'on est en fête » (Schlémil, Giulietta, Pitichinaccio, Hoffmann, les invités, Nicklausse, Dapertutto) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:13
5Les Contes d’Hoffmann : Acte IV. « Tourne, tourne, miroir où se prend l’alouette » (Dapertutto)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Tourne, tourne, miroir où se prend l'alouette » (Dapertutto) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach1:31
6Les Contes d’Hoffmann : Acte IV. « Cher ange ! » (Dapertutto, Giulietta, Pitichinaccio,)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. Scène « Cher ange ! » (Dapertutto, Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:52
7Les Contes d’Hoffmann : Acte IV. Quatuor et chœur « Vénus dit à Fortune » (Giulietta, Chorus, Hoffmann, Schlemil)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No 19 « Vénus dit à Fortune » (Giulietta, Chorus, Hoffmann, Schlemil) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:09
8Les Contes d’Hoffmann : Acte IV. « Prends mes cartes » (Hoffmann, Nicklausse, Schlemil, Giulietta, Chorus)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Prends mes cartes » (Hoffmann, Nicklausse, Schlemil, Giulietta, Chorus) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:19
9Les Contes d’Hoffmann : Acte IV. « Viens tenter ta chance » (Chorus, Schlemil, Nicklausse, Hoffmann, Giulietta)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Viens tenter ta chance » (Chorus, Schlemil, Nicklausse, Hoffmann, Giulietta) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:44
10Les Contes d’Hoffmann : Acte IV. Scène « Adieu » … « Non ! Non, messieurs ! » … « Ne partez pas en rage » (Hoffmann, Dapertutto, Giulietta)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. « Adieu » … « Non ! Non, messieurs ! » (Hoffmann, Dapertutto, Giulietta) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:29
11Les Contes d’Hoffmann : Acte IV. Air et duo « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d’ici ! » … « Ô Dieu, de quelle ivresse embrasses‐tu mon âme » (Giulietta, Chorus, Hoffmann, Nicklausse)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 20 Air « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d'ici ! » (Giulietta, Chorus, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. No 21 « Ô Dieu, de quelle ivresse embrasses-tu mon âme » (Giulietta, Chorus, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. No 20 Air « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d'ici ! » (Giulietta, Chorus, Hoffmann, Nicklausse)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach6:50
12Les Contes d’Hoffmann : Acte IV. « Jusque‐là cependant affermis mon courage » … « Aujourd’hui, aujourd’hui les larmes » (Giulietta, Hoffmann)
producer:
David R. Murray
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. « Aujourd'hui, aujourd'hui les larmes » (Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. « Jusqu'à là cependant affermis mon courage » (Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:42
13Les Contes d’Hoffmann : Acte IV. Finale « In flagranti ! » … « Écoutez, messieurs ! » (Dapertutto, Schlemil, Nicklausse, Giulietta, Pitichinaccio, Hoffmann, Chorus)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 22 Final « In flagranti ! » … « Écoutez, messieurs ! » (Dapertutto, Schlemil, Nicklausse, Giulietta, Pitichinaccio, Hoffmann, Chorus) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach6:57
14Les Contes d’Hoffmann : Acte V (Epilogue). Entr’acte, scene & finale « Voilà quelle fut l’histoire de mes amours » … « Il faut se décider » (Hoffmann, Luther, Lindorf, Nathanaël, Nicklausse, Chorus)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
bass vocals [Luther]:
Kurt Rydl (operatic bass) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Voilà, mes amis, quelle fut l'histoire de mes trois amours” (Hoffmann, Nicklausse, Etudiants, Luther, Lindorf) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). Entr’acte (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach5:35
15Les Contes d’Hoffmann : Acte V (Epilogue). « Vous permettez, madame ! » … « Pardon ! Kleinzach est incomplet » (Lindorf, Hoffmann, Andres, Chorus)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
tenor vocals [Andrès]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
partial recording of:
Les Contes d’Hoffmann: Acte V (Épilogue) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann
Jacques Offenbach1:59
16Les Contes d’Hoffmann : Acte V (Epilogue). « Pauvre Hoffmann » (Nicklausse, la Muse, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
partial recording of:
Les Contes d’Hoffmann: Acte V (Épilogue) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann
Jacques Offenbach3:32
17Les Contes d’Hoffmann : Acte V (Epilogue). « Des cendres de ton cœur » (la Muse, Chorus, Stella, Lindorf, Hoffmann, Hermann, Luther, Nathanaël, Andres)
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
bass vocals [Luther]:
Kurt Rydl (operatic bass) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [La Muse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Stella]:
Dinah Bryant (in 1988-06)
tenor vocals [Andrès]:
Robert Tear (tenor) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Nathanaël]:
Thierry Dran (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). Finale “Des cendres de ton cœur, réchauffe ton génie” (La Muse, les espirits invisibles) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach5:08
18Les Contes d’Hoffmann : Appendices. Couplets « Une poupée aux yeux d’émail » (Nicklausse, Hoffmann)
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:27
19Les Contes d’Hoffmann : Appendices. Air « Scintille, diamant ! » (Dapertutto)
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann : Acte IV. Chanson «Scintille, diamant » (Dapertutto)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:07
20Les Contes d’Hoffmann : Appendices. Septuor « Hèlas ! Mon cœur s’égare encore ! » (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlémil, Pitichinaccio, Chorus)
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann: Acte III. Septuor “Hélas ! mon cœur s'égare encore !” (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:32