The 99 Most Essential Tchaikovsky Masterpieces

~ Release by Пётр Ильич Чайковский (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
solo piano:
John Lill (pianist)
orchestra:
London Symphony Orchestra
conductor:
James Judd (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
20:29
2Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: II. Andantino semplice - Prestissimo
orchestra:
London Symphony Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
7:33
3Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: III. Allegro con fuoco
orchestra:
London Symphony Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
7:02
4Capriccio Italien in A Major, Op. 45
orchestra:
Большой симфонический оркестр имени П. И. Чайковского (bso.ru, founded 1930, not Mikhailov's 1978 orch.)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
16:00
5The Nutcracker, Op. 71a: I. Overture: Allegro giusto
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
1:43
6The Nutcracker, Op. 71a: II. Scene: Allegro non troppo - Decorating and Lighting up the Christmas Tree
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 3. Детский галоп и выход родителей (Children's dance and the exit of parents)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
3:31
7The Nutcracker, Op. 71a: III. March: Tempo di marcia viva
orchestra:
Klassische Philharmonie Bonn
conductor:
Heribert Beissel (conductor)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
2:27
8The Nutcracker, Op. 71a: IV. The Children's Galop - Entrance of the Parents
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 1. Сцена: Украшение и зажигание елки (Decorating and lighting the Christmas tree)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
2:21
9The Nutcracker, Op. 71a: V. Scene: Andante - Drosselmeyer's Gifts
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 5: Сцена и танец гросфатер (Grandfather's dance)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
4:22
10The Nutcracker, Op. 71a: VI. Scene: Allegro semplice - Dance of the Granfathers (attacca)
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 4: Сцена с танцами (Scene with dancing)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
4:13
11The Nutcracker, Op. 71a: VII. Scene: Moderato assai - Clara and the Nutcracker
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 7: Сцена: Сражение (The Battle)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
2:49
12The Nutcracker, Op. 71a: VIII. Scene: Allegro Vivo - The Nutcracker Fights The Mouse King's Army, And Victoriously Transforms Into Prince Charming
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 6: Сцена: Уход гостей. Ночь (Departure of the guests)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
2:49
13The Nutcracker, Op. 71a: IX. Scene: Andante - In the Christmas Tree
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина II, no. 8. Еловый лес зимой (Spruce forest in winter)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
4:03
14The Nutcracker, Op. 71a: X. Scene and Waltz of the Snowflakes: Tempo di valse, ma con moto
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие I, Картина II, no. 9. Вальс снежных хлопьев (Waltz of the Snowflakes)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
6:44
15The Nutcracker, Op. 71a: XI. Scene: Andante - The Magic Castle on Candy Mountain
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 10. Дворец сластей Конфитюренбург (Palace of Sweets; Confiturenburg)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
3:51
16The Nutcracker, Op. 71a: XII. Scene: Andante con moto - Clara and Prince Charming
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 11. Прибытие Мари и Щелкунчика (Arrival of Clara and the Nutcracker)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
5:01
17The Nutcracker, Op. 71a: Xiiia. Character Dances - Chocolate (Spanish Dance): Allegro Brillant
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12a. Дивертисмент (а) Шоколад: испанский танец (Chocolate: Spanish Dance)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
1:13
18The Nutcracker, Op. 71a: Xiiib. Character Dances - Coffee (Arabic Dance): Commodo
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12b. Дивертисмент (б) Кофе: арабский танец (Coffee: Arabian dance)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
3:28
19The Nutcracker, Op. 71a: Xiiic. Character Dances - Tea (Chinese Dance): Allegro Moderato
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
1:03
20The Nutcracker, Op. 71a: Xiiid. Character Dances - Trepak (Russian Dance): Tempo Di Trepak, Molto Vivace
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
1:09
21The Nutcracker, Op. 71a: Xiiid. Character Dances - Dance Of The Reed Pipes: Andantino
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
2:23
22The Nutcracker, Op. 71a: Xiiid. Character Dances - Polchinelle (The Clown): Allegro Giocoso
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12f. Дивертисмент (е) Мамаша Жигонь и паяцы (Mother Ginger and the Clowns)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
2:34
23The Nutcracker, Op. 71a: XIV. Waltz of the Flowers: Tempo di valse
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
7:21
24The Nutcracker, Op. 71a: Xva. Pas de deux - Intrada: Andante maestoso
