Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Water Music
▶ CD 2: Music for the Royal Fireworks; Sinfonias
▶ CD 3: Concerti grossi Op. 3
▶ CD 4: Concerti grossi Op. 6 Nos. 1-4
▶ CD 5: Concerti grossi Op. 6 Nos. 5-8
▶ CD 6: Concerti grossi Op. 6 Nos. 9-12
▶ CD 7: Concerti a due cori
▶ CD 8: Organ Concertos I
▶ CD 9: Organ Concertos II; Harp Concerto
▶ CD 10: Organ Concertos III
▶ CD 11: Organ Concertos IV
▶ CD 12: Organ Concertos V
▶ CD 13: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
▶ CD 14: Flute Sonatas
▶ CD 15: Violin and Oboe Sonatas
▶ CD 16: Trio Sonatas I - Op. 2
▶ CD 17: Trio Sonatas II - Op. 5
▶ CD 18: Trio Sonatas III
▶ CD 19: Recorder Sonatas
▶ CD 20: Suites de pièces pour le clavecin I
▶ CD 21: Suites de pièces pour le clavecin II
▶ CD 22: Suites de pièces pour le clavecin III
▶ CD 23: Suites de pièces pour le clavecin IV
▶ CD 24: Harpsichord Music I
▶ CD 25: Harpsichord Music II
▶ CD 26: Harpsichord Music III
▶ CD 27: Harpsichord Music IV
▶ CD 28: Romantic Organ Transcriptions
▶ CD 29: Nine German Arias
▶ CD 30: Cantatas for soprano solo I
▶ CD 31: Cantatas for soprano solo II
▶ CD 32: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
▶ CD 33: Cantatas for soprano solo IV
▶ CD 34: Cantatas for soprano solo V
▶ CD 35: Italian Duets
▶ CD 36: The Alchemist; Apollo e Dafne
▶ CD 37: Aci, Galatea e Polifemo (beginning)
▶ CD 38: Aci, Galatea e Polifemo (conclusion)
▶ CD 39: Alexander's Feast (beginning)
▶ CD 40: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
▶ CD 41: Coronation Anthems
▶ CD 42: Dettingen Te Deum
▶ CD 43: Friedensode; Utrechter Te Deum
▶ CD 44: Ode for St. Cecilia's Day
▶ CD 45: Messiah (beginning)
▶ CD 46: Messiah (conclusion)
▶ CD 47: La Resurrezione (beginning)
▶ CD 48: La Resurrezione (conclusion)
▶ CD 49: Jephtha (beginning)
▶ CD 50: Jephtha (continuation)
▶ CD 51: Jephtha (conclusion)
▶ CD 52: Israel in Egypt (beginning)
▶ CD 53: Israel in Egypt (conclusion)
▶ CD 54: Judas Maccabaeus (beginning)
▶ CD 55: Judas Maccabaeus (conclusion)
▶ CD 56: Samson (beginning)
▶ CD 57: Samson (conclusion)
▶ CD 58: Theodora (beginning)
▶ CD 59: Theodora (conclusion)
▶ CD 60: Saul (beginning)
▼ CD 61: Saul (conclusion)
#TitleRatingLength
1Saul, HWV 53: 17. Act II, Scene 1 - Chorus: Envy, eldest born of hell
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene I, no. 42. Chorus "Envy! Eldest born of hell!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
2:42
2Saul, HWV 53: 18. Act II, Scene 1 - Recitative and Air: Hast thou obey'd my orders
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene III, no. 48. Recitative "Hast thou obeyed my orders" (Saul, Jonathan)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 49. Air "Sin not, o king, against the youth" (Jonathan)
lyricist:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
2:45
3Saul, HWV 53: 19. Act II, Scene 1 - Air: As great Jehovah lives
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene III, no. 50. Air "As great Jehovah lives (Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 51. Air "From cities stormed, and battles won" (Jonathan)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
3:33
4Saul, HWV 53: 20. Act II, Scene 1 - Recitative: Appear, my friend
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene IV, no. 52. Recitative "Appear, my friend" (Jonathan, Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
0:42
5Saul, HWV 53: 21. Act II, Scene 2 - Recitative and Duet: A father's will
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene V, no. 55. Recitative "A father's will has authorised my love" (Michal)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene V, no. 56. Duet "O fairest of ten thousand fair" (Michal, David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
3:27
6Saul, HWV 53: 22. Act II, Scene 2 - Chorus: Is there a man
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene V, no. 57. Chorus "Is there a man"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
1:41
7Saul, HWV 53: 23. Act II, Scene 2 - Sinfonia 1
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene V, no. 58. Symphony: Largo - Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act II
5:17
8Saul, HWV 53: 24. Act II, Scene 3 - Recitative and Duet: Thy father is as cruel
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene VI, no. 59. Recitative "Thy father is a cruel!" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene VI, no. 60. Duet "At persecution I can laugh" (David, Michal)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
2:03
9Saul, HWV 53: 25. Act II, Scene 3 - Recitative and Air: Whom dost thou seek
