Banda Sonora Original

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

1. Dirty Dancing

2. Bagdad Cafe

3. Calles De Fuego

4. Elegir un Amor

5. El Silencio de Los Corderos

6. Pretty Woman

7. Regreso Al Futuro

8. Superdetective en Hollywood

9. Cowboy De Medianoche

10. American Graffiti

11. Memorias De Africa

12. Nueve Semanas y Media

13. El rey Pescador

14. The Commitments

15. Tomates Verdes Fritos

16. Armas De Mujer

17. Thelma y Louise

18. Tacones Lejanos

19. Lily Was Here

20. Oficial y Caballero

21. What a Wonderful World

Annotation last modified on 2012-11-21 20:16 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1The Time of My LifeBill Medley4:40
2Calling YouJevetta Steele5:20
3I Can Dream About You
Don Hartman4:07
4Theme From Dying Young
recording of:
Dying Young Theme
composer:
James Newton Howard (American score composer)
publisher:
Fox Film Music Corp. and Fox Film Music Corporation (BMI-affiliated)
Kenny G4:00
5Main Title
Howard Shore5:05
6It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:16
7Johnny B. Goode
producer:
Bones Howe
solo guitar:
Tim May (session/jazz guitarist)
vocals:
Mark Campbell (Marty McFly)
cover recording of:
Johnny B. Goode
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
part of:
Back to the Future: the Musical
Marty McFly with the Starlighters3:03
8Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
Geffen Records (in 1984)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.13:01
9Everybody's Talkin'
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation and Third Palm Music
Nilsson42:43
10That'll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
Buddy Holly2:16
11I Had a Farm in Africa
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry (English score composer)
mixer:
Dan Wallin
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry (English score composer)
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry43:10
12You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
Joe Cocker34:13
13I'm Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self
publisher:
Songs of Universal
Brenda Lee2:41
14Mustang SallyAndrew Strong54:00
15Cherish
Jodeci2:21
16Let the River Run
engineer:
Tim Leitner
producer:
Rob Mounsey and Carly Simon
mixer:
Frank Filipetti
drums (drum set) [drums]:
Mickey Curry
guitar:
Jimmy Ryan (American guitarist and singer/songwriter)
keyboard [kayboards]:
Rob Mounsey
background vocals [background singers]:
Vivian Cherry, Frank Floyd (US soul disco funk singer), Gordon Grody, Lani Groves, Kasey Cisyk, Frank Simms, Vaneese Thomas and Kurt Yaghjian
lead vocals:
Carly Simon
recording of:
Let the River Run
lyricist and composer:
Carly Simon
publisher:
C’est Music and TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
Academy Award for Best Original Song (number: 61)
Carly Simon3:40
17Part of Me, Part of You
recording of:
Part of Me, Part of You
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Jack Tempchin
Glenn Frey4:16
18Piensa En Mi
cover recording of:
Piensa en mí
writer:
Agustín Lara (in 1935) and María Teresa Lara (in 1935)
Luz Casal4:27
19Lily Was Here
guest saxophone:
Candy Dulfer
recording of:
Lily Was Here
composer:
Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. and Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer4:09
20Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker3.23:52
21What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:17