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14a. Па-де-де: Танец Принца Оршада и Феи Драже (Dance of the Prince & the Sugar-Plum Fairy)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
5:01
25The Nutcracker, Op. 71a: XVb. Pas de deux - Variation I: Tempo di tarantella
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14b. Па-де-де: Вариация I: Тарантелла (Variation I: Tarantella)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
0:54
26The Nutcracker, Op. 71a: XVc. Pas de deux - Variation II: Dance of the Sugar-Plum Fairy
orchestra:
Klassische Philharmonie Bonn
conductor:
Heribert Beissel (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
2:14
27The Nutcracker, Op. 71a: XVd. Pas de deux - Coda: Vivace assai
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14d. Па-де-де: Кода (Coda)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
1:28
28The Nutcracker, Op. 71a: XVI. Final Waltz and Apotheosis: Tempo di valse
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 15. Финальный вальс и Апофеоз (Final Waltz and Apotheosis)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
3:38
29The Sleeping Beauty Suite, Op. 66
recording of:
The Sleeping Beauty, op. 66a (Suite)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1890-02 until 1890-10)
premiered at:
Winter Gardens (Bournemouth) in Bournemouth, Dorset, England, United Kingdom (on 1901-01-07)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66a) and The Tchaikovsky Handbook (number: TH 234)
is based on:
Спящая красавица, op. 66 (The Sleeping Beauty)
21:00
30Symphony No. 1 in G Minor, Op. 13 "Winter Daydreams": I. Allegro tranquillo
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
12:02
31Symphony No. 1 in G Minor, Op. 13 "Winter Daydreams": II. Adagio cantabile ma non tanto
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
10:25
32Symphony No. 1 in G Minor, Op. 13 "Winter Daydreams": III. Allegro scherzando giocoso
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
7:03
33Symphony No. 1 in G Minor, Op. 13 "Winter Daydreams": IV. Andante lugubre - Allegro maestoso
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
11:43
34Symphony No. 2 in C Minor, Op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo (1880 revision [commonly performed]) (from 1972 until 1973)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro comodo (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
11:12
35Symphony No. 2 in C Minor, Op. 17 "Little Russian": II. Andantino marziale
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato (1880 revision [commonly performed]) (from 1972 until 1973)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marciale quasi Moderato (original 1872 version [rarely performed])
6:41
36Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Allegro molto vivace
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace (1880 revision [commonly performed]) (from 1972 until 1973)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
5:22
37Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Moderato assai
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo (1880 revision [commonly performed]) (from 1972 until 1973)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai — Allegro vivo
9:45
38Symphony No. 3 in D Major, Op. 29 "Polish": I. Moderato assai - Allegro brilliante
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro - Moderato assai - Allegro brillante
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
12:32
39Symphony No. 3 in D Major, Op. 29 "Polish": II. Allegro moderato e semplice
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
6:13
40Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
9:38
41Symphony No. 3 in D Major, Op. 29 "Polish": IV. Scherzo
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
5:41
42Symphony No. 3 in D Major, Op. 29 "Polish": V. Allegro con fuoco
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco – Tempo di Polacca
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
9:07
43Symphony No. 4 in F Minor, Op. 36: I. Andante sostenuto - Moderato con anima
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
18:12
44Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
8:52
45Symphony No. 4 in F Minor, Op. 36: III. Scherzo: Allegro
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
5:44
46Symphony No. 4 in F Minor, Op. 36: IV. Allegro con fuoco
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
8:41
47Symphony No. 5 in E Minor, Op. 64: I. Andante, Allegro con anima
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
14:29
48Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
12:41
49Symphony No. 5 in E Minor, Op. 64: III. Valse, Allegro moderato
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
6:21
50Symphony No. 5 in E Minor, Op. 64: IV. Andante maestoso - Allegro vivace
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
12:20
51Symphony No. 6 in B Minor, Op. 74, "Pathétique": I. Adagio - Allegro non troppo
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
18:13
52Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
8:14
53Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:12
54Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentoso
engineer:
