| # | Title | Artist | Rating | Length |
|---|
| 1 | Kantate BWV 182, "Himmelskönig, sei willkommen": I. Sonata- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
- recording of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (in 1975-01)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
- part of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen"
| Johann Sebastian Bach | | 1:53 |
| 2 | Kantate BWV 182, "Himmelskönig, sei willkommen": II. Coro | Johann Sebastian Bach | | 4:08 |
| 3 | Kantate BWV 182, "Himmelskönig, sei willkommen": III. Recitativo | Johann Sebastian Bach | | 0:42 |
| 4 | Kantate BWV 182, "Himmelskönig, sei willkommen": IV. Aria | Johann Sebastian Bach | | 2:54 |
| 5 | Kantate BWV 182, "Himmelskönig, sei willkommen": V. Aria | Johann Sebastian Bach | | 6:36 |
| 6 | Kantate BWV 182, "Himmelskönig, sei willkommen": VI. Aria | Johann Sebastian Bach | | 4:05 |
| 7 | Kantate BWV 182, "Himmelskönig, sei willkommen": VII. Choral- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
- recording of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion" (in 1975-01)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- Paul Stockmann (in 1633)
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
- part of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen"
| Johann Sebastian Bach | | 3:52 |
| 8 | Kantate BWV 182, "Himmelskönig, sei willkommen": VIII. Coro | Johann Sebastian Bach | | 5:25 |
| 9 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": I. Sinfonia- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
- part of:
- Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | | 4:03 |
| 10 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": II. Adagio- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | | 4:18 |
| 11 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": III. Duetto e Coro | Johann Sebastian Bach | | 4:43 |
| 12 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": IV. Recitativo- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- bass vocals and solo bass vocals:
- Philippe Huttenlocher
- solo soprano vocals and soprano vocals:
- Arleen Augér
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
- composer:
- Johann Sebastian Bach (in 1738)
- part of:
- Kantate, BWV 30 "Freue dich, erlöste Schar"
| Johann Sebastian Bach | | 1:07 |
| 13 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": V. Aria- solo soprano vocals and soprano vocals:
- Arleen Augér
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
| Johann Sebastian Bach | | 8:22 |
| 14 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": VI. Recitativo- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- bass vocals and solo bass vocals:
- Philippe Huttenlocher
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| Johann Sebastian Bach | | 0:48 |
| 15 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": VII. Aria | Johann Sebastian Bach | | 6:11 |
| 16 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": VIII. Recitativo | Johann Sebastian Bach | | 0:56 |
| 17 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": IX. Aria- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde"
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- arrangement of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
| Johann Sebastian Bach | | 6:58 |
| 18 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": X. Recitativo | Johann Sebastian Bach | | 0:42 |
| 19 | Kantate BWV 249, "Oster-Oratorium: Kommt, eilet und laufet": XI. Coro | Johann Sebastian Bach | | 2:45 |
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