This Is the 60s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
Goldfinger
Shirley Bassey4.252:49
2Born Free
recording of:
Born Free
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music Ltd.
part of:
Academy Award for Best Original Song (number: 39)
part of:
Born Free
Matt Monro2:49
3Windmills of Your Mind
Noel Harrison2:21
4There Must Be a Way
recording of:
There Must Be a Way
lyricist:
Sammy Gallop
composer:
David Saxon
Frankie Vaughan2:53
5Can’t Take My Eyes Off You
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frankie Valli3:20
6(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:44
7When a Man Loves a Woman
recording of:
When a Man Loves a Woman
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge2:54
8Cry to Me
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
vocals:
Solomon Burke
cover recording of:
Cry to Me
lyricist and composer:
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC and Unichappell Music, Inc.
Solomon Burke2.052:31
9Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
is based on:
Yeah Man
Arthur Conley42:19
10Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:28
11Finger Poppin’
recording of:
Fingerpoppin’
lyricist and composer:
Ike Turner
publisher:
Fanfare Music Co. Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ike & Tina Turner2:49
12Run Out of Time
producer:
John Court
The Paul Butterfield Blues Band3:05
13Get Ready
cover recording of:
Get Ready
lyricist and composer:
William “Smokey” Robinson
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Ella Fitzgerald2:32
14Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.652:58
15I Remember You
Frank Ifield2:13
16Tears
Ken Dodd22:52
17Tell Laura I Love Her
vocals:
Ricky Valance
cover recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
Steeplechase Music
Ricky Valance2:40
18Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
19Where Are You?
cover recording of:
Where Are You?
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Dinah Washington2:16
20Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Rascals2:31
21In‐A‐Gadda‐Da‐Vida
Iron Butterfly17:04
22Tobacco Road
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 40)
cover recording of:
Tobacco Road
lyricist and composer:
John D. Loudermilk
The Nashville Teens2:28
23Kites (stereo)
recording of:
Kites
composer:
Hal Hackady and Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd.
Simon Dupree & the Big Sound3:45
24Hello It’s Me (single version)
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, membranophone, percussion and background vocals:
Billy Sherwood
guitar:
Edgar Winter
guitar [rhythm guitar]:
Bob Kulick
lead vocals:
Todd Rundgren
vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:20
25Laugh at Me (single version)
recording of:
Laugh at Me
lyricist and composer:
Sonny Bono
publisher:
Cotillion and West (publisher)
Sonny Bono33:00
26Got to Get You Into My Life
Cliff Bennett & the Rebel Rousers2:34
27Trains and Boats and Planes
cover recording of:
Trains and Boats and Planes
lyricist:
Hal David
composer:
Burt Bacharach
Billy J. Kramer and The Dakotas2:50
28Turn Around and Look at Me
The Vogues2:47
2959th Street Bridge Song (Feelin’ Groovy)
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:31
30Thank U Very Much
recording of:
Thank U Very Much
lyricist and composer:
Mike McGear
The Scaffold2:33
31Ha! Ha! Said the Clown
recording of:
Ha! Ha! Said the Clown
writer:
Tony Hazzard (songwriter)
The Yardbirds2:29
32For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield42:41
33No Milk Today
recording of:
No Milk Today (in 1966-10)
lyricist and composer:
Graham Gouldman
publisher:
Hournew Music Ltd.
Herman’s Hermits4.62:54
34End of the Road
producer:
Gerald Chevin and Eddy Offord
recording of:
End of the Road
writer:
Jeff Lynne
The Idle Race2:09
35Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
lyricist and composer:
Keith Hopkins and Mark Wirtz
Keith West4:42
36Walkin’ Back to Happiness
Helen Shapiro2:30
37Ferry Cross the Mersey
recording of:
Ferry Cross the Mersey
lyricist and composer:
Gerry Marsden
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
Gerry & the Pacemakers2:24
38I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Foray Music, Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.72:46
39Poor Me
producer:
John Burgess (British record producer)
vocals:
Adam Faith
arranger:
John Barry (English score composer)
Adam Faith1:47
40Just a Little (single version)
The Beau Brummels2:27
41Windy
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Association52:57
42Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:21
43You Keep Me Hangin’ On (single version)
Vanilla Fudge3:00
44Talk About Your Baby
John Lee Hooker2:35
45I Think We’re Alone Now
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tommy James & the Shondells52:13
46My White Bicycle
producer:
Mark Wirtz
keyboard:
Mark Wirtz
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1967)
recording of:
My White Bicycle
writer:
Ken Burgess and Keith Hopkins
publisher:
Getaway Songs Ltd., Intersong Music and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:18
47Breakout
recording of:
Breakout
writer:
Herb Bernstein and Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
48Cool Jerk
The Capitols2:47
49A World Without Love
recording of:
A World Without Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd.