Marc Aubort (engineer / producer) (from 1972 until 1973) and Joanna Nickrenz (from 1972 until 1973)
orchestra:
Utah Symphony (from 1972 until 1973)
conductor:
Maurice Abravanel (conductor) (from 1972 until 1973)
recorded at:
Elite Recordings in New York, New York, United States (from 1972 until 1973)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:05
55Romeo and Juliet: Fantasy Overture
orchestra:
Utah Symphony
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
19:40
56Two Pieces for Piano, Op. 1: I. Scherzo à la Russe
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
Scherzo à la russe, op. 1 no. 1 (for piano)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1867-03)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 98) and The Tchaikovsky Handbook (number: TH 124)
part of:
2 Pieces, op. 1 (for piano)
4:59
57Two Pieces for Piano, Op. 1: II. Impromptu
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
Impromptu, op. 1 no. 2 (for piano)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1863 until 1864)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 99) and The Tchaikovsky Handbook (number: TH 122)
part of:
2 Pieces, op. 1 (for piano)
4:24
58Trio in A Minor for Violin, Cello and Piano, Op. 50: I. Pezzo elegiaco: Moderato assai
cello, piano and violin:
Amati String Trio
recording of:
Piano Trio in A minor, op. 50 “In Memory of a Great Artist”: I. Pezzo elegiaco: Moderato assai – Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1881-12 until 1882-01)
part of:
Piano Trio in A minor, op. 50 “In Memory of a Great Artist”
18:09
59Eugene Onegin: Polonaise
orchestra:
Hermitage Museum Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие третье
4:40
60Eugene Onegin: Waltz
orchestra:
Hermitage Museum Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")
8:08
61Swan Lake, Ballet Suite, Op. 20: Scéne (Lake in the Moonlight): Moderato
orchestra:
NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester)
conductor:
Wilhelm Schüchter
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
2:40
62Swan Lake, Ballet Suite, Op. 20: Waltz
orchestra:
NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester)
conductor:
Wilhelm Schüchter
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
6:37
63Swan Lake, Ballet Suite, Op. 20: Dance of the swans
orchestra:
NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester)
conductor:
Wilhelm Schüchter
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
1:23
64Swan Lake, Ballet Suite, Op. 20: Hungarian Dance
orchestra:
NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester)
conductor:
Wilhelm Schüchter
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:31
65Concerto in D Major for Violin and Orchestra, Op. 35: I. Allegro moderato
producer:
Heinz Jansen (engineer)
violin:
Aaron Rosand (violinist)
orchestra:
Orchestre symphonique de Radio Télé Luxembourg (Luxembourg Philharmonic Orchestra)
conductor:
Louis de Froment (conductor)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
17:09
66Concerto in D Major for Violin and Orchestra, Op. 35: II. Canzonetta: Andante
producer:
Heinz Jansen (engineer)
violin:
Aaron Rosand (violinist)
orchestra:
Orchestre symphonique de Radio Télé Luxembourg (Luxembourg Philharmonic Orchestra)
conductor:
Louis de Froment (conductor)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
6:18
67Concerto in D Major for Violin and Orchestra, Op. 35: III. Finale: Allegro vivacissimo
producer:
Heinz Jansen (engineer)
violin:
Aaron Rosand (violinist)
orchestra:
Orchestre symphonique de Radio Télé Luxembourg (Luxembourg Philharmonic Orchestra)
conductor:
Louis de Froment (conductor)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
9:14
68String Quartet No. 1 in D Major, Op. 11: I. Moderato e semplice
cello, viola and violin:
New Philharmonic Quartet
performer:
New Philharmonic Quartet
recording of:
String Quartet no. 1 in D major, op. 11: I. Moderato e semplice
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1871-02)
part of:
String Quartet no. 1 in D major, op. 11
10:39
69String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile
cello, viola and violin:
New Philharmonic Quartet
performer:
New Philharmonic Quartet
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1871-02)
part of:
String Quartet no. 1 in D major, op. 11
6:14
70String Quartet No. 1 in D Major, Op. 11: III. Scherzo: Allegro non tanto e con fuoco
cello, viola and violin:
New Philharmonic Quartet
performer:
New Philharmonic Quartet
recording of:
String Quartet no. 1 in D major, op. 11: III. Scherzo - Allegro non tanto e con fuoco
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1871-02)
part of:
String Quartet no. 1 in D major, op. 11
3:51
71String Quartet No. 1 in D Major, Op. 11: IV. Finale: Allegro giusto - Andante - Allegro vivace
cello, viola and violin:
New Philharmonic Quartet
performer:
New Philharmonic Quartet
recording of:
String Quartet no. 1 in D major, op. 11: IV. Finale. Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1871-02)
part of:
String Quartet no. 1 in D major, op. 11
9:38
72Marche Slave in B-Flat Major, Op. 31
orchestra:
Cincinnati Pops Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Marche slave in B-flat minor, op. 31
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни!
