Giuseppe Verdi: Panorama

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleRatingLength
1La forza del destino: Sinfonia
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985, in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1985-09, in 1987)
recording of:
La forza del destino: Sinfonia (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
7:49
2La forza del destino: Atto II. “Son Pereda, son ricco d'onore”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1985)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1987)
recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
2:34
3La forza del destino: Atto III. “Solenne in quest'ora”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1985)
tenor vocals [Alvaro]:
José Carreras (Spanish tenor) (in 1985)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1987)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest'ora” (Alvaro, Don Carlo) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
4:29
4La forza del destino: Atto IV. “Pace, pace, mio Dio”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1985)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1987)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
6:20
5Il trovatore: Atto II. “Vedi! le fosche notturne spoglie”
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:57
6Il trovatore: Atto II. “Stride la vampa!”
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:50
7Il trovatore: Atto II. “Il balen del suo sorriso ... Per me, ora fatale”
baritone vocals [Conte]:
Ettore Bastianini (baritone)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
5:58
8Il trovatore: Atto III. “Or co'dadi”
bass vocals [Ferrando]:
Ivo Vinco (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
4:43
9Il trovatore: Atto III. “Ah! sì, ben mio”
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:53
10Il trovatore: Atto III. “L'onda de' suoni mistici“
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
0:59
11Il trovatore: Atto III. “Manrico?” / “Che?” / “La zingara”
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
0:49
12Il trovatore: Atto III. “Di quella pira”
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:01
13Il trovatore: Atto IV. “D'amor sull'ali rosee”
soprano vocals [Leonora]:
Antonietta Stella (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:20
14Il trovatore: Atto IV. “Miserere“ / “Ah! che la morte ognora”
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
5:00
15Aida: Atto I. “Se quel guerrier io fossi! ... Celeste Aida”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1981-01 until 1981-06)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1981-01 until 1981-06)
orchestra:
Orchestra of La Scala, Milan (from 1981-01 until 1981-06)
conductor:
Claudio Abbado (conductor) (from 1981-01 until 1981-06)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1981-01 until 1981-06)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:31
16Aida: Atto II. “Gloria all'Egitto, ad Iside”
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio) (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:27
17Aida: Atto II. Marcia trionfale
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
soprano vocals [Aida]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
1:35
18Aida: Atto II. Ballabile
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981, in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981, in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
4:25
19Aida: Atto III. “O patria mia”
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
soprano vocals [Aida]:
Katia Ricciarelli (soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
5:02
20Aida: Atto IV. “Immenso Fthà” / “O terra, addio”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981)
mezzo-soprano vocals [Amneris]:
Elena Obraztsova (mezzo-soprano) (in 1981)
mezzo-soprano vocals [Sacerdotessa]:
Lucia Valentini Terrani (mezzo soprano) (in 1981)
soprano vocals [Aida]:
Katia Ricciarelli (soprano) (in 1981)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1981)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1981)
conductor:
Claudio Abbado (conductor) (in 1981)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:18