# | Title | Rating | Length |
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1 | Oster‐Oratorium, BWV 249: I. Sinfonia- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
- part of:
- Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
- part of:
- Oster-Oratorium, BWV 249
| | 4:03 |
2 | Oster‐Oratorium, BWV 249: II. Adagio- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
- part of:
- Oster-Oratorium, BWV 249
| | 4:18 |
3 | Oster‐Oratorium, BWV 249: III. Coro „Kommt, eilet und laufet“ | | 4:43 |
4 | Oster‐Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) „O kalter Männer Sinn“- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- bass vocals and solo bass vocals:
- Philippe Huttenlocher
- solo soprano vocals and soprano vocals:
- Arleen Augér
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
- composer:
- Johann Sebastian Bach (in 1738)
- part of:
- Kantate, BWV 30 "Freue dich, erlöste Schar"
| | 1:07 |
5 | Oster‐Oratorium, BWV 249: V. Aria (Sopran) „Seele, deine Spezereien“- solo soprano vocals and soprano vocals:
- Arleen Augér
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
| | 8:21 |
6 | Oster‐Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) „Hier ist die Gruft“- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- bass vocals and solo bass vocals:
- Philippe Huttenlocher
- solo tenor vocals and tenor vocals:
- Adalbert Kraus
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| | 0:48 |
7 | Oster‐Oratorium, BWV 249: VII. Aria (Tenor) „Sanfte soll mein Todeskummer“ | | 6:11 |
8 | Oster‐Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) „Indessen seufzen wir“ | | 0:56 |
9 | Oster‐Oratorium, BWV 249: IX. Aria (Alt) „Saget, saget mir geschwinde“- alto vocals and solo mezzo-soprano vocals [Alt]:
- Júlia Hamari
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
- recording of:
- Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde"
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- arrangement of:
- Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
| | 6:58 |
10 | Oster‐Oratorium, BWV 249: X. Recitativo (Bass) „Wir sind erfreut“ | | 0:42 |
11 | Oster‐Oratorium, BWV 249: XI. Coro „Preis und Dank“ | | 2:47 |
12 | Himmelfahrts‐Oratorium, BWV 11: I. Coro „Lobet Gott in seinen Reichen“ | | 4:41 |
13 | Himmelfahrts‐Oratorium, BWV 11: II. „Der Herr Jesu hub seine Hände auf“ (Evangelista) | | 0:30 |
14 | Himmelfahrts‐Oratorium, BWV 11: III. Recitativo (Bass) „Ach, Jesu, ist dein Abschied schon so nah“ | | 1:06 |
15 | Himmelfahrts‐Oratorium, BWV 11: IV. Aria (Alt) „Ach bleibe doch, mein liebstes Leben“ | | 6:14 |
16 | Himmelfahrts‐Oratorium, BWV 11: V. „Und ward aufgehaben zusehends“ (Evangelista) | | 0:26 |
17 | Himmelfahrts‐Oratorium, BWV 11: VI. Choral „Nun lieget alles unter dir“ | | 1:11 |
18 | Himmelfahrts‐Oratorium, BWV 11: VII. „Und da sie ihm nachsahen“ (Evangelista) | | 2:11 |
19 | Himmelfahrts‐Oratorium, BWV 11: VIII. Aria (Sopran) „Jesu, deine Gnadenblicke“ | | 5:43 |
20 | Himmelfahrts‐Oratorium, BWV 11: IX. Choral „Wenn soll es doch geschehen“ | | 4:10 |