8:45
73String Quartet No. 3 in E-Flat Minor, Op. 30: I. Andante sostenuto
cello, viola and violin:
New Philharmonic Quartet
recording of:
String Quartet no. 3 in E-flat minor, op. 30: I. Andante sostenuto - Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
String Quartet no. 3 in E-flat minor, op. 30
16:07
74String Quartet No. 3 in E-Flat Minor, Op. 30: II. Allegretto vivo e scherzando
cello, viola and violin:
New Philharmonic Quartet
recording of:
String Quartet no. 3 in E-flat minor, op. 30: II. Allegretto vivo e scherzando
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
String Quartet no. 3 in E-flat minor, op. 30
3:56
75String Quartet No. 3 in E-Flat Minor, Op. 30: III. Andante funebre e doloroso, ma con moto
cello, viola and violin:
New Philharmonic Quartet
recording of:
String Quartet no. 3 in E-flat minor, op. 30: III. Andante funebre e doloroso ma con moto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
String Quartet no. 3 in E-flat minor, op. 30
10:14
76String Quartet No. 3 in E-Flat Minor, Op. 30: IV. Finale: Allegro non troppo e risoluto
cello, viola and violin:
New Philharmonic Quartet
recording of:
String Quartet no. 3 in E-flat minor, op. 30: IV. Finale. Allegro non troppo e risoluto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
String Quartet no. 3 in E-flat minor, op. 30
6:14
77Swan Lake, Op. 20, Act II: No. 13, Danse des Cygnes: V. Pas d'action: Andante - Andante non troppo - Allegro
orchestra:
Tbilisi Symphony Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
7:27
78The Seasons, Op. 37b: I. January: At the fireside
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: I. January “At the Fireside”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
3:33
79The Seasons, Op. 37b: II. February: The Carnival
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: II. February “Carnaval”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
2:09
80The Seasons, Op. 37b: III. March: Song of the Lark
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: III. March “Song of the Lark”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
1:53
81The Seasons, Op. 37b: IV. April: Snowdrops
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: IV. April “Snowdrop”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
2:02
82The Seasons, Op. 37b: V. May: White Nights
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: V. May “Starlight Nights”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
3:58
83The Seasons, Op. 37b: VI. June: Barcarole
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: VI. June “Barcarolle”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
4:05
84The Seasons, Op. 37b: VII. July: Reaper's Song
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: VII. July “Song of the Reaper”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
1:29
85The Seasons, Op. 37b: VIII. August: The Harvest
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: VIII. August “Harvest Song”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
2:54
86The Seasons, Op. 37b: IX. September: The Hunt
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: IX. September “Hunting Song”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
2:22
87The Seasons, Op. 37b: X. October: Autumn Song
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: X. October “Autumn Song”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
3:29
88The Seasons, Op. 37a: XI. November: On the Troika
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: XI. November “Troika”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
2:34
89The Seasons, Op. 37a: XII. December: Christmas
producer:
Heinz Jansen (engineer)
piano:
Michael Ponti (pianist)
recorded at:
Südwest‐Tonstudio in Stuttgart, Baden-Württemberg, Germany
recording of:
The Seasons, op. 37a: XII. December “Christmas”
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
2:58
90Sérénade Mélancolique for Violin and Orchestra, Op. 26
violin:
Aaron Rosand (violinist)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg
conductor:
Tibor Szőke (Hungarian conductor)
recording of:
Sérénade mélancolique in B-flat minor, op. 26 (for violin and orchestra)
premiered in:
Moscow, Russia (on 1876-01-28)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1875-02)
dedicated to:
Leopold Auer
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 26), The Tchaikovsky Handbook (number: TH 56) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 58)