Peter & Gordon2:45
50A Lover’s Concerto
recording of:
A Lover’s Concerto (in 1965)
writer:
Sandy Linzer and Denny Randell
is based on:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:40
51Have I the Right
recording of:
Have I the Right (in 1964)
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Ivy Music Ltd.
The Honeycombs32:58
52I’m the Urban Spaceman
recording of:
I’m the Urban Spaceman
lyricist and composer:
Neil Innes
The Bonzo Dog Band4.52:25
53Where Do You Go To (My Lovely)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
Peter Sarstedt4:45
54What Now My Love (single version)
recording of:
What Now My Love
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
Sonny & Cher3:37
55Mona Lisa
Anita Kerr2:58
56Strangers in the Night
The Mike Sammes Singers3:37
57All or Nothing at All
cover recording of:
All or Nothing at All
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sarah Vaughan3:13
58Hurt So Bad
Little Anthony & the Imperials22:18
59I Know Better
The Flamingos2:37
60Touch ’Em With Love
Brook Benton2:19
61Sweet Inspiration
The Sweet Inspirations2:56
62Alfie
recording of:
Alfie (in 1965)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
part of:
Alfie (1966 film)
Cilla Black2:39
63Love Is Blue
cover recording of:
Love Is Blue
lyricist:
Pierre Cour
composer:
André Popp
translator:
Bryan Blackburn
publisher:
Intersong U.S.A. (publisher), Radio-Tele-Music GmbH and Radmus Publishing Inc.
translated version of:
El amor es triste
translated version of:
L’amour est bleu
Jeff Beck2:57
64Sabre Dance
cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture11:31
65You Were Made for Me
recording of:
You Were Made for Me
lyricist and composer:
Mitch Murray
Freddie & the Dreamers2:19
66Better by Far
Terry Reid3:30
67Cathy’s Clown
The Everly Brothers22:26
68Hello Stranger
Barbara Lewis2:47
69The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.14:30
70My Clown
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Tommy Scott (producer)
recording of:
My Clown
composer:
Tom Newman (producer, guitarist)
July3:27
71Kentucky Woman
engineer:
Barry Ainsworth (engineer)
producer and mixer:
Derek Lawrence (British producer)
drums (drum set):
Ian Paice (on 1968-08-19)
electric bass guitar:
Nick Simper (on 1968-08-19)
electric guitar:
Ritchie Blackmore (on 1968-08-19)
Hammond organ and background vocals:
Jon Lord (on 1968-08-19)
vocals:
Rod Evans (on 1968-08-19)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1968-08-19)
cover recording of:
Kentucky Woman (on 1968-08-19)
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1967)
Deep Purple3.64:43
72Looking at You
recording of:
Looking at You
writer:
Michael Davis (MC5 bassist), Wayne Kramer (US guitarist, singer, songwriter & producer), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) and Rob Tyner
publisher:
Warner/Chappell Music Ltd. (1996–2019)
MC53:04
73I Wanna Be Your Dog
producer:
John Cale (Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 438)
recording of:
I Wanna Be Your Dog
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Stooges3.653:11
74The Road to Cairo
David Ackles5:16
75Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Judy Collins53:16
76Morning Glory
Tim Buckley2:53
77Candy Man
recording of:
Candy Man
writer:
Fred Neil and Beverly Ross
Fred Neil2:29
78Green Onions
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s2:47
79Do Your Thing (single version, mono)
Charles Wright & the Watts 103rd Street Rhythm Band2:57
80Soul Man
producer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (Soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd.
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.352:37
81Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Doris Troy2:29
82Knock on Wood
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East Memphis Music, Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Eddie Floyd3:04
83Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
bass [electric bass]:
James Alexander (bass) (in 1967)
drums (drum set):
Carl Cunningham (drummer for The Bar-Kays) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar-Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar-Kays), James Alexander (bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar-Kays)
The Bar‐Kays4.52:21
84Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.52:41
85Fool for You
The Impressions2:53
86Let the Good Times Roll
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
Ray Charles2:52
87You Must Have Been a Beautiful Baby
Bobby Darin2:16
88Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:39
89Walking the Dog
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East Memphis Music
Rufus Thomas2:38
90Tighten Up
Archie Bell & the Drells3:13
91Memphis Soul Stew
recording of:
Memphis Soul Stew
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music
King Curtis2:58
92Mustang Sally
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett43:07
93Everybody Loves a Winner
recording of:
Everybody Loves a Winner
writer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc.
William Bell2:52
94Gee Whiz, Look at His Eyes
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 29)
recording of:
Gee Whiz (Look at His Eyes)
lyricist and composer:
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:20
95Your Good Thing (Is About to End)
Mable John2:59
96Darling Je Vous Aime Beaucoup
Eartha Kitt2:28
97If I Should Lose You
cover recording of:
If I Should Lose You
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Nina Simone3:59
98Big Girls Don’t Cry
The Four Seasons2:18
99Little Egypt (Ying‐Yang)
The Coasters32:54