Romy and Michele’s High School Reunion: Original Soundtrack

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Our Lips Are Sealed
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 477)
recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
The Go‐Go’s4.652:46
2Venus
producer:
Stock Aitken Waterman
drums (drum set):
Linn 9000 (Linn 9000)
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1986)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 2)
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd. and The International Music Network
is based on:
The Banjo Song
Bananarama3.83:40
3(There’s) Always Something There to Remind Me
producer:
Tony Mansfield (producer & songwriter)
cover recording of:
(There’s) Always Something There to Remind Me
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Carlin Music Corporation, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
Naked Eyes4.153:42
4Dance Hall Days
producer:
Ross Cullum and Chris Hughes (Producer. aka Merrick)
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
Wang Chung3.23:58
5Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
Glenwood Music Corp.
The Vapors3.653:45
6Blood and Roses
recording of:
Blood and Roses
lyricist and composer:
Pat DiNizio
The Smithereens53:36
7Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross-Trevor (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club4:12
8I Want Candy
producer:
Kenny Laguna
cover recording of:
I Want Candy (in 1982)
writer:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein and Richard Gottehrer (American songwriter and music executive)
publisher:
Sloopy II Music, Sony/ATV Songs LLC and Wren Music Co.
Bow Wow Wow42:46
9Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
composer:
Mark Lettieri
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Virgin Music (Publishers) Ltd., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears44:12
10Heaven Is a Place on Earth
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee, Fujipacific Music, Inc. and Future Furniture
Belinda Carlisle54:12
11We Got the Beat
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
recording of:
We Got the Beat
lyricist and composer:
Charlotte Caffey
writer:
The Go‐Go’s (all-female American rock band formed in 1978)
publisher:
Daddy-Oh Music and Universal Music–MGB Songs
The Go‐Go’s4.42:30

Credits