Luciano Pavarotti - The Complete Opera Recordings I

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Tracklist

CD 1: Bellini: Beatrice di Tenda (I)
CD 2: Bellini: Beatrice di Tenda (II)
CD 3: Donizetti: La fille du régiment (I)
CD 4: Donizetti: La fille du régiment (II)
CD 5: Verdi: Messa da Requiem
CD 6: Mascagni: L'amico Fritz (I)
CD 7: Mascagni: L'amico Fritz (II)
CD 8: R. Strauss: Der Rosenkavalier (I)
#TitleArtistRatingLength
1Der Rosenkavalier, op. 59: Akt I. Einleitung
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:32
2Der Rosenkavalier, op. 59: Akt I. „Wie du warst! Wie du bist!” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:23
3Der Rosenkavalier, op. 59: Akt I. „Marie Theres'!” „Octavian!” (Octavian, Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Marie Theres'!" - "Octavian!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:11
4Der Rosenkavalier, op. 59: Akt I. „Quinquin, es ist mein Mann!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Die Haushofmeister bei der Feldmarschallin]:
Herbert Prikopa (conductor / composer / opera singer) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:25
5Der Rosenkavalier, op. 59: Akt I. „Selbstverständlich empfängt mich Ihro Gnaden” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Die Haushofmeister bei der Feldmarschallin]:
Herbert Prikopa (conductor / composer / opera singer) (in 1968-11)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Vierter Lakai]:
Leo Heppe (Bob Martin - Austrian singer) (in 1968-11)
other vocals [Dritter Lakai]:
Alexander Maly (in 1968-11)
other vocals [Erster Lakai]:
Hans Pipal (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
tenor vocals [Zweiter Lakai]:
Adolf Tomaschek (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:12
6Der Rosenkavalier, op. 59: Akt I. „Hat Sie schon einmal mit einem Kavalier” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:56
7Der Rosenkavalier, op. 59: Akt I. „Nein, Er agiert mir gar zu gut!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Nein, er agiert mir gar zu gut!" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:43
8Der Rosenkavalier, op. 59: Akt I. „I komm' glei” (Octavian)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
contralto vocals [Drei adelige Waisen]:
Rohangiz Yachmi (mezzo-soprano) (in 1968-11)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
other vocals [Drei adelige Waisen]:
Ingrid Mayr (mezzo-soprano / alto) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
soprano vocals [Drei adelige Waisen]:
Arleen Augér (soprano) (in 1968-11)
soprano vocals [Eine Modistin]:
Rosl Schwaiger (soprano) (in 1968-11)
tenor vocals [Ein Tierhändler]:
Karl Terkal (Austrian Tenor) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:07
9Der Rosenkavalier, op. 59: Akt I. „Di rigori armato il seno” (Sänger)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Ein Sänger]:
Luciano Pavarotti (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:04
10Der Rosenkavalier, op. 59: Akt I. „Als Morgengabe - ganz separatim jedoch” (Baron)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
bass vocals [Ein Notar]:
Alfred Jerger (bass-baritone) (in 1968-11)
tenor vocals [Ein Sänger]:
Luciano Pavarotti (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:03
11Der Rosenkavalier, op. 59: Akt I. „Mein lieber Hippolyte” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Manfred Jungwirth (operatic bass) (in 1968-11)
soprano vocals [Annina]:
Anne Howells (operatic mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
tenor vocals [Valzacchi]:
Murray Dickie (tenor) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:44
12Der Rosenkavalier, op. 59: Akt I. „Da geht er hin” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:02
13Der Rosenkavalier, op. 59: Akt I. „Ach, du bist wieder da!” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss6:06
14Der Rosenkavalier, op. 59: Akt I. „Die Zeit, die ist ein sonderbar Ding” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Octavian]:
Yvonne Minton (mezzo-soprano) (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (in 1968-11)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss10:25
15Der Rosenkavalier, op. 59: Akt I. „Ich hab' ihn nicht einmal geküßt” (Marschallin)
recording engineer:
Jack Law (engineer), James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1968-11)
soprano vocals [Die Feldmarschallin Fürstin Werdenberg]:
Régine Crespin (soprano) (in 1968-11)
orchestra:
Wiener Philharmoniker (in 1968-11)
conductor:
Sir Georg Solti (conductor) (in 1968-11)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1968-11)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-11)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt" (in 1968-11)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:03
CD 9: R. Strauss: Der Rosenkavalier (II)
CD 10: R. Strauss: Der Rosenkavalier (III)
CD 11: Donizetti: L'elisir d'amore (I)
CD 12: Donizetti: L'elisir d'amore (II)
CD 13: Verdi: Un ballo in maschera (I)
CD 14: Verdi: Un ballo in maschera (II)
CD 15: Verdi: Macbeth (I)
CD 16: Verdi: Macbeth (II)
CD 17: Rossini: Stabat Mater
CD 18: Verdi: Rigoletto (I)
CD 19: Verdi: Rigoletto (II)
CD 20: Donizetti: Lucia di Lammermoor (I)
CD 21: Donizetti: Lucia di Lammermoor (II)

Credits

Release Group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]