The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶ CD 1: Opera Arias (1947)
▶ CD 2: Choruses / Rosenkavalier And Salome Excerpts.
▶ CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 7: Salome (Wiener Philharmoniker)
▶ CD 8: Salome (Wiener Philharmoniker)
▶ CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶ CD 15: Missa Solemnis in D major
▶ CD 16: Missa Solemnis in D major, Mozart, Strauss
▶ CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 22: Arias and Orchestral Music – 1954
▶ CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶ CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶ CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 32: Fidelio (Berliner Philharmoniker)
▶ CD 33: Fidelio (Berliner Philharmoniker)
▶ CD 34: Missa Solemnis in D major
▶ CD 35: Ein deutsches Requiem, Op. 45
▶ CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 41: Don Carlo (1884 4 Act Version)
▶ CD 42: Don Carlo (1884 4 Act Version)
▼ CD 43: Don Carlo (1884 4 Act Version)
#TitleArtistRatingLength
1Atto Terzo. Prima Scena: Ella giammai m'amò
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:00
2Atto Terzo. Prima Scena: Il Grand' Inquisitor!
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [Il Grande Inquisitore]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
tenor vocals [Il Conte di Lerma]:
Horst Nitsche (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:10
3Atto Terzo. Prima Scena: Giustizia, giustizia, Sire!
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:12
4Atto Terzo. Prima Scena: Ardita troppo voi favellate
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:59
5Atto Terzo. Prima Scena: Ah! sii maledetto, sospetto fatale
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:26
6Atto Terzo. Prima Scena: Pietà! Pietà! perdon!
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:56
7Atto Terzo. Prima Scena: O don fatale, o don crudel
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:30
8Atto Terzo. Seconda Scena: Son io, mio Carlo
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:25
9Atto Terzo. Seconda Scena: Per me giunto è il di supremo
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:51
10Atto Terzo. Seconda Scena: Io morrò ma lieto in core
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:44
11Atto Terzo. Seconda Scena: Mio Carlo, a te la spada io rendo
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [Il Grande Inquisitore]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
tenor vocals [Il Conte di Lerma]:
Horst Nitsche (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:24
12Atto Quarto: Tu che le vanità
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi12:05
13Atto Quarto: È dessa!... Un detto, un sol
choir vocals:
Chor der Deutschen Oper Berlin (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:32
14Atto Quarto: Ma lassù ci vedremo
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [Il Grande Inquisitore]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Un frate]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:51
▶ CD 44: Otello (Berliner Philharmoniker)
▶ CD 45: Otello (Berliner Philharmoniker)
▶ CD 46: Il Trovatore (Berliner Philharmoniker)
▶ CD 47: Il Trovatore (Berliner Philharmoniker)
▶ CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶ CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶ CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶ CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶ CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶ CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶ CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶ CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶ CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release Group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (conductor)