8:54
91Suite No. 4 in G Major, Op. 61, "Mozartiana": I. Gigue
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue: Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Gigue for Piano in G major, K. 574 "Eine kleine Gigue". Allegro
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
1:55
92Suite No. 4 in G Major, Op. 61, "Mozartiana": II. Allegro
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue: Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Gigue for Piano in G major, K. 574 "Eine kleine Gigue". Allegro
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
3:46
93Suite No. 4 in G Major, Op. 61, "Mozartiana": III. Minuet
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
3:59
94Suite No. 4 in G Major, Op. 61, "Mozartiana": IV. Moderato, Preghiera, Andante non tanto, Theme and Variations: Allegro giusto
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
compilation of:
Mozartiana Suite fur Orchester no. 4, op. 61: IV. Menuet by Süddeutsche Philharmonie (an Alfred Scholz pseudonym), Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym), Mozartiana Suite fur Orchester no. 4, op. 61: V. Preghiera by Süddeutsche Philharmonie (an Alfred Scholz pseudonym), Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym), Mozartiana Suite fur Orchester no. 4, op. 61: VI. Andante non tanto by Süddeutsche Philharmonie (an Alfred Scholz pseudonym), Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym) and Mozartiana Suite, No. 4, Op. 61: Theme & Variations: Allegro Giusto by Пётр Ильич Чайковский (Russian romantic composer)
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto
composer:
Franz Liszt and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
orchestration of:
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version)
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": IV. Thème et variations: Allegro giusto
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
10 Variations on Christoph Will: "Unser dummer Pöbel meint" from "La Rencontre imprévue" for Piano in G major, K. 455
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
14:52
95The Tempest - Symphonic Fantasy, Op. 18
orchestra:
Большой симфонический оркестр имени П. И. Чайковского (bso.ru, founded 1930, not Mikhailov's 1978 orch.)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
The Tempest, op. 18
composer:
Пётр Ильич Чайковский (Russian romantic composer)
dedicated to:
Владимир Васильевич Стасов
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 18)
is based on:
The Tempest
24:07
96Souvenir d'un lieu cher, Op. 42: I. Meditation in D Minor: Andante molto cantabile
solo violin:
Borika van den Booren
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Souvenir d’un lieu cher, op. 42: I. Meditation. Andante molto cantabile (orchestrated by Glazunov)
orchestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878-03 until 1878-05)
orchestration of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: I. Méditation
part of:
Souvenir d’un lieu cher, op. 42 (orchestrated by Glazunov)
9:41
97Souvenir d'un lieu cher, Op. 42: II. Scherzo: Presto giocoso
solo violin:
Borika van den Booren
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Souvenir d’un lieu cher, op. 42: II. Scherzo (orchestrated by Glazunov)
orchestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878-03 until 1878-05)
orchestration of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: II. Scherzo
part of:
Souvenir d’un lieu cher, op. 42 (orchestrated by Glazunov)
4:06
98Souvenir d'un lieu cher, Op. 42: III. Mélodie: Moderato con moto
violin:
Borika van den Booren
orchestra:
Kiev Chamber Orchestra
conductor:
Roman Kofman
recording of:
Souvenir d’un lieu cher, op. 42: III. Melodie. Moderato con moto (orchestrated by Glazunov)
orchestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878-03 until 1878-05)
orchestration of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie
part of:
Souvenir d’un lieu cher, op. 42 (orchestrated by Glazunov)
3:13
99Festival Overture in E-Flat Major, "The Year 1812", Op. 49
orchestra:
London Symphony Orchestra
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
17:15

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Release

ASIN:DE: B002S415PA [info]

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part of:The 99 Most Essential (order: 10)