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene VII, no. 61. Recitative "Whom dost thou seek" (Michal, Doeg)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene VII, no. 62. Air "No, no, let the guilty tremble" (Michal)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
3:11
10Saul, HWV 53: 26. Act II, Scene 3 - Sinfonia 2
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene IX, no. 65. Symphony: Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act II
1:25
11Saul, HWV 53: 27. Act II, Scene 4 - Accompagnato: The time at length is come
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene IX, no. 66. Accompagnato "The time at length is come" (Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene X, no. 67. Recitative "Where is the son of Jesse!" (Saul, Jonathan)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
2:17
12Saul, HWV 53: 28. Act II, Scene 4 - Chorus: Oh, fatal consequence of rage
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act II, Scene X, no. 68. Chorus "Oh fatal consequence of Rage"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
5:30
13Saul, HWV 53: 29. Act III, Scene 1 - Accompagnato: Wretch that I am
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene I, no. 69. Accompagnato "Wretch that I am" (Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene I, no. 70. Accompagnato "'Tis said, here lives a woman" (Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
4:22
14Saul, HWV 53: 30. Act III, Scene 2 - Recitative and Air: With me what should'st thou?
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene II, no. 71. Recitative "With me what would'st thou" (Witch, Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene II, no. 72. Air "Infernal spirits" (Witch of Endor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
2:59
15Saul, HWV 53: 31. Act III, Scene 2 - Accompagnato: Why hast thou forc'd me
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene III, no. 73. Accompagnato "Why hast thou forced me from the realm of peace" (Samuel, Saul)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
3:14
16Saul, HWV 53: 32. Act III, Scene 3 - Sinfonia 3
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene III, no. 74. Symphony: Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
0:45
17Saul, HWV 53: 33. Act III, Scene 3 - Recitative and Air: Whence comest thou?
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 75. Recitative "Whence comest thou?" (David, Amalekite)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene IV, no. 76. Air "Impious wretch, of race accurst!" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
3:28
18Saul, HWV 53: 34. Act III, Scene 3 - Dead March
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 77. March: Grave
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
2:41
19Saul, HWV 53: 35. Act III, Scene 3 - Chorus: Mourn, Israel, mourn
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene V, no. 78. Chorus "Mourn, Israel!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
3:44
20Saul, HWV 53: 36. Act III, Scene 3 - Air: Brave Jonathan his bow never drew
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene V, no. 81. Air "Brave Jonathan his bow never drew" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
2:16
21Saul, HWV 53: 37. Act III, Scene 3 - Chorus: Eagles were not so swift
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene V, no. 82. Chorus "Eagles were not so swift as they"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
0:28
22Saul, HWV 53: 38. Act III, Scene 3 - Air: In sweetest harmony
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene V, no. 83. Air "In sweetest harmony they lived!" (Michal)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
9:11
23Saul, HWV 53: 39. Act III, Scene 3 - Recitative and Chorus: Ye men of Judah
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Erna Heiller (harpsichord player)
organ:
Anton Heiller
bass vocals [Saul]:
Thomas Hemsley (baritone)
choir vocals:
Copenhagen Boys Choir
contralto vocals [David]:
Helen Watts (contralto)
soprano vocals [Merab]:
Laurence Dutoit (Austrian soprano)
soprano vocals [Michal]:
Jennifer Vyvyan (soprano)
tenor vocals [Abner]:
Erling Thorborg (tenor)
tenor vocals [Jonathan]:
Herbert Handt (tenor/conductor)
orchestra:
Vienna Symphony Orchestra
conductor:
Mogens Wöldike
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972)
recording of:
Saul, HWV 53: Act III, Scene V, no. 85. Recitative "Ye men of Judah, weep no more!" (Abner)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene V, no. 86. Chorus "Gird on thy sword, thou man of might"
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
6:28
▶ CD 62: Solomon (beginning)
▶ CD 63: Solomon (conclusion)
▶ CD 64: Semele (beginning)
▶ CD 65: Semele (conclusion)