| # | Title | Artist | Rating | Length |
|---|
| 1 | Can’t Get Enough | Bad Company | 3.65 | 4:13 |
| 2 | School’s Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.15 | 3:29 |
| 3 | Milk and Alcohol | Dr. Feelgood | 4.65 | 2:49 |
| 4 | My Coo Ca Choo | Alvin Stardust | 2 | 2:46 |
| 5 | Dixie Chicken | Little Feat | 4 | 3:56 |
| 6 | Year of the Cat (single version) | Al Stewart | 4.7 | 6:35 |
| 7 | Moondance- executive producer:
- Lewis Merenstein
- producer:
- Van Morrison
- mixer:
- Elliot Scheiner (in 1969-12)
- lead vocals:
- Van Morrison (in 1969)
- phonographic copyright (℗) by:
- Exile Productions Ltd. (in 1970) and Warner Bros. Records, Ltd. (in 1970)
- produced for:
- Inherit Productions
- recorded at:
- A&R Recording Studio in New York, New York, United States (in 1969)
- mixed at:
- A & R Recording in Manhattan, New York, New York, United States (in 1969-12)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 226)
- recording of:
- Moondance (in 1969)
- lyricist and composer:
- Van Morrison
- publisher:
- Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music , Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. , Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部, Caledonia Soul Music (from 1970 until 1971), WB Music Corp. (from 1970 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Van Morrison | 3.8 | 4:38 |
| 8 | Life’s Been Good | Joe Walsh | 4 | 4:39 |
| 9 | Brass in Pocket | Pretenders | 4.25 | 3:04 |
| 10 | Miss Judy’s Farm | Faces | | 3:40 |
| 11 | Easy to Slip | Little Feat | | 3:21 |
| 12 | Slow Ride | Foghat | 4.6 | 3:53 |
| 13 | Blitzkrieg Bop (2016 remastered version) | Ramones | 4.6 | 2:14 |
| 14 | Wonderous Stories (2008 remastered version)- assistant engineer:
- David Richards
- engineer:
- John Timperley
- executive producer:
- Brian Lane
- producer:
- Yes
- bass guitar:
- Chris Squire (from 1976 until 1977)
- drums (drum set) and percussion:
- Alan White (from 1976 until 1977)
- Moog [Polymoog]:
- Rick Wakeman (from 1976 until 1977)
- Portuguese guitar [Vachalia] and electric guitar:
- Steve Howe (from 1976 until 1977)
- background vocals:
- Steve Howe (from 1976 until 1977) and Chris Squire (from 1976 until 1977)
- lead vocals:
- Jon Anderson (from 1976 until 1977)
- arranger:
- Yes
- phonographic copyright (℗) by:
- Atlantic (in 1977), Atlantic Recording Corporation (in 1977) and WEA International Inc. (in 1977)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1976 until 1977)
- partial recording of:
- Wonderous Stories (from 1976 until 1977)
- lyricist and composer:
- Jon Anderson
- publisher:
- Rondor Music (London) Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music Ltd. , Warner Chappell Music, Inc., Warner/Chappell North America Limited and Topographic Music, Ltd. (in 1977)
| Yes | 4.35 | 3:49 |
| 15 | Smokin’ in the Boy’s Room | Brownsville Station | | 2:57 |
| 16 | Whole Lotta Love | C.C.S. | 5 | 3:33 |
| 17 | I Hear You Knocking | Dave Edmunds | 4.35 | 2:48 |
| 18 | Rainy Night in Georgia | Brook Benton | 4 | 3:49 |
| 19 | Love Don’t Live Here Anymore | Rose Royce | 4.5 | 3:52 |
| 20 | Right Place Wrong Time | Dr. John | | 2:54 |
| 21 | I Want Your Love (edit version) | Chic | | 3:25 |
| 22 | I’m Every Woman | Chaka Khan | 3.5 | 4:07 |
| 23 | We Are Family | Sister Sledge | 4.4 | 3:37 |
| 24 | Disco Inferno | The Trammps | 5 | 3:34 |
| 25 | You Sexy Thing | Hot Chocolate | 3.8 | 4:03 |
| 26 | Wear It Out | Stargard | | 3:40 |
| 27 | Rock Your Baby | George McCrae | 3.25 | 3:20 |
| 28 | Undercover Angel | Alan O’Day | | 3:31 |
