| # | Title | Artist | Rating | Length |
|---|
| 1 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Music Publishing Germany GmbH , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH , Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
| Phil Collins | 3.8 | 3:26 |
| 2 | Victims- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross-Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Victims by Culture Club
- recording of:
- Victims (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay and Jon Moss
| Culture Club | 4 | 4:54 |
| 3 | I Should Have Known Better | Jim Diamond | 5 | 4:10 |
| 4 | Shout | Tears for Fears | | 5:50 |
| 5 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Whitechapel, Tower Hamlets, London , England, United Kingdom
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.5 | 4:19 |
| 6 | I’ll Fly for You | Spandau Ballet | 2 | 5:11 |
| 7 | Waterfront | Simple Minds | 4.35 | 4:50 |
| 8 | Dancing With Tears in My Eyes | Ultravox | 4 | 4:07 |
| 9 | Locomotion | Orchestral Manoeuvres in the Dark | | 3:44 |
| 10 | Too Late for Goodbyes | Julian Lennon | 2.5 | 3:30 |
| 11 | Caribbean Queen (No More Love on the Run) | Billy Ocean | 4 | 4:02 |
| 12 | Breakin’… There’s No Stopping Us | Ollie & Jerry | | 4:34 |
| 13 | Smalltown Boy | Bronski Beat | | 4:38 |
| 14 | Robert De Niro’s Waiting | Bananarama | 2.35 | 3:30 |
| 15 | Move Over Darling | Tracey Ullman | | 2:37 |
| 16 | Missing You- producer:
- Gary Gersh, David Thoener and John Waite
- phonographic copyright (℗) by:
- EMI Records USA (in 1984)
- edit of:
- Missing You by John Waite
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Everpop Songs, Markmeem Music , Quartet Music Inc., Sony Music Publishing , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), Paperwaite Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.4 | 3:31 |
| 17 | Cherry Oh Baby | UB40 | 4 | 3:17 |
| 18 | Joanna | Kool & the Gang | | 3:54 |
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