The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 6 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

CD 1: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
CD 2: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
CD 3: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
CD 4: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
CD 5: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
CD 6: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
CD 7: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
CD 8: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
CD 9: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
CD 10: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
CD 11: Monteverdi: Orfeo (beginning)
CD 12: Monteverdi: Orfeo (conclusion)
CD 13: La Chanson et la danse – Paris, vers 1540
CD 14: La Chanson de Lausanne
CD 15: Goudimel: Mass “La Bien que j’ay” / Six Psalms
CD 16: De Lalande: De profundis / Regina cœli
CD 17: I Dolci Frutti: Venice before Monteverdi (I)
CD 18: I Dolci Frutti: Venice before Monteverdi (II)
CD 19: Gabrieli: Sacrae Symphoniae vol. 1
CD 20: Gabrieli: Sacrae Symphoniae vol. 2
CD 21: Bach: Magnificat / Cantata BWV 187
CD 22: Bach: Mass in B minor, BWV 232 (beginning)
CD 23: Bach: Mass in B minor, BWV 232 (conclusion)
CD 24: Carissimi: Jephté et Trois motets
CD 25: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
CD 26: Charpentier: Messe pour les trépassés (1)
CD 27: Charpentier: Messe pour les trépassés (2)
CD 28: Bach: Missae breves I
CD 29: Bach: Missae breves II
CD 30: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
CD 31: Marcello: Seven Psalms I
CD 32: Marcello: Seven Psalms II
CD 33: Monteverdi: Madrigali I
CD 34: Monteverdi: Madrigali II
CD 35: Bach: Piano Concertos BWV 1052, 1055 & 1056
CD 36: Vivaldi: Sacred Music I
CD 37: Monteverdi: Madrigali III-V (I)
CD 38: Monteverdi: Madrigali III-V (II)
CD 39: J.C. Bach: Fortepiano Concertos
CD 40: Vivaldi: Sacred Music II
CD 41: Vivaldi: Sacred Music III
CD 42: Vivaldi: Sacred Music IV
CD 43: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
CD 44: Vivaldi: Sacred Music V
CD 45: Bach: Cantatas I
CD 46: Bach: Cantatas II
CD 47: Bach: Johannes-Passion, BWV 245 (beginning)
CD 48: Bach: Johannes-Passion, BWV 245 (conclusion)
CD 49: Vivaldi: Sacred Music VI
CD 50: Charpentier: Le jugement dernier / Beatus vir
CD 51: Monteverdi: Magrigali VI-VIII (I)
CD 52: Monteverdi: Madrigali VI-VIII (II)
CD 53: Bach: Mass in B minor, BWV 232 (beginning)
CD 54: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
CD 55: Cavalli: Ercole amante (beginning)
CD 56: Cavalli: Ercole amante (continuing)
CD 57: Cavalli: Ercole amante (conclusion)
CD 58: Handel: Suites from Rodrigo & Il pastor fido
CD 59: Charpentier: David et Jonathas, H. 490 (beginning)
CD 60: Charpentier: David et Jonathas, H. 490 (conclusion)
CD 61: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
CD 62: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
CD 63: Bach: Matthäus-Passion, BWV 244 (beginning)
CD 64: Bach: Matthäus-Passion, BWV 244 (continuing)
CD 65: Bach: Matthäus-Passion, BWV 244 (conclusion)
CD 66: Bach: Weihnachtsoratorium, BWV 248 (beginning)
CD 67: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
CD 68: Monteverdi: Orfeo (beginning)
CD 69: Monteverdi: Orfeo (conclusion)
CD 70: Purcell: Dido and Aeneas
CD 71: Handel: Messiah, KV 572 (beginning)
CD 72: Handel: Messiah, KV 572 (conclusion)
CD 73: Bach: Mass in B minor, BWV 232 (beginning)
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach8:22
2Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
producer:
François Garcin (editor)
mezzo-soprano vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:36
3Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:49
4Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis
producer:
François Garcin (editor)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:42
5Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:53
6Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
producer:
François Garcin (editor)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:16
7Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
8Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
producer:
François Garcin (editor)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
tenor vocals:
Markus Schäfer (tenor) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:20
9Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:40
10Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
producer:
François Garcin (editor)
mezzo-soprano vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:37
11Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
producer:
François Garcin (editor)
bass vocals:
Marcos Fink (bass-baritone) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:23
12Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:40
CD 74: Bach: Mass in B minor, BWV 232 (conclusion)