Salome

~ Release by Richard Strauss; Jessye Norman, Morris, Witt, Raffeiner, Leech, Staatskapelle Dresden, Seiji Ozawa (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Salome, op. 54: "Wie schön ist die Prinzessin Salome heute Nacht!"
bass vocals [Erster Soldat]:
Jürgen Commichau (operatic bass) (in 1990-11)
bass vocals [Zweiter Soldat]:
Rolf Tomaszewski (german operatic bass) (in 1990-11)
mezzo-soprano vocals [Der Page der Herodias]:
Annette Markert (mezzo-soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:50
2Salome, op. 54: "Nach mir wird Einer kommen"
baritone vocals [Ein Kappadozier]:
Matthias Henneberg (german operatic baritone) (in 1990-11)
bass vocals [Erster Soldat]:
Jürgen Commichau (operatic bass) (in 1990-11)
bass vocals [Zweiter Soldat]:
Rolf Tomaszewski (german operatic bass) (in 1990-11)
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
mezzo-soprano vocals [Der Page der Herodias]:
Annette Markert (mezzo-soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:39
3Salome, op. 54: "Ich will nicht bleiben"
mezzo-soprano vocals [Der Page der Herodias]:
Annette Markert (mezzo-soprano) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:47
4Salome, op. 54: "Siehe, der Herr ist gekommen"
bass-baritone vocals [Ein Sklave]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-11)
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Zweite Szene. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:39
5Salome, op. 54: "Jauchze nicht, du Land Palästina"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
mezzo-soprano vocals [Der Page der Herodias]:
Annette Markert (mezzo-soprano) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:22
6Salome, op. 54: "Du wirst das für mich tun"
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Zweite Szene. "Du wirst das für mich tun" (Salome, Narraboth) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:17
7Salome, op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss5:11
8Salome, op. 54: "Er ist schrecklich. Er ist wirklich schrecklich!"
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Narraboth]:
Richard Leech (operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Er ist schrecklich. Er ist wirklich schrecklich!" (Salome, Narraboth) (in 1990-11)
composer:
Richard Strauss (German composer)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:12
9Salome, op. 54: "Wer ist dies Weib, das mich ansieht?"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Wer ist dies Weib, das mich ansieht?" (Jochanaan, Salome, Narraboth) (in 1990-11)
composer:
Richard Strauss (German composer)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:43
10Salome, op. 54: "Jochanaan! Ich bin verliebt in deinen Leib"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:39
11Salome, op. 54: "Zurück, Tochter Sodoms! Berühre mich nicht!"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Zurück, Tochter Sodoms! Berühre mich nicht!" (Jochanaan, Salome) (in 1990-11)
composer:
Richard Strauss (German composer)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:18
12Salome, op. 54: "Wird dir nicht bange, Tochter der Herodias?"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:37
13Salome, op. 54: "Lass mich deinen Mund küssen, Jochanaan"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Laß mich deinen Mund küssen, Jochanaan" (Salome, Jochanaan) (in 1990-11)
composer:
Richard Strauss (German composer)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:04
14Salome, op. 54: "Du bist verflucht"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Dritte Szene. "Du bist verflucht" (Jochanaan) (in 1990-11)
composer:
Richard Strauss (German composer)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:27
15Salome, op. 54: "Wo ist Salome?"
mezzo-soprano vocals [Herodias]:
Kerstin Witt (german operatic mezzo-soprano) (in 1990-11)
tenor vocals [Herodes]:
Walter Raffeiner (tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:09
16Salome, op. 54: "Salome, komm, trink Wein mit mir"
mezzo-soprano vocals [Herodias]:
Kerstin Witt (german operatic mezzo-soprano) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Herodes]:
Walter Raffeiner (tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:48
17Salome, op. 54: "Sieh', die Zeit ist gekommen"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
mezzo-soprano vocals [Herodias]:
Kerstin Witt (german operatic mezzo-soprano) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss0:52
18Salome, op. 54: "Wahrhaftig, Herr, es wäre besser"
bass vocals [Fünfter Jude]:
Günter Dreßler (german operatic bass) (in 1990-11)
bass-baritone vocals [Vierter Jude]:
Andreas Schmidt (bass-baritone & teacher) (in 1990-11)
tenor vocals [Dritter Jude]:
Peter Küchler (german operatic tenor) (in 1990-11)
tenor vocals [Erster Jude]:
Andreas Conrad (German tenor) (in 1990-11)
tenor vocals [Herodes]:
Walter Raffeiner (tenor) (in 1990-11)
tenor vocals [Zweiter Jude]:
Karl-Friedrich Hölzke (German operatic tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:51
19Salome, op. 54: "Siehe, der Tag ist nahe"
bass-baritone vocals [Erster Nazarener]:
Harry Peeters (Dutch operatic bass-baritone) (in 1990-11)
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
bass-baritone vocals [Zweiter Nazarener]:
Frank Schiller (bass-baritone) (in 1990-11)
mezzo-soprano vocals [Herodias]:
Kerstin Witt (german operatic mezzo-soprano) (in 1990-11)
tenor vocals [Erster Jude]:
Andreas Conrad (German tenor) (in 1990-11)
tenor vocals [Herodes]:
Walter Raffeiner (tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:00
20Salome, op. 54: "Eine Menge Menschen wird sich gegen sie sammeln"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
mezzo-soprano vocals [Herodias]:
Kerstin Witt (german operatic mezzo-soprano) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Eine Menge Menschen wird sich gegen sie sammeln" (Jochanaan, Herodias) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:07
21Salome, op. 54: "Tanz für mich, Salome"
bass-baritone vocals [Jochanaan]:
James Morris (operatic bass-baritone) (in 1990-11)
mezzo-soprano vocals [Herodias]:
Kerstin Witt (german operatic mezzo-soprano) (in 1990-11)
soprano vocals:
Jessye Norman (soprano) (in 1990-11)
tenor vocals [Herodes]:
Walter Raffeiner (tenor) (in 1990-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1990-11)
recording of:
Salome: Vierte Szene. "Tanz für mich, Salome" (Herodes, Herodias, Salome, Jochanaan) (in 1990-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:13
▶ CD 2