| 29 | Do What You Wanna Do (edit) | T‐Connection | 3 | 3:32 |
| 30 | Spacer | Sheila | | 3:47 |
| 31 | (Shake Shake Shake) Shake Your Booty | KC and the Sunshine Band | 4.5 | 3:06 |
| 32 | Haven’t Stopped Dancing Yet | Gonzalez | | 4:12 |
| 33 | Dancing in the City | Marshall Hain | | 3:47 |
| 34 | Until You Come Back to Me (That’s What I Am Going to Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax, Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:26 |
| 35 | Midnight at the Oasis | Maria Muldaur | 4 | 3:48 |
| 36 | The Rubberband Man | The Spinners | 4.65 | 3:33 |
| 37 | Tainted Love | Gloria Jones | 3 | 2:43 |
| 38 | A Song for You | Donny Hathaway | 4 | 5:26 |
| 39 | Love Hit Me | Maxine Nightingale | 3 | 2:47 |
| 40 | Clean Up Woman | Betty Wright | 5 | 2:47 |
| 41 | Hooked on a Feeling | Blue Swede | 4.05 | 2:53 |
| 42 | Lonely Boy | Andrew Gold | 5 | 4:25 |
| 43 | Magic | Pilot | 4.75 | 3:06 |
| 44 | Feels Like the First Time | Foreigner | | 3:13 |
| 45 | She’s Gone | Daryl Hall & John Oates | 4.5 | 3:24 |
| 46 | If You Leave Me Now- recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (in 2002)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings), Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.35 | 3:56 |
| 47 | Baby I’m‐a Want You | Bread | 4 | 2:31 |
| 48 | Mr Radio | Electric Light Orchestra | | 3:54 |
| 49 | It’s a Beautiful Day | Liverpool Express | | 2:13 |
| 50 | At Home He’s a Tourist | Gang of Four | 5 | 3:31 |
| 51 | Every 1’s a Winner | Hot Chocolate | 4.35 | 4:04 |
| 52 | Goodbye Girl | David Gates | | 2:44 |
| 53 | I’d Love You to Want Me | Lobo | 2.5 | 4:01 |
| 54 | Journey | Duncan Browne | 5 | 3:16 |
| 55 | Outdoor Miner | Wire | 5 | 2:51 |
| 56 | Cindy Incidentally | Faces | 4 | 2:38 |
| 57 | Breezin | George Benson | | 5:21 |
| 58 | Sundown | Gordon Lightfoot | 5 | 3:34 |
| 59 | The Mexican (edit) | Babe Ruth | | 3:27 |
| 60 | Vehicle | The Ides of March | | 2:58 |
| 61 | Baker Street (edit)- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, EMI Music Publishing , Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
| Gerry Rafferty | 4 | 4:08 |
| 62 | Tiger Feet | Mud | 5 | 3:50 |
| 63 | I Saw the Light | Todd Rundgren | 5 | 3:03 |
| 64 | Cat’s in the Cradle | Harry Chapin | 3 | 3:43 |
| 65 | Summer Breeze | Seals & Crofts | 4.35 | 3:25 |
| 66 | My Best Friend’s Girl | The Cars | 4.4 | 3:43 |
| 67 | I Can’t Tell the Bottom From the Top | The Hollies | | 3:52 |
| 68 | Years May Come Years May Go | Herman’s Hermits | 3 | 3:39 |
| 69 | How Long | JD Souther | | 3:23 |
| 70 | Showdown- engineer:
- Denny Bridges and John Middleton
- producer:
- Jeff Lynne
- bass and background vocals:
- Michael d’Albuquerque (in 1973-04)
- cello:
- Mike Edwards (in 1973-04) and Colin Walker (in 1973-04)
- drums (drum set) and percussion:
- Bev Bevan (in 1973-04)
- guitar and lead vocals:
- Jeff Lynne (in 1973-04)
- Moog and piano:
- Richard Tandy (in 1973-04)
- violin:
- Wilfred Gibson (in 1973-04)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (in 1973) and Sony Music Entertainment Inc. (in 1973)
- recorded at:
- Air Studios in London , England, United Kingdom (in 1973-04)
- recording of:
- Showdown (in 1973-04)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc. , EMI Songs Ltd., EMI U Catalog Inc. , Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Electric Light Orchestra | 4.5 | 4:12 |
| 71 | Chuck E’s in Love- additional engineer:
- Tom Knox and Roger Nichols
- engineer:
- Loyd Clifft and Lee Herschberg
