Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 11 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

CD 1: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
CD 2: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
CD 3: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
CD 4: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
CD 5: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
CD 6: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
CD 7: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
CD 8: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
CD 9: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
CD 10: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
CD 11: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
CD 12: Bach: St. John Passion, BWV 245 (Part II cont.)
CD 13: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
CD 14: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
CD 15: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
CD 16: Karl Richter Rehearses Bach's Christmas Oratorio
CD 17: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
CD 18: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
CD 19: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
CD 20: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
CD 21: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
CD 22: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
CD 23: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
CD 24: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
CD 25: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
CD 26: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
CD 27: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
CD 28: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
CD 29: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
CD 30: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
CD 31: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
CD 32: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
CD 33: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
CD 34: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
CD 35: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
CD 36: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
CD 37: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
CD 38: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
CD 39: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
CD 40: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
CD 41: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
CD 42: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
CD 43: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
CD 44: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
CD 45: Bach: 20 Sacred Songs from Schemelli's Song-Book
CD 46: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
CD 47: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
CD 48: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
CD 49: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
CD 50: Bach: Harpsichord Concertos, BWV 1052-1055
CD 51: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
CD 52: Bach: Harpsichord Concertos, BWV 1062-1065
CD 53: Bach: Musical Offering, BWV 1079
CD 54: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
CD 55: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
CD 56: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
CD 57: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
CD 58: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
CD 59: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
CD 60: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
CD 61: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
CD 62: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
CD 63: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
CD 64: Bach: Organ Concertos nos. 1-6, BWV 592-597
CD 65: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
CD 66: Beethoven: Mass in C major, op. 86
CD 67: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
CD 68: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
CD 69: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
CD 70: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
CD 71: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
CD 72: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
CD 73: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
CD 74: Handel: Samson, HWV 57 (Symfony, Act I)
CD 75: Handel: Samson, HWV 57 (Act II)
CD 76: Handel: Samson, HWV 57 (Act III)
CD 77: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
CD 78: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
CD 79: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
#TitleArtistRatingLength
1Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Eseguisti, o Niren, quanto t'imposi?” (Cleopatra, Nireno)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Nireno]:
Michael Schopper (bass-baritone) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena I. Recitativo “Eseguisti, o Niren, quanto t’imposi?” (Cleopatra, Nireno) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:45
2Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Da Cleopatra apprenda” (Nireno, Cesare)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
bass vocals [Nireno]:
Michael Schopper (bass-baritone) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Da Cleopatra apprenda” (Nireno, Cesare) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:24
3Giulio Cesare in Egitto, HWV 17: Act II. Sinfonia e Recitativo: “Taci!” - “Che fia?” (Cesare, Nireno)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
bass vocals [Nireno]:
Michael Schopper (bass-baritone) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 17. Sinfonia e Recitativo “Taci!” – “Che fia?” – “Cieli, e qual dalle sfere” (Cesare, Nireno) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:40
4Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Giulio, che miri?” (Cesare)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 18. Sinfonia e Recitativo “Giulio, che miri?” (Cesare) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:17
5Giulio Cesare in Egitto, HWV 17: Act II. Aria: “V'adoro, pupille” (Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 19. Aria “V’adoro pupille” (Cleopatra) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel3:11
6Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Non ha in cielo il Tonante” (Cesare)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Vola, mio cor, al dolce incanto” (Cesare, Nireno) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel2:59
7Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Vola, vola, mio cor, al dolce incanto” (Cesare, Nireno)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
bass vocals [Nireno]:
Michael Schopper (bass-baritone) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Vola, mio cor, al dolce incanto” (Cesare, Nireno) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:26
8Giulio Cesare in Egitto, HWV 17: Act II. Aria: “Se in fiorito ameno prato” (Cesare)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 20. Aria “Se in fiorito ameno prato” (Cesare) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel7:34
9Giulio Cesare in Egitto, HWV 17: Act II. Arioso: “Deh, piangete, o mesti lumi” (Cornelia)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena III, 21. Arioso “Deh, piangete, oh mesti lumi” (Cornelia) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel2:02
10Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Bella, non lagrimare!” (Achilla, Cornelia)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
baritone vocals [Achilla]:
Ernst Gerold Schramm (German baritone) (in 1969-04)
bass vocals [Tolomeo]:
Franz Crass (operatic bass) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena III. Recitativo “Bella, non lacrimare” (Achilla, Cornelia) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:43
11Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Bella, placa lo sdegno!” (Tolomeo, Cornelia, Achilla)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
baritone vocals [Achilla]:
Ernst Gerold Schramm (German baritone) (in 1969-04)
