Cigarettes and Alcohol: 40 Modern Anthems

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Cigarettes and Alcohol
producer:
Mark Coyle and Oasis (1991–2009 Britpop)
recording of:
Cigarettes & Alcohol
lyricist and composer:
Noel Gallagher
Oasis24:50
2London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash4.153:19
3A Design for Life
engineer and mixer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 30)
recording of:
A Design for Life
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
Manic Street Preachers3.74:17
4Dancing in the Moonlight
engineer:
Alan Douglas (Scottish born engineer)
producer:
George Drakoulias
mixer:
Dave Shiftman (American producer/audio engineer) and Greg Fidelman
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2000)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
mixed at:
Ocean Wave Studios
cover recording of:
Dancing in the Moonlight
lyricist and composer:
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Toploader4.53:50
5There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
The La’s3.952:43
6I Am the Resurrection
recording of:
I Am the Resurrection
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
The Stone Roses33:42
7The Day We Caught the Train
producer:
Brendan Lynch (London producer) and Ocean Colour Scene
part of:
Anti-Hit List: June 4, 1996 (number: 8)
recording of:
The Day We Caught the Train
writer:
Steve Cradock, Simon Fowler (English singer), Oscar Harrison and Damon Minchella
Ocean Colour Scene43:07
8Down in the Tube Station at Midnight
producer:
Vic Coppersmith‐Heaven
edit of:
Down in the Tube Station at Midnight by The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
Down in the Tube Station at Midnight
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam3:59
9The Boys Are Back in Town
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.254:24
10All or Nothing
producer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966)
recording of:
All or Nothing
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
Aquarius Music Ltd. (UK publisher)
Small Faces3.53:03
11Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Pulp2.44:07
12Lust for Life
recording of:
Lust for Life
lyricist:
Iggy Pop
composer:
David Bowie and Iggy Pop
publisher:
Bewlay Bros. Music, Fleur Music Ltd. (publisher), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop3:04
13She Sells Sanctuary
recording of:
She Sells Sanctuary
writer:
Ian Astbury (vocalist for The Cult) and Billy Duffy
publisher:
Chappell Music Ltd.
The Cult4:13
14Maggie May
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
compilation of:
Henry by Rod Stewart and Maggie May (without “Henry” prelude) by Rod Stewart
music videos:
Maggie May by Rod Stewart
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 130) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 141)
recording of:
Maggie May (in 1971-01)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
recording of:
Henry (prelude to “Maggie May”)
composer:
Martin Quittenton
recording of:
Maggie May
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.45:45
15Up the Junction
recording of:
Up the Junction
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Squeeze3:07
16Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
The Specials3.93:38
17Walkaway
engineer, producer and mixer:
John Leckie
drums (drum set):
Keith O'Neill
electric bass guitar:
Pete Wilkinson
guitar:
John Power (of The La’s and Cast) and Liam Tyson
strings:
Jonathan Stone (Violinist) and Vincent Needham (strings)
lead vocals:
John Power (of The La’s and Cast)
strings arranger:
Jonathan Stone (Violinist)
recording of:
Walkaway
lyricist and composer:
John Power (of The La’s and Cast)
publisher:
PolyGram Music Publishing
Cast4.653:51
18You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Mick Avory (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.32:12
19Mama Told Me Not to Come
engineer:
Bob Kraushaar
additional producer:
Stephen Hague
producer:
Marshall Bird and Steve Bush (engineer/mixer)
vocals:
Tom Jones (Welsh pop singer)
performer:
Stereophonics
cover recording of:
Mama Told Me (Not to Come) (in 1999)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
January Music
Tom Jones & Stereophonics2.353:00
20True Faith ’94
recording of:
True Faith
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
American Psycho
New Order5:35
▶ CD 2

Credits

Release

ASIN:DE: B00004TRHQ [info]

Release Group

part of:Cigarettes and Alcohol (number: 1) (order: 2)
Discogs:https://www.discogs.com/master/1037855 [info]