- producer:
- Russ Titelman and Lenny Waronker
- mixer:
- Lee Herschberg
- vocals:
- Rickie Lee Jones
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979)
- recorded at:
- The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Chuck E.’s in Love
- lyricist and composer:
- Rickie Lee Jones
- publisher:
- Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス
| Rickie Lee Jones | 4.65 | 3:30 |
| 72 | I Love a Rainy Night | Eddie Rabbitt | 4 | 3:11 |
| 73 | One Way Rag | Alan White | 5 | 4:08 |
| 74 | I’ve Been Drinking | Jeff Beck | | 3:21 |
| 75 | California Man | The Move | 5 | 3:37 |
| 76 | O Lucky Man! | Alan Price | | 2:20 |
| 77 | Jesus Was a Cross Maker | Judee Sill | | 3:27 |
| 78 | Wuthering Heights- engineer:
- Jon Kelly
- producer:
- Andrew Powell
- drums (drum set):
- Stuart Elliott (from 1977-07 until 1977-08)
- piano, background vocals and lead vocals:
- Kate Bush (from 1977-07 until 1977-08)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978), EMI America Records, Inc. (in 1982) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 18)
- recording of:
- Wuthering Heights (from 1977-07 until 1977-08)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush (on 1977-03-05)
- publisher:
- Castle , Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (from 1978 to present)
| Kate Bush | 3.9 | 4:27 |
| 79 | California Dreamin’ | Eddie Hazel | | 6:11 |
| 80 | The Rose | Bette Midler | 4.5 | 3:41 |
| 81 | Sheena Is a Punk Rocker- assistant engineer:
- Don Berman
- engineer:
- Ed Stasium
- producer:
- Tony Bongiovi and Thomas Erdelyi
- bass guitar:
- Dee Dee Ramone
- drums (drum set):
- Tommy Ramone
- guitar:
- Johnny Ramone
- lead vocals:
- Joey Ramone
- phonographic copyright (℗) by:
- WEA International Inc. (in 1977)
- recorded at:
- Mediasound Studios in New York, New York, United States and Sundragon Studios in Flatiron District, New York, New York, United States
- mixed at:
- Le Studio in Morin‐Heights, Québec, Canada, Power Station Studios in Hell's Kitchen, New York, New York, United States and Track Recorders in Silver Spring, Maryland, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 434) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 457)
- recording of:
- Sheena Is a Punk Rocker
- writer:
- Douglas Glenn Colvin, John Cummings , Thomas Erdelyi and Jeffrey Hyman
- publisher:
- Bleu Disque Music Co., Inc. , Taco Tunes Inc. and Warner/Chappell North America
| Ramones | 4.5 | 2:46 |
| 82 | Tush | ZZ Top | 4.65 | 2:16 |
| 83 | Elected | Alice Cooper | 4.35 | 3:43 |
| 84 | No More Heroes | The Stranglers | 5 | 3:28 |
| 85 | Just What I Needed | The Cars | 4.35 | 3:43 |
| 86 | Werewolves of London | Warren Zevon | 4.9 | 3:26 |
| 87 | Venus | Television | 5 | 3:50 |
| 88 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ and keyboard:
- Jon Lord (in 1970-05)
- vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.35 | 3:27 |
| 89 | Silver Machine | Hawkwind | 4.5 | 4:38 |
| 90 | Sweet Jane | The Velvet Underground | 5 | 4:09 |
| 91 | Train, Train | Blackfoot | 4.5 | 3:37 |
| 92 | 2‐4‐6‐8 Motorway | Tom Robinson Band | 4 | 3:18 |
| 93 | Angel Fingers | Wizzard | 5 | 4:31 |
| 94 | Shakin’ Street | MC5 | | 2:19 |
| 95 | Still the One | Orleans | 5 | 3:54 |
| 96 | Wishing Well | Blackfoot | | 3:10 |
| 97 | Some Girls | Racey | 3.5 | 3:27 |
| 98 | Quits | Danny O’Keefe | | 3:19 |
| 99 | Ride Captain Ride (single version) | Blues Image | 4.5 | 3:40 |
| 100 | Southern Nights | Allen Toussaint | | 3:30 |
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