bass vocals [Tolomeo]:
Franz Crass (operatic bass) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV. Recitativo “Bella, placa lo sdegno!” (Tolomeo, Cornelia, Achilla) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:58
12Giulio Cesare in Egitto, HWV 17: Act II. Aria: “Se a me non sei crudele” (Achilla)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
baritone vocals [Achilla]:
Ernst Gerold Schramm (German baritone) (in 1969-04)
bass vocals [Tolomeo]:
Franz Crass (operatic bass) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 22. Aria “Se a me non sei crudele” (Achilla) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel4:10
13Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Bella, cotanto aborri chi ti prega d'amar?” (Tolomeo, Cornelia)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV. Recitativo “Bella, cotanto aborri chi ti prega d’amar?” (Tolomeo, Cornelia) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:57
14Giulio Cesare in Egitto, HWV 17: Act II. Aria: “Si, spietata, il tuo rigore” (Tolomeo)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 23. Aria “Sì spietata, il tuo rigore” (Tolomeo) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel3:30
15Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Sù, che si targa?” … “Ferma! che fai?” (Cornelia, Sesto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena V. Recitativo “Su, che si tarda?” (Cornelia, Sesto) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:35
16Giulio Cesare in Egitto, HWV 17: Act II. [Recitativo:] “Cornelia, infauste nove” (Nireno, Cornelia, Sesto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
bass vocals [Nireno]:
Michael Schopper (bass-baritone) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI. Recitativo “Cornelia, infauste nove” (Nireno, Cornelia, Sesto) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:54
17Giulio Cesare in Egitto, HWV 17: Act II. Aria: “Cessa omai di sospirare!” (Cornelia)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 24. Aria “Cessa omai di sospirare” (Cornelia) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel3:53
18Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Figlio non è chi vendicar non cura” (Sesto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI. Recitativo “Figlio non è chi vendicar non cura” (Sesto) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel0:22
19Giulio Cesare in Egitto, HWV 17: Act II. Aria: “L'angue offeso mai riposa” (Sesto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 25. Aria “L’angue offeso mai riposa” (Sesto) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel6:12
20Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Esser qui deve in breve l'idolo del mio sen” (Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
George Frideric Handel0:35
21Giulio Cesare in Egitto, HWV 17: Act II. Aria: “Venere bella” (Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VII, 26. Aria “Venere bella” (Cleopatra) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel4:43
22Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Che veggio, o numi?” (Cesare, Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VII. Recitativo “Che veggio, o numi?” (Cesare, Cleopatra) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:14
23Giulio Cesare in Egitto, HWV 17: Act II. [Recitativo:] “Cesare, sei tradito” (Curio, Cesare, Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Curio]:
Wolfgang Schöne (bass-baritone) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII. Recitativo “Cesare, sei tradito” (Curio, Cesare, Cleopatra) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel2:36
24Giulio Cesare in Egitto, HWV 17: Act II. Aria e Coro: “Al lampo dell'armi” … “Mora Cesare, mora!” (Cesare, coro)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
bass vocals [Giulio Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1969-04)
choir vocals:
Münchener Bach‐Chor (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 27. Aria e Coro “Al lampo dell’armi” (Cesare, Coro) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel3:52
25Giulio Cesare in Egitto, HWV 17: Act II. Accompagnato: “Che sento? Oh dio! Morrà Cleopatra ancora” (Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 28. Recitativo accompagnato “Che sento? Oh Dio! Morrà Cleopatra ancora” (Cleopatra) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:22
26Giulio Cesare in Egitto, HWV 17: Act II. Aria: “Se pietà di me non senti” (Cleopatra)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
mezzo-soprano vocals [Tolomeo]:
Tatiana Troyanos (mezzo-soprano) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel10:20
27Giulio Cesare in Egitto, HWV 17: Act II. Arioso e Recitativo: “Belle dee di questo core” (Tolomeo, Cornelia, Sesto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IX, 30. Arioso “Belle dèe di questo core” (Tolomeo, Cornelia) (variation, inserted on occasion, at start of Scena IX) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel3:29
28Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Sire, prendi!” / “Che fia?” (Achilla, Tolomeo, Sesto, Cornelia)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
baritone vocals [Achilla]:
Ernst Gerold Schramm (German baritone) (in 1969-04)
bass vocals [Tolomeo]:
Franz Crass (operatic bass) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena X. Recitativo “Sire, prendi!” – “Che fia?” (Achilla, Tolomeo, Sesto, Cornelia) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:43
29Giulio Cesare in Egitto, HWV 17: Act II. Recitativo: “Ecco in tutto perduta la speme di vendetta” (Sesto, Cornelia)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
alto vocals [Cornelia]:
Julia Hamari (Hungarian mezzo-soprano) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena XI. Recitativo “Ecco in tutto perduta la speme di vendetta” (Sesto, Cornelia) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:10
30Giulio Cesare in Egitto, HWV 17: Act II. Aria: “L'aure che spira” (Sesto)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
horn:
Hermann Baumann (horn player) (in 1969-04)
trumpet:
Pierre Thibaud (French trumpeter) (in 1969-04)
tenor vocals [Sesto]:
Peter Schreier (German tenor and conductor) (in 1969-04)
orchestra:
Münchener Bach‐Orchester (in 1969-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-04)
recorded at:
Bavaria Ton-Studio in München, Bayern, Germany (in 1969-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena XI, 31. Aria “L’aure che spira” (Sesto) (in 1969-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel5:30
CD 80: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
CD 81: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
CD 82: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
CD 83: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
CD 84: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
CD 85: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
CD 86: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
CD 87: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
CD 88: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
CD 89: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
CD 90: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
CD 91: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
CD 92: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
CD 93: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
CD 94: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
CD 95: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
CD 96: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
CD 97: In dulci jubilo: 18 European Christmas Carols
Blu-ray 98: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
Blu-ray 99: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
Blu-ray 100: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

Credits

Release

photography:Siegfried Lauterwasser
Werner Neumeister (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Martin Dirnberger (project manager) (task: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
purchase for mail-order:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]