Sacred Masterpieces and Cantatas

~ Release by Johann Sebastian Bach; Sir John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Christmas Oratorio, BWV 248, Part One, Two and Three
▶ CD 2: Christmas Oratorio, BWV 248, Part Four, Five and Six
▶ CD 3: St. Matthew Passion, BWV 244, Part One
▶ CD 4: St. Matthew Passion, BWV 244, Part Two
▶ CD 5: St. Matthew Passion, BWV 244, Part Two (cont.)
▶ CD 6: St. John Passion, BWV 245, Part One and Two
▶ CD 7: St. John Passion, BWV 245, Part Two (cont.)
▶ CD 8: Mass, BWV 232
▶ CD 9: Mass, BWV 232 (cont.)
▶ CD 10: Magnificat, BWV 243; Jauchzet Gott in allen Landen, Cantata BWV 51
▶ CD 11: Advent Cantatas, BWV 36, 61 & 62
▶ CD 12: Christmas Cantatas, BWV 63, 64, 121 & 133
▼ CD 13: New Year Cantata, BWV 16; Cantatas for the 21st and 23rd Sunday after Trinity, BWV 98 & 139
#TitleArtistRatingLength
1Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": I. Chorus "Was Gott tut, das ist wohlgetan"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohl getan" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Samuel Rodigast (German poet)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:56
2Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitative (Tenor) "Ach GOtt! wenn wirst du mich einmal"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitativo (Tenor) "Ach Gott! wenn wirst du mich einmal" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach0:53
3Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Soprano) "Hört, ihr Augen, auf zu weinen"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Hört, ihr Augen, auf zu weinen!" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:18
4Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitative (Countertenor) "Gott hat ein Herz, das des Erbarmens Überfluss"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitativo (Alt) "Gott hat ein Herz, das des Erbarmens Überfluß" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach0:55
5Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum lass ich nicht"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum laß ich nicht" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:56
6Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Chorus "Wohl dem, der sich auf seinen Gott"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Coro "Wohl dem, der sich auf seinen Gott" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:00
7Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund; was hilft das Toben"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:03
8Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitative (Countertenor) "Der Heiland sendet ja die Seinen"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:36
9Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach4:38
10Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitative (Soprano) "Ja, trag ich gleich den größten Feind in mir"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitativo (Sopran) "Ja, trag ich gleich den größten Feind in mir" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:39
11Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Chorale "Dahero trotz der Höllen Heer"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral "Dahero Trotz der Höllen Heer!" (in 1998-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 238)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:52
12Cantata, BWV 16 "Herr Gott, dich loben wir": I. Chorus "Herr Gott, dich loben wir"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:36
13Cantata, BWV 16 "Herr Gott, dich loben wir": Recitative (Bass) "So stimmen wir bei dieser frohen Zeit"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:08
14Cantata, BWV 16 "Herr Gott, dich loben wir": III. Aria (Chorus, Bass) "Lasst uns jauchzen, lasst ons freuen" / "Krönt und segnet seine Hand"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
bass vocals:
Gotthold Schwarz (Conductor) (in 1998-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:31
15Cantata, BWV 16 "Herr Gott, dich loben wir": IV. Recitative (Countertenor) "Ach, treuer Hort, beschütz auch fernerhin dein wertes Wort"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:16
16Cantata, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenor) "Geliebter Jesu, nur du allein"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach7:24
17Cantata, BWV 16 "Herr Gott, dich loben wir": VI. Chorale "All solch dein Güt wir preisen"
recording engineer:
Jürgen Bulgrin (Sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr, Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:00
▶ CD 14: Cantatas for the 3rd Sunday after Epiphany, BWV 72, 73, 111 & 156
▶ CD 15: Cantatas for the Feast of the Purification of Mary (2 February), BWV 82, 83, 125 & 200
▶ CD 16: Easter Cantatas, BWV 6 & 66
▶ CD 17: Cantatas for Ascension Day, BWV 11, 37, 43 & 128
▶ CD 18: Cantatas for the 1st day of Whitsun, BWV 34, 59, 74 & 172
▶ CD 19: Cantatas for the 9th Sunday after Trinity, BWV 94, 105 & 168
▶ CD 20: Cantatas for the 11th Sunday after Trinity, BWV 113, 179 & 199
▶ CD 21: Cantatas for the 27th Sunday after Trinity, BWV 140 & for the Feast of the Visitation of Mary (2 July), BWV 147
▶ CD 22: Cantatas BWV 106; 118/231 & 198